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All Dragons Must Fly

@zaldrizer-sovesi / zaldrizer-sovesi.tumblr.com

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Anonymous asked:

I think the two most interesting characters in AWOIAF are Theon Greyjoy and Sandro Clegane, because they both have the potential for extremely rewarding and redemptive character arcs. I feel like there has to be a reason that GRRM has kept them around (assuming the Hound has been reborn as the Gravedigger in the books). But I also fear that won't be the case, because GRRM doesn't believe in typical fantasy tropes like salvation. What do you see as the ultimate fates of these two characters?

I think you’reprobably right that what people see as a clean redemption arcprobably isn’t in the cards for those characters. But I don’tquite agree that Martin doesn’t do tropes, so much as I think helikes to pick them apart and see where those archetypes would meetwith actual human experience and psychology. Redemption arcs don’thappen in real life. Change is hard, so most people don’t do itunless they’re forced into it. Sandor and Theon have been forcedinto it.  

I also thinkredemption arcs, of which I am admittedly not a big fan, implygetting into a hole and then climbing out of it. I’m not sureSandor or Theon really start out with a fall. Sandor’s story hasbeen relatively linear. “Child-killing Lannister lackey” →“fuck it I’m out” → “grrrrr, protecting little girls is myfull-time job because grrrrrr” → “chill monk” is pretty muchjust growth. It picks up the ragged edges that are IMO true to lifein that we haven’t really seen the character benefit from becominga better person, if that makes sense. He doesn’t seem anynicer or happier at the end of ASOS than he was in AGOT, even thoughhe really has been doing more good and less harm. I don’t knowwhere that’s going. I kind of want him to just get to live hislife, maybe move on from digging graves to planting crops, so,probably not that.

Theon is kind ofin a parallel position to Tyrion at this point. Both of them spendADWD in their darkest, lowest place, then turning the corner andescaping with Jeyne/Penny. And Tyrion is a real wild card, so I don’tknow. 

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Anonymous asked:

I'm curious about your views on Ned, because at times it seems like Ned is blamed for everything (including Jamie) and the problematic view Ned should have gotten over it is disturbing. He's a core person in many lives, so I understand holding him to higher/harsher standard than other characters. I'm wondering if are you trying to explain the ripple effects-not necessarily condemning him-or trying to highlight his negative sides to look deeper at what cultivates emotional problems?

I’mnot quite sure if you mean that you think I’m too hard on Ned or ifyou think people generally are too hard on Ned? Like, you candisagree with me about Ned, but you’re asking about positions Idon’t take - I don’t “blame him for everything,” believe heshould have just gotten over everything, or hold him to a higherstandard than other characters, and I don’t think any of thosethings are particularly prevalent in fandom – but I’ll try andelaborate on what I think and what I’ve noticed in other responses.

Idon’t, for example, judge Ned for not having “gotten over” thetrauma he experienced during the Rebellion. In a lot of ways, hedealt with it as well as could be reasonably expected. I do, however,judge Ned for his failure to stow that baggage for five or tenminutes a decade in order to give Jon a little bit of peace of mindabout his mother. There was no risk or cost to telling Jon theaspects of the truth that would have done the kid the most good –that his mother didn’t abandon him, that she was a good person andshe and Ned had cared about each other, and that was why Ned hadchosen to claim and raise Jon as his son – except that Ned would’vehad to suck it up and go near a painful topic for the space of asingle conversation. That’s cold.

Butyes, as you say, I do think it’s worth taking apart how his owncharacter and experiences affected so many other importantcharacters. Looking at Ned from this angle, it does take some directeffort to think critically, because so many of those characters arePOVs who can’t know why Ned acted the way he did or understand howthose actions affected them. Then there’s the general in-universehagiography which has built up around The Ned, which does rile up atat least my skepticism.

