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#modernism – @zenosanalytic on Tumblr
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Racing Turtles

@zenosanalytic / zenosanalytic.tumblr.com

"Why run, my little Phoenician?"
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foone

I keep dreaming of the same city. It's not one I've been to, and I can't recall ever seeing it in a video. But it's consistent across dreams.

I don't know what this means.

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nightpool
Marco, meanwhile, continued reporting his journey, but the emperor was no longer listening.
Kublai interrupted him: “From now on I shall describe the cities and you will tell me if they exist and are as I have conceived them. I shall begin by asking you about a city of stairs, exposed to the sirocco, on a half-moon bay. Now I shall list some of the wonders it contains: a glass tank high as a cathedral so people can follow the swimming and flying of the swallow fish and draw auguries from them; a palm tree which plays the harp with its fronds in the wind; a square with a horseshoe marble table around it, a marble tablecloth, set with foods and beverages also of marble.”
“Sire, your mind has been wandering. This is precisely the city I was telling you about when you interrupted me.” “You know it? Where is it? What is its name?”
“It has neither name nor place. I shall repeat the reason why I was describing it to you: from the number of imaginable cities we must exclude those whose elements are assembled without a connecting thread, an inner rule, a perspective, a discourse. With cities, it is as with dreams: everything imaginable can be dreamed, but even the most unexpected dream is a rebus that conceals a desire or, its reverse, a fear. Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else.”
“I have neither desires nor fears,” the Khan declared, “and my dreams are composed either by my mind or by chance.”
“Cities also believe they are the work of the mind or of chance, but neither the one nor the other suffices to hold up their walls. You take delight not in a city’s seven or seventy wonders, but in the answer it gives to a question of yours.” “Or the question it asks you, forcing you to answer, like Thebes through the mouth of the Sphinx.”
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The Woman Behind The World’s Most Famous Tarot Deck Was Nearly Lost In History

For centuries, people of all walks of life have turned to tarot to divine what may lay ahead and reach a higher level of self-understanding.

The cards’ enigmatic symbols have become culturally ingrained in music, art and film, but the woman who inked and painted the illustrations of the most widely used set of cards today – the Rider-Waite deck from 1909, originally published by Rider & Co. – fell into obscurity, overshadowed by the man who commissioned her, Arthur Edward Waite.

Now, over 70 years after her death, the creator Pamela Colman Smith has been included in a new exhibition at the Whitney Museum of American Art in New York highlighting many underappreciated artists of early 20th-century American modernism in addition to famous names like Georgia O’Keeffe and Louise Nevelson.

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Modernist tiles

In a previous post about the Modernisme architectonic style, I said I wouldn’t mention the tiles not to make the post longer… @kiragecko​ asked for some tiles, so here are some examples!

The tiles in this post are “rajoles hidràuliques” (meaning “hydraulic tiles” in the Catalan language), which is a kind of tile invented in the 1850s in Catalonia and very widespread in our country since they’re very resistant and quite cheap.

In this post I include photos mostly from the late 19th and early 20th centuries, all from buildings in Catalonia and often inspired in older traditional Catalan tile stiles and the style of carpets.

This website posted a lot of tiles from Barcelona.

These ones were in the library of Vilassar de Dalt.

Barcelona again.

The street pavement in parts of Barcelona.

Palau Baró de Quadras, Barcelona. Tiles in the walls and floor.

There’s also wall tiles in relief

The two above are in Barcelona and the bottom one in Canet de Mar.

Wall and ceiling in Hospital de Sant Pau, Barcelona.

Two examples of walls in Barcelona.

And it’s not only for the floors and lower half of walls, they used it in the outside of buildings too:

The roof of Casa Batlló (Barcelona, Catalonia). It represents the scales of a dragon, as if the dragon was asleep on top of the house.

Or to write the name of your house (Bell Esguard)

Or to make a mosaic (this is also in Torre de Bell Esguard)

For your shop’s door.

Outside domes or the top of towers.

Outdoors of two buildings in Argentona.

This is in Canet de Mar too.

We could spend pages and pages and pages on floor hydraulic tiles alone (seriously, Catalonia is FULL of different designs of them), but I think everyone who has to scroll past this post will appreciate it if I stop making it longer. If you want to see more photos of Catalan modernist architecture, the photographer Arnim Schulz has hundreds of photos in his Flickr account (or let me know if there’s interest in something else and I’ll post it).

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