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Racing Turtles

@zenosanalytic / zenosanalytic.tumblr.com

"Why run, my little Phoenician?"
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guards! read me my bedtime yaoi

my liege if you keep having all of the guards come to your bedroom to read you bedtime stories, there will be no one to actually guard the castle during that time!

any intruders are welcome to join us for story time

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cvntkisser

my liege the enemies to lovers yaoi is affecting your perception of the danger of real enemies.

when will it be my turn.

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o-kenki

holy fuck

Kate Beaton may have moved on, but it's good to know Brave tumblrers exist to carry the flame u_u u_u u_u

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I do wish that "oppositional sexism" was a more commonly known term. It was coined as part of transmisogyny theory, and is defined as the belief that men and women, are distinct, non-overlapping categories that do not share any traits. If gender was a venn diagram, people who believe in oppositional sexism think that "men" and "women" are separate circles that never touch.

The reason I think that it's a useful term is that it helps a lot with articulating exactly why a lot of transphobic people will call a cis man a girl for wearing nail polish, then turn around and call a trans woman a man. Both of those are enforcement of man and woman as non-overlapping social categories. It's also a huge part of homophobia, with many homophobes considering gay people to no longer really belong to their gender because they aren't performing it to their satisfaction.

It's a large part of the reason behind arguments that men and women can't understand each other or be friends, and/or that either men or women are monoliths. If men and women have nothing in common at all, it would be difficult for them to understand each other, and if all men are alike or all women are alike, then it makes sense to treat them all the same. Enforcing this rift is particularly miserable for women and men in close relationships with each other, but is often continued on the basis that "If I'm not a real man/woman, they won't love me anymore."

One common "progressive" form of oppositional sexism is an idea often put as the "divine feminine", that women are special in a way that men will never understand. It's meant to uplift women, but does so in ways that reinforce the idea that men and women are fundamentally different in ways that can never be reconciled or transcended. There's a reason this rhetoric is hugely popular among both tradwifes and radical feminists. It argues that there is something about women that men will never have or know, which is appealing when you are trying to define womanhood in a way that means no man is or ever has been a part of it.

You'll notice that nonbinary people are sharply excluded from the definition. This doesn't mean it doesn't apply to them, it means that oppositional sexism doesn't believe nonbinary people of any kind exist. It's especially rough on multigender people who are both men and women, because the whole idea of it is that men and women are two circles that don't overlap. The idea of them overlapping in one person is fundamentally rejected.

I think it's a very useful term for talking about a lot of the problems that a lot of queer people face when it comes to trying to carve out a place for ourselves in a society that views any deviation from rigid, binary categories as a failure to perform them correctly.

If I can add, oppositional sexism is a cornerstone of evangelicalism and honestly a whole bunch of other forms of Christianity. The idea women and men exist for different tasks is deeply religious but specifically in the US and I assume for the majority of tradwives evangelical/conservative christian dogma. So even when ppl who proport to be somewhere feminist start up divine feminine shit they're regurgitating the same talking points the religious right started doing.

Yep. I believe they refer to it as "Complimentarianism".

Robert Jordan in a fucking nutshell.

The history of the idea's a bit more complicated than this and even today you can see trans- and trans-inclusive new agers who use the term. For most of it's history(which I'd draw back to the 60s in US culture?) "the divine feminine"(not always with THAT term) was often a critique and attack upon gender-essentialism and an argument for gender-freedom and non-duality; the idea was that Divinity, being Everything and Transcendent, must contain femininity as well, and that, since every person has a spark of divinity within them, ever person naturally has both masculine and feminine traits, and traits that mesh and transcend both.

In the 80s and 90s conservatives made a huge deal out of attacking and mocking this idea, as part of their general resistance to Feminism and Queer-Liberation. When media from that era mentions feminine or masculine "sides", talks about "getting in touch with my inner goddess", or refer to god as "she", or anything that sounds even vaguely like that, this is invariably what was going on(and conversely, you'd see ally-filmmakers from those times portray the idea positively, as Kevin Smith did in Dogma).