Ido, for example, really reject the in-universe framing of Theon’ssituation. You can say that taking Theon hostage is something Ned hadto do, given his social context and position (even if othercharacters who have to do some other awful stuff aren’t let off thehook nearly as often as Ned is). He didn’t have to allow his men tobeat Theon. Theon is the only one of the kids that remembers thishappening to him, and whether or not he was singled out, there’s adifferent power dynamic when you’re talking about a hostage. Hedidn’t have to make Theon carry Ice to watch executions,which is some sick shit to doto a teenager you are holding hostage. But those thingsdid happen, and it says something about Ned that he was completelyindifferent to them. (He thinks about Theon exactly twice, and onlyin context of using Theon against Balon.)

Sooverall, I think Ned is complicated. He’s lived a complicated lifeand he reacts to that in a way that strikes me as being pretty trueto how people are. He’s overall a sympathetic figure, and he copeswith some challenges in ways that I think are better than most peoplewould be able to do. But he also had some serious shortcomings whichaffected a lot of the people around him. His tendency to stick hishead in the sand when it comes to large public sphere conflictsmanifests as a streak of callousness he shows toward children in hiscare, which again, I am not saying is the worst thing ever, but for me personally is jarring. And seeing the character in that light, The Ned’s martyr-herostatus can feel a little dissonant.

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It is interesting the Ned’s attitude towards Theon. Did Ned ever have a plan for him? Theon is nearly 20 at the start of the series and there is no hint that betrothal were looked for or any other plan for him to secure the fealty of the Iron Islands. 

He really didn’t, and this is a consistent problem with Ned. In the abstract, the idea seems to have been that having Theon as a hostage would keep Balon in line, and then when Balon died Theon would inherit the Iron Islands. Now, that was more of a plan than he seems to have had for most of his own kids. And to be fair, this isn’t all on him. Theon isn’t a hostage for crimes against the North, he’s a hostage for crimes against the crown; practically speaking, what to do with Theon was ultimately up to Jon Arryn until AGOT.

What Ned probably expects for Theon is consonant with his own experience. Ned left the north as a kid to be raised by a foster father in a place with different cultural and religious values, and none of that stopped the northerners from acknowledging his lordship and following him south to war right away. It mattered to Ned himself that he try to live up to Jon Arryn’s example and expectations, but nobody held that against him. And for Ned, the possibility that a situation which he relates to at all might not turn out the way it did for him is like a “divide by purple” error. 

And that seems to have been what happened with Theon. Ned really didn’t consider the consequences of the “hostage” part of Theon’s fosterage. He was clearly oblivious to the effect the situation would have on Theon as a person; he also doesn’t seem to have questioned that the ironborn would accept the authority of someone who’s become a symbol of their humiliation. Given what we know about Euron in particular, there’s probably not much Ned could have actually done. But it was at least reasonably foreseeable that Theon can’t be simultaneously authoritative enough to take over the Iron Islands and weak enough to be dependent on and controlled by the mainlander aristocracy, and there doesn’t seem to have been anything done about that.

I’d compare it to his fatal mistake in trying to give Cersei a head start, actually. His experience was “take the baby, run from Robert, NOTHING BAD HAPPENS EVER,” and so he is absolutely gobsmacked when Cersei perceives her options and their consequences differently, even after she spelled her perspective out to his face. Nor does he consider that he’s depending on a lot of other people to accept that decision, even though he has no reason to believe they’ll buy into it. ”Tywin will not only accept but foot the bill for this humiliating loss of status - or better yet, he’ll disappear too and Kevan will pay for everything” is Ned’s plan for the political fallout, despite the fact that….he’s met Tywin Lannister.

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Anonymous asked:

I'm curious about your views on Ned, because at times it seems like Ned is blamed for everything (including Jamie) and the problematic view Ned should have gotten over it is disturbing. He's a core person in many lives, so I understand holding him to higher/harsher standard than other characters. I'm wondering if are you trying to explain the ripple effects-not necessarily condemning him-or trying to highlight his negative sides to look deeper at what cultivates emotional problems?

