Mexicoan Architecture 18th Century Jesuit convent outside Mexico City. Photo by Armando Cuellar
NEMO Driade
In 2010 it happens that the name Nemo immediately evokes the little fish protagonist of the Pixar Movie in 2003.
If this question had been asked in the end of the XIX century probably the answer would have been the Captain Nemo protagonist of the book written by Jules Verne in 1870: twenty thousand leagues under the sea. Going further in time, in a classical era around the 800 b.C, Nemo should have been the name chosen by Odisseo to deceive Polifemo the cyclops of the Homer epic poem.
Ulisse, used to disguise, declares that his name is Nemo, no-one in order to escape from certain death: the destruction of the personality under the survival instinct.
Despite I deeply feel a man of my era, the greek origins of my native land make me associate Nemo to Odisseo.
The name become a mask used to hide the identity. Mask that in the greek theatre is called also persona recalling the name sound that plays the part of amplifying the voice.
A project born between the drawing by Ponti of 1950 “Un disegno è un’idea” and the romance by Pirandello of 1926 “Uno, nessuno e centomila” for creating a new identity without sexual and geographical features. An identity denied for a renewed idea of collectivity made of eyes that search each others beyond the borders and barriers.
Photo by http://www.novembre.it/
Beauty in simple colors by Leontjew
Loft interior design by Tomáš Souček
Travel: Melbourne, Australia
Vault is perhaps Melbourne’s most reviled piece of public art. Rechristened the “Yellow Peril” when it debuted downtown in 1980, Ron Robertson-Swann’s work has moved twice since then. Now it resides outside the Australian Centre for Contemporary Art.
Photo by: João Canziani
Interior design art: Dinning room indoor interior
Child with ferrari papper bag
Travel: India rainstation landscape
Micmac À Boulogne
Urban Landscape