Having said that, there IS a big push going on right now by conservatives pushing the gender-essentialist use of the term(I dont pay attention to new age stuff directly, but I DO watch asmr videos, and you see it popping up there). Which: given how deeply cons established themselves in new age spaces during Covid via vaccine conspiracism, isn't terribly surprising; just as conservatives growing up in (initially)fringe internet-spaces adopted the language and symbology of those leftists-outsiders while maintaining their parent's shitty fascism(4chan nazis and Gamergate), and just as conservatives in fandom, queer, and social-justice spaces have used OUR language to cause all manner of havoc within OUR spaces over the last decade(too many incidents to recount), so too are conservatives, recently-established in new age spaces, using it's language and concepts to push the same shitty fascism they're always pushing.

Furthermore: Ditto on Robert Jordan |:|

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steveyockey
Once you start looking, you see queer presentism everywhere. It pops up when politicians espouse our “unprecedented” ability to love who we love, and when recent book bans are said to “roll back the clock” on LGBTQ+ rights, implying that clocks tick continually toward progress. It manifests in Oscar Wilde hagiography, which elevates him to the status of singular queer martyr and extrapolates an epochal paradigm from his 1895 trials. It seeps into our everyday speech, in our references to “forbidden love” and our use of the term “Victorian” to imply prudish homophobia. It both stems from and structures the editorial projects that publishers pursue, giving rise to catalogues like the NYRB Classics, where the oldest work tagged LGBTQ+ is Colette’s The Pure and the Impure (1932) — as if nothing queer was written before.
The truth is that there’s a world of queer writing that predates Colette, volumes of manuscript and books that aren’t so much products of historical suppression as they are suppressed by today’s “it’s gotten better” mindset. This is convenient for a culture industry in search of the sui generis and always eager to pat itself on the back for its own enlightenment. But the almost total neglect, outside the academy, of the queer literary archive is a shame, and not only because it propagates factual errors. In limiting our horizons for understanding how our predecessors lived, loved, and wrote, we end up narrowing our own vistas. When we apply the repressive hypothesis, we’re actually repressing ourselves.

Colton Valentine, “Against Queer Presentism​ | How the Book World Neglects the Archive,” The Drift, October 25, 2022.

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It’s so weird that we’re rapidly approaching an era of 100-year-old pop culture in a new way. Like if you were a 90s kid there was no such thing as a 100-year-old movie (or at least, not one more complex than “horse runs” or “the arrival of a train).

We have lots of songs that are over a hundred years old, but few recordings of them that are intelligible. The oldest popular genre music goes back to about the 30’s.

Even musicals! Theater is obviously an ancient art but the musicals in the modern sense we imagine them (in which speech and song are combined and both progress the plot) weren’t popularized until relatively recently.

Point is when my mom was growing up she was not exploring media (except for books) that was 100+ years old. When I was growing up at the turn of the century, I wasn’t either. But the crazy thing is that my kids will.

If I were to have a kid in 2023, here are some things that will be 100 before they turn 18 and will likely still be culturally relevant.

  • The Wizard of Oz (film)
  • Snow White and the Seven Dwarfs (film)
  • Fantasia
  • Anything Goes (musical)
  • Rudolph the Red-Nosed Reindeer (the song and associated character, not the movie)
  • Mickey and Minnie Mouse and many associated characters
  • Superman and Batman (the characters)
  • Bugs Bunny and many associated characters
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zetsubonna

My favorite part of reading Dracula with tumblr was people loathing Dracula. I was prepared for everyone to be all swoony and reverent and “oh, he’s so awful, drain me, Daddy”

instead?

Pure vitriolic hatred. Loathing. The swooning was, as it should have been, firmly placed on Jonathan. Mina’s husband. Mina’s soulmate.

If you had told me that the prevailing sentiment on my dash at the end of the year would be “Fuck Dracula, all my homies hate Dracula” back in May, I would not have believed you.

Also, pour one out for Quincey Morris. Amen.

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sulandra

After Dracula Daily, I do not understand how vampires generally and Dracula specifically transitioned to become sex symbols in modern media. It’s such a massive reach from how everyone responded that I am very confused

carmilla came out 26 years before dracula and set a sexy passionate vampire precedent

She used to place her pretty arms about my neck, draw me to her, and laying her cheek to mine, murmur with her lips near my ear, “Dearest, your little heart is wounded; think me not cruel because I obey the irresistible law of my strength and weakness; if your dear heart is wounded, my wild heart bleeds with yours. In the rapture of my enormous humiliation I live in your warm life, and you shall die—die, sweetly die—into mine. I cannot help it; as I draw near to you, you, in your turn, will draw near to others, and learn the rapture of that cruelty, which yet is love; so, for a while, seek to know no more of me and mine, but trust me with all your loving spirit.”
And when she had spoken such a rhapsody, she would press me more closely in her trembling embrace, and her lips in soft kisses gently glow upon my cheek.