I’mnot quite sure if you mean that you think I’m too hard on Ned or ifyou think people generally are too hard on Ned? Like, you candisagree with me about Ned, but you’re asking about positions Idon’t take - I don’t “blame him for everything,” believe heshould have just gotten over everything, or hold him to a higherstandard than other characters, and I don’t think any of thosethings are particularly prevalent in fandom – but I’ll try andelaborate on what I think and what I’ve noticed in other responses.

Idon’t, for example, judge Ned for not having “gotten over” thetrauma he experienced during the Rebellion. In a lot of ways, hedealt with it as well as could be reasonably expected. I do, however,judge Ned for his failure to stow that baggage for five or tenminutes a decade in order to give Jon a little bit of peace of mindabout his mother. There was no risk or cost to telling Jon theaspects of the truth that would have done the kid the most good –that his mother didn’t abandon him, that she was a good person andshe and Ned had cared about each other, and that was why Ned hadchosen to claim and raise Jon as his son – except that Ned would’vehad to suck it up and go near a painful topic for the space of asingle conversation. That’s cold.

Butyes, as you say, I do think it’s worth taking apart how his owncharacter and experiences affected so many other importantcharacters. Looking at Ned from this angle, it does take some directeffort to think critically, because so many of those characters arePOVs who can’t know why Ned acted the way he did or understand howthose actions affected them. Then there’s the general in-universehagiography which has built up around The Ned, which does rile up atat least my skepticism.

Ido, for example, really reject the in-universe framing of Theon’ssituation. You can say that taking Theon hostage is something Ned hadto do, given his social context and position (even if othercharacters who have to do some other awful stuff aren’t let off thehook nearly as often as Ned is). He didn’t have to allow his men tobeat Theon. Theon is the only one of the kids that remembers thishappening to him, and whether or not he was singled out, there’s adifferent power dynamic when you’re talking about a hostage. Hedidn’t have to make Theon carry Ice to watch executions,which is some sick shit to doto a teenager you are holding hostage. But those thingsdid happen, and it says something about Ned that he was completelyindifferent to them. (He thinks about Theon exactly twice, and onlyin context of using Theon against Balon.)

Sooverall, I think Ned is complicated. He’s lived a complicated lifeand he reacts to that in a way that strikes me as being pretty trueto how people are. He’s overall a sympathetic figure, and he copeswith some challenges in ways that I think are better than most peoplewould be able to do. But he also had some serious shortcomings whichaffected a lot of the people around him. His tendency to stick hishead in the sand when it comes to large public sphere conflictsmanifests as a streak of callousness he shows toward children in hiscare, which again, I am not saying is the worst thing ever, but for me personally is jarring. And seeing the character in that light, The Ned’s martyr-herostatus can feel a little dissonant.

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Anonymous asked:

About Arya: but Ned in the end caved and allowed her to learn some self-defense. That's why he employed Syrio Forel. And about Theon/Arya match, I really can't see it happening...would Robb really supersede the opinion of his sister? I mean of course Arya would be constricted to marry at some point, but would they really force her instead of finding a more suitable candidate (given that she doesn't like Theon at all...).

I think Syrio was more about keeping Arya out of trouble while they were actually in Kings Landing than it was about her actually learning to defend herself, though. He didn’t have to do it at Winterfell because she was safe if she was following Jon and Robb around, or just generally running around the castle. 

And yes, we know Robb would override Arya’s wishes, because he did.

"Also, if your sister Arya is returned to us safely, it is agreed that she will marry Lord Walder's youngest son, Elmar, when the two of them come of age."
Robb looked nonplussed. "Arya won't like that one bit."
"And you are to wed one of his daughters, once the fighting is done," she finished. "His lordship has graciously consented to allow you to choose whichever girl you prefer. He has a number he thinks might be suitable." 
To his credit, Robb did not flinch. "I see." 
“Do you consent?” 
“Can I refuse?” 
“Not if you wish to cross.” 
“I consent.”  

