“But what could that dialogue have been? Was it between Sherlock and John? Given that Rathbone Place is a reference to an earlier incarnation of Sherlock Holmes, could it have echoed that and given us some kind of classic Holmes reference? And would it have told us any more about what happens next to our partners in crime solving? Sadly, Gatiss is staying tight-lipped about that but he did point out that as the duo leap from Rathbone Place into their futures “we don’t know if they made that last step”.

What exactly does he mean by “that last step”?

Release the scripts!

What was supposed to happen? Why was it cut? And what does the music say?

Boop… And they are fine?

Can we believe a word he says?

Or is he trying for damage control?

It probably was: John: I’ll always love Mary. Sherlock: Me too.

The Narrative Arc: Flatmates - Colleagues - Friends - Best Friends - Family? Saint Mary the Redeemed: “I know what you could become.” Mark Gatiss: “We don’t know if they made that last step.” Me:

Um… Forgive me if I’m wrong, but isn’t this exactly what @the-7-percent-solution said they would do? Raise doubts over whether the show will end, to make sure everyone wants a fourth episode?

We already know they’ve commissioned Series 5; plus, there’s a significant number of scenes that we know they’ve filmed but haven’t shown.

I’m calling their bluff.

*shoves tin foil hat back on*

SAY THAT TO MY FACE MARK NOT ONLINE

“mark gatiss cried at the screening of the lying detective”

Reason #2846435628365 why The Final Problem is Fake. 

Mark Gatiss talking about patience grenade drone exploding scene “… as John and Sherlock pitch themselves through the window onto the awning of Speedy’s.

BOOP!

And they’re fine.”

I laugh so hard every time I see it. ^^

mark creating alone: this is my new tragedy oc his boyfriend gets bdsm murdered and while hes grieving he finds out he has hiv 

steven writing alone: this is vastra shes a lizard and a lesbian her wifes name is jenny and she likes to paint her in their sunroom

Mark Gatiss blocked me for this tweet. Okay.

Welcome to the club. Maybe we should start an archive with the tweets that lead to MG blocking the author….

I think this is the one that did it for me https://twitter.com/onmaphone/status/825025622045052931

Mine is here. (That was after the With an Accent interview in June.

I feel the urge to retweet this tweet again #TweetsMarkGatissBlocks

Mark Gatiss blocked me for this tweet. Okay.

Welcome to the club. Maybe we should start an archive with the tweets that lead to MG blocking the author….

mark gatiss mass blocked almost everyone who tweeted at him or tweeted with the hashtag bbcqueerbait lmao

He’s Afraid of the gays coming for him. And he should be!

Mark Gatiss on his lifelong love of ghosts, spookiness and horror

mark not writing petty comebacks to all the hate on twitter is honestly THE fuckiest

Take A Fucking Sip, Babes

Elephants stampeding from our screens, An iconic gay fairytale come true. TJLC walls gleam with scarlet hue, Mark and Moffat’s shatt’ring climax dreams.

Yeet! The stale dark fuck prince grave is dug, Emptier than Vertue’s basement vault. No stomach for unprecedented salt? Take, please, a sip from Sherlock’s ”fireworks” ;) “””mug””” ;);););););)

Impossible finale gone to waste, ‘R greatest love story never been told? Etched to mem’ry till we’re grey and old, A resounding condemnation of warm paste.

Suck a dick’ll help you come to grips, So take five hundred motherfucking sips.

mark gatiss liked this post

i hope the BBC complaints department likes my potato

‘it’s very difficult to have a gay baddie because then they’ll think you’re saying all gay people are bad’ well yeah mark that tends to happen when you queer code literally every villain in your show

i can’t believe a gay man just fucking queerbaited me…?

And after talking about how much representation meant to him as a kid and there should be a show about a gay detective and his same-sex partner… thanks for the fucking crumbs, Mark, it’s 2017.

To Two Undiscerning Writers

Three years ago I started the Sherlock series without any notion of any queer love theories, I barely knew the leads would be a pair and thus I believe my point of view was fair.

When the army doctor met the young detective, immediately it gained an interesting perspective. The charming gifted stranger donning a black suit gave John Watson a wink that screamed ‘meet cute’.

So went the introduction to his new flatmate, with Stamford as a symbolical ‘Red String of Fate’. I hardly could believe this show was really gay, for all we ever answer to are cold ‘won’t they?’

They went to 'Not A Date’, a candle set the mood, John said 'Do you have a boyfriend? No? Good.’ From then has been used every single love trope: 'held gaze’, 'hand holding’, 'sleep cute’, 'knee grope’.

A 'Declaration of Protection’ was Sherlock’s last stance right before a mention of the 'Dance of Romance’. The follow-through was an 'Aborted Declaration of Love’, to touch John one last time, the man removed his glove.

Yet to what end my sentiments were lured to believe in this age queer love would not be obscured and to what aim touch them in two thousand seventeen if still these characters aren’t allowed to kiss on-screen? 

FUCK YOU MARK GATISS YOU ARE A GAY MAN BE FUCKING ASHAMED

will forever pronounce gatiss as GAHtiss now