[…]

“I have been in love with no one, and never shall,” she whispered, “unless it should be with you.”
How beautiful she looked in the moonlight!
Shy and strange was the look with which she quickly hid her face in my neck and hair, with tumultuous sighs, that seemed almost to sob, and pressed in mine a hand that trembled.
Her soft cheek was glowing against mine. “Darling, darling,” she murmured, “I live in you; and you would die for me, I love you so.”

Also: Dracula was very quickly theatricalized, and the character played by a string of really hot actors, and ours is not the first generation to look at an extremely attractive person fake-murdering another and say “Slay me, daddy uwu”

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bluecoolkind

pop culture intertextuality is just so damn *fascinating*

today a parody movie (50 shades of black) comes out, based on the 50 shades of grey movie, which was based on the 50 shades book, which was based on twilight, which was somewhat based on interview with the vampire (which anne rice based on an earlier short story she wrote), which was based on Dracula and other vampire stories, which originally came from Dr. John Polidori’s The Vampyre (even though Vampires were a thing in folk tales before then, he was the one who made them all classy, etc.)

so really, like so many things, this is all Lord Byron’s fault.

It is kinda funny how two different staples of the horror genre (the vampire and the mad scientist/monster combo) both have their origins in the horrifying experience of being trapped in a cabin with Lord Byron.

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roisesb

Computer programming comes from the horrifying fear of your daughter ending up a poet like her father, Lord Byron

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I love Alice’s Adventures in Wonderland but I loathe how edgy subcultures have turned it into some one dimensional thing associated with psychedelics and other drugs.

Like, I wanna talk about the recurring presence of logic and mathematics, the cross language (primarily French) puns, I want to talk to people about their interpretations and thoughts but everyone’s so stuck on “haha yeah she’s on shrooms” like come on there’s so much going on don’t let it just be the easiest, weakest response, you’re smarter than that

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mininecro

It’s probably one of my favourite books and I have the exact same problem

My favourite take: Alice in Wonderland adaptations all all dysfunctional because both stories are a hellish amalgamation of victorian pop culture

Turns of phrase, tourism in-jokes, children’s songs, academia at the time, popular figures in media, all of these are huge contributing factors to the characters and world of alice in wonderland/the looking glass. Reading the Annotated Alice is a trip and a half. Most of it isn’t actually nonsense, it’s an out-of-the-box joke on things most people when the book came out would have instantly recognized. They’re comedy pieces. Even as a modern reader it can get me to laugh, and the more I learn about what the time period was like when the book was released, the funnier it is. Caroll’s vicious deconstruction of mathematics was simply him cracking one one amongst many.

AiW adaptations are always going to be empty products unless you’re entirely willing to either double down on the time period or update it for modern times with commentary on things instantly recognizable to the modern audience. 

AiW adaptations with modern settings are like “what if it’s a DYSTOPIA and the animals are all HUMAN and it’s DARK and FOR ADULTS” like…we still have animated movies starring animals? Kid media is more identifiable for the whole family than ever?? There’s a better way????? Turn the dancing mock turtle into a ninja turtle who paints masterpieces you cowards

I like this take. 

So what you’re saying is that Alice in Wonderland is basically Victorian Shrek

Actually, yeah, kinda. There’s no real way to say, it’s never been fully explained by Charles Dodgson, it’s all truly interpretation. But in the way it’s written, I’d be willing to call it a literary version of Shrek. It has layers.

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tredlocity

The most emotional moment in Ready Player One is when Gandalf the gray, and Gandalf the white, and Monty Python and the Holy Grail’s black knight, and Benito Mussolini, and the Blue Meanie and Cowboy Curtis, and Jambi the genie, Robocop, The Terminator, Captain Kirk, and Darth Vader, Lo-pan, Superman, every single Power Ranger, Bill S. Preston, and Theodore Logan, Spock, The Rock, Doc Oct, and Hulk Hogan all came out of nowhere lightning fast and kicked Chuck Norris in his cowboy ass.

I hope they keep that in the movie.

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what are your thoughts about chuck tingle?

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Chuck Tingle is a blessing unto this earth and I’ll hear nothing against him. The man is a true satirical genius and his books are humorous, thought provoking and often poignant once you realize what he’s doing.