He doesn’t have any particular investment in the Freys, but he doesn’t object to making Arya marry one of them. He only argues when he hears he has to do the same. Robb does like Theon, even if Arya doesn’t care about him one way or another.

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Anonymous asked:

If everything didn't go to hell how do you think Cat & Ned would deal with Arya growing up to be Lyanna reborn? Fostering with the Mormonts? Being like Brienne's dad?

Ignore the situation for as long as they could, and then probably marry her to one of those ancient but distant houses like the Reeds or Mormonts. Her parents aren’t likely to encourage her to learn how to fight, so much as they’ll see her tomboyishness as something for which they’ll eventually have to cover and compensate.

Another outside possibility - more likely if the decision falls to Robb instead of Ned - would be to marry her to Theon. The best-case outcome of Theon’s time with the Starks would be that he return to inherit the Iron Islands after Balon’s death, with stronger ties to the mainland. That’s jarring because of the kind of terrifying psychological reality of it; moreover, the reader understands that the resurgence of the old way is probably too strong a current to make this work. But if everything hasn’t gone to hell then nobody knows that yet, so it might seem reasonable to seal that new alliance with marriage. Sansa, being the oldest and far more conventionally feminine, would probably end up in a higher-status match, but it might seem like a good option for Arya.

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Hiya! Do you have a theory about the Hooded Man? Although Hallis Mollen seems like the most viable option, I quite like the idea of Harwin being the BWB eyes in Winterfell like Tom is the eyes in Riverrun.

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To be fair, we don’t know that Hallis Mollen isn’t with the Brotherhood. He disappeared somewhere between Riverrun and Moat Cailin, which is their turf. There’s 3-4 months between his leaving Riverrun and Arya’s break from the Brotherhood, then another 8-9 months until Theon encounters the hooded man. That’s a believable timeline for him to go north a ways (leaving Ned’s bones at Greywater Watch, maybe? Since Howland Reed gets sucked into all the rest of the Stark drama), meet the Brotherhood, and be sent to Winterfell. I don‘t have much of an argument to say that is the case, just that I don’t see reason to rule it out.

There’s less time for Harwin to go north, since he’s present when the BWB encounters Brienne and doesn’t seem to have any interest in leaving before they’ve dealt with Jaime. But as you say, there’s just as much reason for them to want an agent there as in Riverrun.

I like the Theon Durden theory. It doesn’t even matter so much whether it’s factually true (probably not) but that it’s possible. Theon’s chapters in ADWD are nightmarishly surreal, with his sense of reality so unstable that we don’t know what’s real either. Whether he’s talking to himself or not, the externalization of the character’s internal recriminations and his halfhearted defenses of himself are a part of his journey back to Theon.

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Anonymous asked:

Thanks for the reply! I guess I'm saying that placing Benjen alongside Theon, a character who turns against his family, feels very deliberate, to the point that if the former turns out to have gone over to the others-- well, I'd point to their pairing here as some early foreshadowing towards that end. Another thing, isn't it curious the how Tyrion's experience of Benjen isn't so terribly unlike Jon's with Theon, in that the latter in each case seems unencumbered of much pretense to decency.

Well, Theon didn’t turn against his family. He turned against the Starks - his captors - to support his father’s cause. His breaking faith with Robb was a violation of an oath he swore to a brother in arms, albeit one made as a hostage and therefore under circumstances of questionable consent.

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Anonymous asked:

Any predictions for Asha? Given that at this point she holds many values and traits more in common with Jon or Arya than most of her kin, I'm increasingly certain her arc will fold into a pro-Stark narrative. Something's always struck weirdly about her name, too; the similarity with 'Arya' being a little jarring but also indicative, especially when D&D elect to change 'Asha' into a name that strengthens the connection. Your thoughts on this are appreciated, as per.

Hey there! Thanks for the question.

Asha's perspective is definitely a lot more pragmatic than the suicidally stupid/insane Greyjoy tradition. I don’t know if she’s exactly pro-Stark, but at least she’s smart enough to know that being overtly anti-Stark is a dead end. That’s an interesting comparison to draw to Jon and Arya, actually. Certainly Arya would try to emulate her. And the ironborn are like the wildlings in a lot of ways, so Jon would at least know how to deal with her.

