Those Who Campaign to Reform Omelas
We are seeking a 2% reduction in outward wretchedness of the utility monster child by distributing occasional, low-level pain of about 2 seconds per year on about 25% of Omelas’ youth from ages 6-7.
I think the thing you gotta understand about "The Ones Who Walk Away from Omelas" is that it's about *US*. It's about **SOCIETY AS IT EXISTS**. For the Owner-class the description of The Festival of Summer IS life; I'm reminded of Brennan Lee Mulligan's This Christmas Party Turned Me Communist, which honestly is a better companion to Omelas than most pieces directly written about it. For the non-owners living in the colonial core it's a parable asking them if getting all the prosperity and security of the owners, without changing the systems of exploitation that prosperity and security is based on, would really be worth it to them.
The point of Omelas is to get you to think about capitalist society, and your place within it. Are you one of the ones who walks away; who looks at the injustice and suffering which your society runs on and tries to find or make a better way, or are you one of the ones who finds ways to accept the happiness you have, and ignore the suffering which creates it?
Having said that: It's no surprise that people whose position in our society IS THAT OF THE CHILD would be annoyed by the subtly chiding tone of Omelas. When YOU are part of the class tormented to create that joy, when every attempt you make to escape or improve or build a better way is criminalized and pathologized to KEEP YOU in that condition of torment and exploitation, it's no surprise that you would look at a story which is, at heart, a call to action to those who BENEFIT from that exploitation, and find it lacking.
"The idea of reforming Omelas is a pleasant idea, to be sure, but it is one that Le Guin herself specifically tells us is not an option. No reform of Omelas is possible — at least, not without destroying Omelas itself:
If the child were brought up into the sunlight out of that vile place, if it were cleaned and fed and comforted, that would be a good thing, indeed; but if it were done, in that day and hour all the prosperity and beauty and delight of Omelas would wither and be destroyed. Those are the terms.
'Those are the terms', indeed. Le Guin’s original story is careful to cast the underlying evil of Omelas as un-addressable — not, as some have suggested, to 'cheat' or create a false dilemma, but as an intentionally insurmountable challenge to the reader. The premise of Omelas feels unfair because it is meant to be unfair. Instead of racing to find a clever solution ('Free the child! Replace it with a robot! Have everyone suffer a little bit instead of one person all at once!'), the reader is forced to consider how they might cope with moral injustice that is so foundational to their very way of life that it cannot be undone. Confronted with the choice to give up your entire way of life or allow someone else to suffer, what do you do? Do you stay and enjoy the fruits of their pain? Or do you reject this devil’s compromise at your own expense, even knowing that it may not even help? And through implication, we are then forced to consider whether we are — at this very moment! — already in exactly this situation. At what cost does our happiness come? And, even more significantly, at whose expense? And what, in fact, can be done? Can anything?
This is the essential and agonizing question that Le Guin poses, and we avoid it at our peril. It’s easy, but thoroughly besides the point, to say — as the narrator of 'The Ones Who Don’t Walk Away' does — that you would simply keep the nice things about Omelas, and work to address the bad. You might as well say that you would solve the trolley problem by putting rockets on the trolley and having it jump over the people tied to the tracks. Le Guin’s challenge is one that can only be resolved by introspection, because the challenge is one levied against the discomforting awareness of our own complicity; to 'reject the premise' is to reject this (all too real) discomfort in favor of empty wish fulfillment. A happy fairytale about the nobility of our imagined efforts against a hypothetical evil profits no one but ourselves (and I would argue that in the long run it robs us as well).
But in addition to being morally evasive, treating Omelas as a puzzle to be solved (or as a piece of straightforward didactic moralism) also flattens the depth of the original story. We are not really meant to understand Le Guin’s 'walking away' as a literal abandonment of a problem, nor as a self-satisfied 'Sounds bad, but I’m outta here', the way Vivier’s response piece or others of its ilk do; rather, it is framed as a rejection of complacency. This is why those who leave are shown not as triumphant heroes, but as harried and desperate fools; hopeless, troubled souls setting forth on a journey that may well be doomed from the start — because isn’t that the fate of most people who set out to fight the injustices they see, and that they cannot help but see once they have been made aware of it? The story is a metaphor, not a math problem, and 'walking away' might just as easily encompass any form of sincere and fully committed struggle against injustice: a lonely, often thankless journey, yet one which is no less essential for its difficulty."
- Kurt Schiller, from "Omelas, Je T'aime." Blood Knife, 8 July 2022.
“I was at a university giving a talk with a great friend, an Argentinian film director, Fernando Birri. And the students would make questions, sometimes to me sometimes to him, and he got the most difficult one. A student stood up and asked him, ‘What purpose does the utopia have?’ And I looked at him with pity, what a mess we have now. And he answered stupendously, in the best way possible. He said, ‘the utopia is in the horizon and I know very well that I’ll never reach it. That if I take ten steps forward it will walk ten steps away from me. The more I look for it, the less I’ll find it, because it’ll get farther away from me the closer I get.’ Great question, no? What’s its purpose? That’s the utopia’s purpose. To walk.”
Eduardo Galeano from a Singulars interview
bro someone in omelas is live streaming the suffering child
Had a dream last night where a murderous unkillable toddler was chasing me down relentlessly with plans to cause me harm, but there was also universal basic income. I don’t know if those two were connected but it feels like for the sake of everyone I’d have to accept the endless brutal toddler murder pursuit if that meant we all got 30k a year.
This is in a way the exact plot of Ursula ale Guin’a famous short story, Those Who Walk Away From Omelas, except instead of the cost of a better society being a suffering child kept in darkness, filth, and misery, I am running for my life constantly from an adept and nimble hated fueled two year old with a knife. I hate to say I’ve improved on the original, but I mean
“A prequel of sorts to the novel the dispossessed.“
( @coldalbion have you seen this??)