I particularly enjoyed one of his more recent ones, I think it was “shafted up the ass by my t-rex doctor” or something, which was about how the current medical and insurance policy set up in America is designed to keep the sick as poor as possible and reliant on a draconian system designed to kill them, and how it’s a detriment to our society as a whole and where we should be in terms of socio and economic growth and stability.

Also he’s just a plain sweetheart. I want to be best friends with him one day and make him brunch.

He also perpetuates my rather weird sense of humor, so I feel we’d get on well.

#Squad Goals.

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helmsdeepwa

A friend of mine on FB wrote this and, with their permission, told me that I could share it. I got more than a bit choked up reading it. Enjoy.

I’m 6 years old, and I’m Luke Skywalker, blowing up the Death Star in his X-Wing and using the Force… until I go outside to play Star Wars with the neighborhood kids, and I’m told I can’t be Luke because I’m a girl. I have to be Leia instead. Nothing wrong with Leia, but she’s the girl. She’s my only option, otherwise, I’m not allowed to play.
I’m 7 years old, and I’m She-Ra, with a pegasus and sword and… and no one wants to play She-Ra, because He-Man is better, stupid girl, duh. No boy wants to play a girl character. Duh. Stupid girl.
I’m 8 years old, and I’m Liono, with the Sword of Omens, telling me the future and defeating my enemies… until I can’t, because I’m a girl. I have to be Cheetara, even though I don’t like to run around really fast. She’s the girl. She’s my only option.
I’m 10 years old, and I’m a Ninja Turtle. I have these cool weapons and know martial arts… until I can’t be, because I’m a girl. I have to be April. She doesn’t get to do much, but she’s the girl. She’s my only option. If the other girl wants to play, she gets to be April, and I’m out, because she’s prettier.
I’m 14 years old, and my father yells at me again to stop being such a girl. Stop being weak. Stop being stupid. Stop being you.
I’m 17 years old, and set foot in a comic shop for the first time, only to be told girls don’t read comics. I must just be trying to impress my boyfriend. I don’t even get to ask if they had that book I read part of, with the beautiful woman who was Death, who saved a teenage boy.
I’m 24, and I’m Jean Grey, the powerful Phoenix, but turned into some weird Scarlet Witch hybrid who must die at the hands of Wolverine, because Logan just needed a little more angst.
I’m 28 and I’m Commander Shepard at the helm of the Normandy, but just having the OPTION of a female player character sends hordes of men into a blind rage, intent on stamping out any joy I might derive from this. I have to mute tons of keywords online and play in friends-only groups if I want to avoid being called a cunt for the sin of logging into multiplayer with a female avatar.
I’m 32 and I get a job running a comic shop. I tell my boss I’d like to have ladies nights. He asks, “But when is men’s night?”
I’m 33 and I’m Rey, facing down Kylo and digging deep to survive, despite being terrified. I’ve been fighting my whole life, though, and I manage to get out of it alive. I spend the next 6 months listening to every other guy who comes into my shop informing me that she’s a Mary Sue and how stupid it was to crowbar her in just for the sake of appeasing the females and pandering to feminazis.
I’m 34 and I get to be a Ghostbuster! My heart sings as I dual-wield proton guns, but when the battle’s over, I have to listen to all these guys trash it and talk about how women just aren’t funny and should stop trying.
I’m 34, and I am NOT MCU Black Widow, who categorizes herself as a monster because she can’t have children, who laughs as her male coworkers make rape jokes at the office party. I am NOT MCU Scarlet Witch, who is a problem for the men to deal with, who has to stay home and cook dinner while they take care of business, because she’s just too emotional.
Today, I’m 35, and I’m Diana of Themyscira, striding across a battlefield as everyone follows her lead. I’ve been waiting for this battle my whole life. Going into the movie, I had yet to see a single bad review, from anyone, regardless of gender. I had heard no one saying the movie was pointless or stupid or just another instance of women ruining everything. There is this tall, powerful, beautiful female hero, and no one is acting like it’s their job to tear her down. I look at the trending topics today, and everyone still loves it. The naysayers are a fringe minority. There is valid criticism, as the movie isn’t perfect. It has some problems, but overall, it’s GOOD. Finally. This is what it feels like. So yeah, I cried. I cried a lot. I’ll probably mist up a lot more times when I watch it. Everyone should get to feel like that.
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texnessa

Read the fuck out of this of the day.

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