I think her current plan is to use Theon’s survival as pretext to call another kingsmoot. This time around, Victarion is on the other end of the world and can’t split the anti-Euron vote. (Of course, he could come back and play the same card, but there’s good odds that he’ll die on his mission, or at least not think of the legal loophole.) She can either run herself, or put Theon forth as her puppet.

I’m going to talk a little bit about one of the released TWOW chapters, so it’s under the cut in case you’re avoiding spoilers altogether.

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Anonymous asked:

Hey, I just read your Every Wedding Needs A Bedding post and found it a really interesting read. One of my objections to the scene had been the cut to Theon's reaction (though I was grateful for the relative lack of gratuity), but now I'm agreeing that D&D might have actually done okay with that (I'd completely failed to acknowledge Theon's sexual abuse). I think it's a really interesting point you've raised that has been largely ignored in fandom :)

Thanks, I’m glad to hear you got something out of the post.

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Every Wedding Needs a Bedding: Romanticized Rape Culture in Westerosi Weddings

TALISA: That is a very strange custom. ROBB: I suppose it does seem strange from a foreigner's perspective. TALISA: It seems normal to you? ROBB: It's a tradition. Without the bedding ceremony, there's no real proof the lord and lady consummated their marriage. (The Rains of Castamere)
The men would carry her up to her wedding bed, undressing her on the way and making rude jokes about the fate that awaited her between the sheets, while the women did Tyrion the same honors. Only after they had been bundled naked into bed would they be left alone, and even then the guests would stand outside the bridal chamber, shouting ribald suggestions through the door. The bedding had seemed wonderfully wicked and exciting when Sansa was a girl, but now that the moment was upon her she felt only dread. (ASOS, Sansa III)

Traumatic weddings, often color-coded for our convenience, are a tentpole of the ASOIAF ‘verse. This is largely a matter of dramatic utility: weddings have emotional stakes and built-in ensemble and climactic beats. But this pattern also underscores a more consistent social reality in Westeros. In a world where bloodlines matter, where power is hereditary and patriarchal, marriage is in large part about sexual and reproductive ownership. Even the safest weddings for the most promising matches incorporate traditions which reinforce the repressive and proprietary nature of marriage as a cultural institution. In this post, I discuss how the ritual of the bedding ties into other expressions of rape culture and sexual inequality throughout the books and show.

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Anonymous asked:

While you're at it, would you be interested in pointing out how people love fanfiction authors who write angst for the characters they love, then criticize D&D for writing angst for Sansa and saying they love her, would you? I think you'd be brill at it.

I’m actually not so much up on the ASOIAF fic world (nojudgment, I’m just on a meta kick) so I don’t exactly know, but I take yourgeneral point. There’s a lot about this conversation that I find troubling aswell. (Translation: here, have a quasi-coherent 30% of my episode review that I didn’t have the nerve topost the first time around, SORRY ABOUT THE TL;DR.)

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High Sparrow episode response

GIRL: Who are you?
ARYA: You’re about to find out.

Game of Thrones is full of people who have adopted pretenses: as survival skills or ways to get ahead, or most often, both. High Sparrow is an exciting episode because a lot happens, but it’s as strong and involving as it is because it has so many characters so firmly in touch with their core selves, for good or for ill. Arya will never be no one, however much she tries to harden herself against pain. Winterfell’s staff may serve Roose Bolton, but the North remembers; Sansa is not Alayne Stone, she is Lady Stark. Pod understands the nature of knighthood, that it’s about the willingness and ability to protect others rather than entitlement to be called “ser.” Jon is Ned’s son in all the ways that matter, but he is Jon Snow, not Jon Stark. Tyrion stumbles around Volantis identifying himself to everyone within earshot. Even Varys the consummate mummer says that his own face is “quite a good face.” 

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