I have but it’s always worth a reread. Click the link, please, and thank you, folks.
Also, read this 4 page short story she wrote, The Ones Who Walk Away From Omelas
Once upon a time there was a city called Omelas, where everyone lived good and happy and fulfilling lives.
And in time it came to pass that a young man by the name of Outis came of age in that city; and, as with all who lived in that city, he was taken to a secret place where a wise elder showed him a small cold dirty room. And in that room there was a small cold dirty child, naked and hurt and starving, who had never known the least human kindness.
And the wise elder said to Outis, “In our city, everything is good and no one suffers. But it all depends on this child. If the least kindness is shown to him, our city will become like all other cities. There must always be such a child in Omelas.” …
…And Outis said to the elder, “If our city becomes like all other cities, many children will suffer.” And so he became a citizen of Omelas. And Outis led a good and happy and fulfilling life; and the child continued to suffer.
…And Outis said to the elder, “I will have no part in this evil thing.” And he walked away from Omelas. And Outis led a cold and short and brutish life; and the child continued to suffer.
…And Outis said to the elder, “I will have no part in this evil thing.” And he took the child and bathed him and cared for his wounds. And the city of Omelas became like all other cities; and many children suffered there.
…And Outis said to the elder, “I will have no part in this evil thing.” And he took the child and bathed him and cared for his wounds. And the city of Omelas carried on as it always had; and from that day forth no child suffered there.
…And Outis said to the elder, “I will have no part in this evil thing.” And he took the child and bathed him and cared for his wounds. And the city of Omelas became like all other cities; and many children suffered there.
But Outis, who would leave no child to suffer, worked tirelessly to save each one of them, and to build with his own hands a city in which everyone lived a good and happy and fulfilling life; and so in time it came to pass that the latter days of Omelas were greater than the former. And for ten trillion years Omelas carried on, and no child ever suffered there again.
…And Outis said to the elder, “Nevertheless, this child is my son, and I will not leave him to suffer.” And he took the child and bathed him and cared for his wounds. And the city of Omelas became like all other cities; and many children suffered there. But Outis did not care, because he valued the well-being of his son over all of them.
…And Outis asked the elder, “Why?” And the elder showed him to a library filled with books. And Outis studied the books for many years. And when he was an old man with a gray beard, Outis went out of the library and returned to the child and took the child out of the room, and in the child’s place he put a stone. And the stone was naked and dirty and cold; and the child Outis took and bathed and cared for. And Omelas carried on as it always had; and from that day forth no child suffered there.
Once upon a time there was a city called Omelas, where everyone lived good and happy and fulfilling lives; except for one child, who suffered so that the city might prosper. And all who lived there knew of this…
…And each citizen of Omelas, having looked into himself and seen that he would stand by while a child suffered in abject misery, found in himself a new willingness to do dark and evil deeds. And in time, all those who lived in Omelas suffered.
…And each citizen of Omelas lived with the gnawing guilt of his complicity, and the abiding terror that his own child would be chosen as the next to suffer. And in time it seemed to them that they could take no joy in any of the glories of Omelas.
…And one night, the child rose up and went out of his room and killed all the people of Omelas in their sleep.
Once upon a time there was a city called Omelas, where everyone lived good and happy and fulfilling lives. And each morning, each citizen of Omelas was taken to a small cold dirty room, and shown a small cold dirty child, and told that the child must suffer so that his day might be filled with all good things.
And all in Omelas agreed that it was better that one child should suffer than many; and none of them ever asked if it was the same child they saw each morning. And after all, one small cold dirty child looks much like another.
Once upon a time there was a city called Omelas, where everyone lived good and happy and fulfilling lives; except for ten thousand children, who suffered so that the city might prosper. And all who lived there knew of this…
…but none of them were ever taken to see the children in person, so none of them ever did anything about it.
…and whenever anyone saw such a child and “shouldn’t we rescue that suffering child?”, the other citizens of Omelas laughed and replied to them, “Naïve fool! Don’t you know that a child must always suffer in Omelas, so that the city may prosper? Otherwise it would become like all other cities, and many children would suffer.”
And everyone nodded wisely and went along with their days; and so ten thousand children continued to suffer where it might have been only one.
Once upon a time there was a city called Omelas, where everyone lived good and happy and fulfilling lives.
And in time it came to pass that a young man by the name of Outis came of age in that city; and, as with all who lived in that city, he was taken to a secret place where a wise elder showed him a small cold dirty room. And in that room there was a small cold dirty child, naked and hurt and starving, who had never known the least human kindness.
And the wise elder said to Outis, “In our city, everything is good and no one suffers. But it all depends on this child. If the least kindness is shown to him…”
“…the city will continue on as it always has, only your internet will be slightly slower.”
And Outis went back up into the city, and on that day he became a citizen of Omelas; and the child continued to suffer.
“…the best predictions of our scientists suggest that there will be a slight average decrease in various hard-to-measure kinds of happiness, which nevertheless in total adds up to more suffering than this child experiences.”
And Outis said to the elder, “I will have no part in this evil thing.” And he took the child and bathed him and cared for his wounds. And the average happiness increased in some ways and decreased in others, and the net effect might have been negative, but the best results on the matter had p > 0.05, so the scientists of Omelas could not rule out the null hypothesis.
Once upon a time there was a city called Omelas, where everyone lived good and happy and fulfilling lives.
And in Omelas there was a naked dirty child in a small dirty room; because the child was agoraphobic and was making mudpies.
Once upon a time there was a city called Omelas, where everyone lived good and happy and fulfilling lives.
Very few people told stories about Omelas, but it was a very nice place to live in.