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Escapism With Birds

@yuutfa / yuutfa.tumblr.com

18+ / A person that writes and draws sometimes. / Expect writing and art resources, cute things, and a butt ton of Caster. Thank you for visiting and have a good day! Art Tag / Writing Tag / Creation Blog / What the heck is Caster?
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Fantasy Wardrobe: Fabrics

We often call clothes silk when they are satin, velvet where they are velveteen or we have no clue what we’re on about. So today let’s look at fabrics.

Laying down the law

Many renaissance/mediaeval societies governed over who could wear what. By adding these laws you had a layer of depth to your world.

  • Women and men could only be dressed n clothes benefiting their position
  • Female servants or their daughters could not wear veils costing more than twelve pence
  • Knightly families could not wear cloth of gold or sable fur or velvets
  • The wife or daughter of a labourer were not to wear clothes beyond a certain price or a girdle garnished with silver
  • Cloth of gold and purple silk only worn by the royal family. This goes for ermine.
  • The importation of silk and lace foreigners was prohibited when the kingdom produced those textiles.

Peasant Clothing (Beggars to Merchant classes)

  • Wool: This was the staple of much of the clothes owned by peasants. It was in supply and it wasn’t as costly as most fabrics when undyed. It was also warm.
  • Linen: Forget about softness. Peasant linen was made of coarser weaves and flax. It was heavier than noble linen.
  • Cotton: A lightweight fabric used in hotter climates. It was softer than the linen and airier.
  • Fustian: heavy cloth woven from cotton, for menswear.
  • Leather: Leather was used for boots and shoes rather than killer jackets.

Nobility & Royalty

  • Cloth of Gold: Cloth made from woven threads of gold (very expensive)
  • Cloth of silver: cloth made from woven silver strands (very expensive)
  • Samite: a rich silk fabric woven with gold and silver threads
  • Tulle: A netting sort of material
  • Brocade: rich silk fabric with raised patterns sewn on it.
  • Cambresine: fine, lightweight linen
  • Cambric: thin white cotton or linen
  • Cypress: gauze made of cotton or silk
  • Damask: like brocade but the patterns are flat
  • Delaine : light wool/mixed wool and cotton
  • Lawn: sheer plain-woven cotton or linen
  • Sarsenet: fine and soft silk
  • Sateen: glossy cotton or wool
  • Satin: closely woven silk, shiny
  • Taffeta: Thickly woven silk
  • Velvet : piled fabric of silk, cotton or synthetic material
  • Velvetine: cotton with silk pile
  • Saxony: fine, delicate woollen fabric
  • Alençon Lace: intricate floral lace with three-dimensional corded detail sewn onto a fine tulle backing
  • Chantilly Lace: lightest of lace
  • Charmeuse: smooth, flowing, silk, cotton,
  • Chiffon: sheer and lightweight fabric
  • Crepe de Chine: thicker, lightly textured silk
  • Dupioni: crisp lusturous silk
  • Organza: sheer and lightweight fabric of very fine weave silk
  • Georgette: sheer fabric of silk
  • Guipure Lace: heavier lace

Designs

  • Embroidery: Patterns sewn on the fabric by thread
  • Appliqué: decorative fabric, often lace or floral motifs, sewn onto the main material
  • Embellishment: details such as beads, crystals, sequins, pearls
  • Trim: a line of material or fur that finishes off a hem or cuff.
  • Piping: a cord lining the fabric creating a ribbed look.

Colours

Here are the colours that you will catch your people wearing. Keep in mind that dyes had to be sourced and could be very expensive.

  • Peasant: brown, red or gray.
  • Nobility: Gold, silver, crimson or scarlet, deep indigo blue, violet colors and even deep black and pure white colors
  • Royalty: Purple

Furs

  • Mink: Soft and lightweight, silkly and glossy furs
  • Fox: Long, lustrous, colourful and easy to dye.
  • Ermine: White fur streaked with black (ONLY FOR ROYALTY)
  • Sable: long, luxurious, dense but light.
  • Wolf: thick, tough, warm but has a bad smell
  • Vair: fur from a red squirrel really only used for trimming.
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elumish
Anonymous asked:

For a story I'm planning I really want to design/make my own cultural clothing. Would it be okay to use hints/references from other cultures or should it be 100% original?

I think clothing will always end up referenced from somewhere, because there are only so many ways that clothing can work. I’m not really an expert on things like cultural appropriation, but I think one of the big issues that comes from referential clothing is when it’s totally distanced from its true culture or when it’s used as a way to code certain things. People have talked a lot about how Star Wars in particular used Mongolian- and Chinese-inspired clothing to make Padme seem “exotic”, and used clothing and other such coding to dehumanize different races and religions, along with other things.

I don’t think pulling from different cultural influences in clothing is bad, particularly because we tend to default to Western European/American clothing if we don’t actively pull from other cultures, and we should try to get away from the Western=normal/standard mentality. What you do need to be mindful of is 1) what the cultural significance of the things you’re pulling from is and 2) what geographic/climate significance is. Hot places will have different clothing features than cold places, deserts will have different features than rain forests, and places with animals that produce wool will have different clothing than places with animals that are good for leather will have different clothing than places with animals with fur, etc. You can also see what is common across multiple societies, and consider why that is true.

There are a few things I would consider:

  1. What is lost by separating this feature from its cultural context?
  2. Are you taking the idea or the physical thing? (Are you taking the idea of religious coverings or are you taking the niqab?)
  3. Does that style/feature make sense with what your society has access to?
  4. Does that style/feature fit with your society’s cultural values? (Puritanical people probably wouldn’t have revealing clothing)
  5. Does using that hint or reference code your society a certain way? (Are people going to look at your characters based on how they’re dressed and go, oh they’re ___?)

You can also make up as much of your clothing as you want. Don’t feel tied to what people have done in real life, particularly if your society would have access to different sets of materials than in real life.

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NOTE: one type of fold will rarely appear on its own - they interact with each other quite a bit! for example, spiral folds might define the outline of a pant leg, while the interior folds might be zig-zag folds.
i’m trying to re-learn how to draw clothing, so i made this little guide to the most common shapes of folds that appear. hope it helps someone else too!
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NOTE: one type of fold will rarely appear on its own - they interact with each other quite a bit! for example, spiral folds might define the outline of a pant leg, while the interior folds might be zig-zag folds.
i’m trying to re-learn how to draw clothing, so i made this little guide to the most common shapes of folds that appear. hope it helps someone else too!
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reblogged

HEY ARTISTS!

Do you design a lot of characters living in not-modern eras and you’re tired of combing through google for the perfect outfit references? Well I got good news for you kiddo, this website has you covered! Originally @modmad made a post about it, but her link stopped working and I managed to fix it, so here’s a new post. Basically, this is a costume rental website for plays and stage shows and what not, they have outfits for several different decades from medieval to the 1980s. LOOK AT THIS SELECTION:

OPEN ANY CATEGORY AND OH LORDY–

There’s a lot of really specific stuff in here, I design a lot of 1930s characters for my ask blog and with more chapters on the way for the game it belongs to I’m gonna be designing more, and this website is going to be an invaluable reference. I hope this can be useful to my other fellow artists as well! :)

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