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Racing Turtles

@zenosanalytic / zenosanalytic.tumblr.com

"Why run, my little Phoenician?"
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fefairys

this is one is important as fuck i see so many people not understand this and it drives me crazy

"Sburb ruins, mythic challenges, and personal quests generally tend to come off as shallow busywork, stage props, or set pieces in a spurious Hero's Journey. Rose either faintly glimpses this truth at this early stage, or she's just hitting her rebellious teen stride. Either way, she doesn't take the surface value of the quest seriously at all, and only wants to smash it apart and loot the secrets. My sense is that the average reader reacts to this impulse unfavorably. Because readers watch the formula play out so often, they are trained heavily to respect the journey of the hero, to anticipate and crave its fulfillment, to see it as something verging on contractual in their relationship with a story. So a gut-response to this recklessness is like, "ROSE, NO! STOP THAT! You simply must complete your quest and play the rain!" What comes with this view is the feeling that her evolution as a character is only being delayed for a bit while she gets some anti-narrative foolishness out of her system, and then we'll get down to business and watch her do her quest, play a whole BUNCH of rain, and reap the narrative satisfaction. There's just one problem: she never does that. This candy-coated Kiddie Kwest is at no point ever taken seriously by Rose or the narrative itself, nor should it be.

When trying to parse character arcs, we look out for certain beacons. So when we hear "play the rain," we're like, ah, GOT IT. That's Rose's arc. Once she finally gets over this destructive teen bullshit, she can wise up, play the rain, and her arc will be finished. Wrong. This is almost a red herring arc. Her quest on this planet, its patronizing presentation, its intrinsic shallowness, is a mirage surrounding her that represents a fully regimented series of milestones for achievement and personal growth, much as society dubiously presents to young people in many forms. The true arc-within-the-arc is actually an upside-down version of what it appears to be. What Rose is doing now, which seems to be misguided recklessness taking her further away from the truth of herself, is actually better seen as a good start to her real journey: breaching the mirage of regimented growth, exposing it for the charade it is, and pulling the truth out of it. The real conflict in her arc comes not from the fact that she refuses to take it seriously, by destroying it and taking shortcuts. It's the opposite. It's that, upon trashing her planet, she continues to have this nagging sense that she should be taking this quest seriously, much like how a young adult may have a nagging sense of guilt that they aren't "being an adult right" by the time they approach adulthood. And this nagging, unanswerable guilt arises from the truth that the regimentation of adulthood is completely fake. It was always a mirage. Learning this, making peace with it, is part of the growing process for many, and it is for her too." -Andrew Hussie

intrinsically queer as fuck, too, btw

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roach-works

god it drove me absolutely NUTS to watch people assume grimdark!rose was a Fallen Woman whose destructive power was gruesomely evil and whose goals had been totally suborned by cosmic puppetmasters. because homestuck, famously, played every single trope as straight as an arrow.

just, fandom at large assumed this grimdark->evil thing so hard that they completely ignored everything that actually happened which was that she was totally fine and got some pretty useful stuff accomplished.

we're so trained to take male autonomy for granted, and to expect female characters to only ever act in service to higher powers, that the extremely obvious inversion of the badass striders being tortured puppets bound up in the poisonous chains of compulsory masculinity went over a LOT of heads. and the fact that rose knew what she was doing AND she was right AND she was *a good kid who helped as many people as she could, whenever she could* was a nearly indigestible pill to swallow.

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fefairys

*john mulaney voice* you know how some webcomics have like a dip.. in the middle. you’re like hey homestuck is over! no it’s not. ….there’s more

Wait a minute, somebody’s reading homestuck TWICE! Or, it’s a REALLY LONG webcomic

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alpha-blu

”Hey Hey HEY, before we drop another Omega pause, lets drop one Mini pause!”

“And that’s when the webcomic went good to GREAT.”

And the webcomic ends. And it’s dead quiet. And then - I don’t know if you know this - but the epilogue begins very subtly. HOMESTUCK SNAPCHAT! And the fans go “GOD DAMMIT!” and pound on their keyboards, and keys fly everywhere, and it was fantastic.

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