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#rgu – @zukaheart on Tumblr

SOMEDAY, TOGETHER, WE'LL DEACTIVATE

@zukaheart / zukaheart.tumblr.com

[header desc: a tweet by cher that reads "I Need To Shoot My Phone".]
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ursulaklegun

Thinking about how in Plato’s allegory of the cave, Socrates says that if someone who’s been trapped in the darkness all their life was forced to see the light of the sun, it would be so blinding and painful that they’d try to kill the one who brought them into the sunlight, and that is exactly why Anthy stabbed Utena

You can’t force someone to be free...you can only show them what freedom looks like and be there when they are ready to take your hand. And that’s what revolutionary girl utena is about

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someone smarter than me please connect these dots

Okay this is fascinating because the Greek version of Anthy’s name, Antheia, is another name for Hera (and Zeus’s name is derived from Dios). Zeus and Hera were, of course, siblings as well as husband and wife. Antheia was ALSO sometimes used as an epithet for Aphrodite herself. So in both these tales about Io, we have the Anthy-equivalent goddess jealous of a relative’s love for someone else.

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kallistoi

[image description: a screenshot from a wikipedia article on the wild pansy: “According to Greek mythology, Zeus fell in love with a young woman named Io and provoked jealousy to his wife Hera. He transformed the girl into a heifer and kept her grazing at his feet. For pity on the diet of herbs to which he submitted the beloved, he caused the earth to produce beautiful flowers that he called Io. Another Greek legend has it that the delicate white flowers were worshiped by Eros. To inhibit this worship, Aphrodite colored them, which resulted in tricolor coloration.”

a photo of a wild pansy, which is purple, yellow, and white.

a still from revolutionary girl utena of nanami in a yellow and purple dress.

a scene from revolutionary girl utena. it’s a dream sequence from “the cowbell of happiness,” showing the characters in shadowed silhouettes. nanami wakes up in a barn. her shadow on the wall looks like a cow and when she speaks its mouth moves instead of hers. she asks, “huh? where am i?” touga enters and she says, “big brother!” he asks, “are you awake?” she says, “you’re feeling better, big brother?! you finally came out of your room!” touga answers, “never mind that now, nanami. never mind that.” he starts shoveling hay at her and saying, “go on, nanami! your breakfast is ready!” nanami asks, “what do you mean, big brother? i can’t eat this!” he leans down over her and says, “be a good girl and eat it. it’s your last meal, after all.” she gasps and asks, “m-m-my last meal?” metal bars fall down over the screen and the scene changes to nanami in a cage on a cart. touga says, “farewell, nanami.” the cart pulls away and nanami starts shouting, “big brother? big brother, what’s going on?!” touga shouts back, “farewell, nanami!” she calls after him as the cart keeps moving away and he repeats “farewell, nanami.” the scene then changes to touga sitting over a sizzling steak with a fork and knife, saying, “time to eat!” the song “dona dona” plays in the background throughout.]

hi i’m a freak for ovid and this episode makes me go absolutely insane so i’m gonna go crazy with the io / nanami thoughts that have been percolating in my brain!! this parallel really really fascinates me. putting it under the cut for length, also because of discussion about rape and incest.

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The absolute destiny apocalypse (arc)

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kallistoi

[image description: a digital illustration of wakaba shinohara, utena tenjou, and anthy himemiya from revolutionary girl utena. they're all lying down, wakaba's head resting on utena's stomach as utena rests a hand in wakaba's hair. utena looks impassive as she says, "i don't know how to feel." wakaba asks, "oh?" anthy lies on her side with her back to the other two, her glasses flashing and rendering her expression enigmatic. chu-chu lies on her arm with a tearful expression. end description.]

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saionjeans

I’ve seen ppl get mad that utena and anthy never actually kiss onscreen throughout the entire show and that the movie is actually rectifying a grave slight by allowing them to kiss so brazenly but I actually think that there is something so much more incisive & trenchant about the only fully exposed onscreen kisses belonging to shiori & ruka (& unnamed stand-in #1) and akio & utena (& tokiko & kanae* &&&). if you dismiss the frame you lose the story

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