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How to consume Writing Advice

There is so much writing advice out there lately, and I mean - a lot! On tumblr alone there are countless writing blogs full of authors and writers making remarkable efforts to provide all their own experiences and writing tips. For me, this is paradise! But I’ve definitely had that experience where it can all be a little bit overwhelming and hearing from some of our readers, so have they. So I wanted to give a little rundown about some good ideas when taking in writing advice. 

To preface, this is not in any way shutting down any of the following tips that you might have found helpful or prescribed to others yourself. The number one rule that writing is an extremely subjective experience and everyone will find different things helpful. So as part of my ‘how to’ post I’m going to tell you to simply disregard whatever tips you don’t find help you personally - including this post! 

So, let’s discuss. 

Try everything first and avoid what doesn’t work for you. See what works for you. If you hear some advice, and you are sceptical, I’d always suggest giving it a go. Similiarly, if you hear some advice many others seem to find helpful but it doesn’t work for you you by no means have to stick to it. The whole idea of ‘you should write every day’ has made writing a stressful experience and turned many amazing storytellers away from the hobby, for example. But the basis of the principle is a good one! As with most advice, routed in good intentions. It will not make you a bad writer to avoid certain pieces of advice that the majority stick too. Speaking of...
Avoid any ‘you should’ or ‘either/or’ statements put forward as if they are fact. As mentioned above, writing is hugely subjective and I tend to find any advice put forward in the form of a command or with no room for movement can be just as detrimental as it is helpful. 
Try not to let writing advice put you down. Because it can. As someone who tries to give others writing advice this is a hard pill to swallow, but check this out: here’s one example. ‘Oh, you’re having a hard time on your first draft? Well, I’m editing my second and you haven’t even started the hard work yet!’ Again, while this statement is not advice in itself it’s such a common attitude I see in any writing community. It scares a lot of people who are just trying their best. You can’t control what tips are given to you without what hyperbole, you can’t control the actions of others - so I would advise you learn to spot it, so you can absorbing it. 
Keep in mind the country of origin of the advice given and if any dispensation has been given for International readers. The main reason for this is practicality: things like the editing process and how to get published, copyright law, and even common grammar errors might vary from country to country and I don’t want anyone getting themselves in any deep water. 
Learn to recognise negative input. One example would be the trend that tells people that they are ‘not allowed’ to write a certain topic, culture, etc, because of who they are. In my opinion, art including writing should be limitless, should be for everyone. Obviously this one depends on your own personal beliefs, but for me I would advise everyone to learn to recognise the signs of negative input. Some of these include; condescending or negative language or a presumption that the author/writer has done or is doing something wrong. 
If they want to charge you an up front fee, something’s sketchy. I’m sure there’s a lot of articles that I hope you guys have made yourselves familiar with about scummy publisher/editor practises. Please always keep these in mind! Now, it’s not the case advice will be poor if paid for, but it’s not the case it will be better, personalised to you or even given either. You don’t need money to get help, not on this internet. 
Try to avoid having someone else do your research. This one is difficult, because what really constitutes having someone else do your research? I’d say: asking one tumblr blog for a master list of links about, say, Norse mythology, and having this be the basis of your research. Research might not be everyone’s forte but it is a huge aid to the inspiration process! You would not believe the amazing things you could learn about your worlds; the things characters will just tell you stand out to them - the detail your story will bloom with if you research for yourself from many sources. Which ties into another point about cross-referencing different advice and tips given, especially when those tips are factual. 
Be vocal. Talk about your work. Talk about what has worked for you in the writing process and what hasn’t. Share sites, blogs and videos you’ve found to be helpful. Share resources. For example; for me, one piece of advice that has never worked for me is when people say ‘just skip the beginning’ of your story, start in the middle or at the end. There is so much I learn from every page and I find syncing up time lines hard enough! 

Anyhow, that’s just a few things for right now that I hope really help you guys out. This post isn’t about being down upon anyone’s advice, because really, none of us are entitled to someone else’s advice. It’s amazing that there’s such a community for writers online. I just want everyone to thrive! 

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Famous authors, their writings and their rejection letters.

  • Sylvia PlathThere certainly isn’t enough genuine talent for us to take notice.
  • Rudyard KiplingI’m sorry Mr. Kipling, but you just don’t know how to use the English language.
  • Emily Dickinson[Your poems] are quite as remarkable for defects as for beauties and are generally devoid of true poetical qualities.
  • Ernest Hemingway (on The Torrents of Spring): It would be extremely rotten taste, to say nothing of being horribly cruel, should we want to publish it.
  • Dr. SeussToo different from other juveniles on the market to warrant its selling.
  • The Diary of Anne FrankThe girl doesn’t, it seems to me, have a special perception or feeling which would lift that book above the ‘curiosity’ level.
  • Richard Bach (on Jonathan Livingston Seagull): will never make it as a paperback. (Over 7.25 million copies sold)
  • H.G. Wells (on The War of the Worlds): An endless nightmare. I do not believe it would “take”…I think the verdict would be ‘Oh don’t read that horrid book’. And (on The Time Machine): It is not interesting enough for the general reader and not thorough enough for the scientific reader.
  • Edgar Allan PoeReaders in this country have a decided and strong preference for works in which a single and connected story occupies the entire volume.
  • Herman Melville (on Moby Dick): We regret to say that our united opinion is entirely against the book as we do not think it would be at all suitable for the Juvenile Market in [England]. It is very long, rather old-fashioned…
  • Jack London[Your book is] forbidding and depressing.
  • William FaulknerIf the book had a plot and structure, we might suggest shortening and revisions, but it is so diffuse that I don’t think this would be of any use. My chief objection is that you don’t have any story to tell. And two years later: Good God, I can’t publish this!
  • Stephen King (on Carrie): We are not interested in science fiction which deals with negative utopias. They do not sell.
  • Joseph Heller (on Catch–22): I haven’t really the foggiest idea about what the man is trying to say… Apparently the author intends it to be funny – possibly even satire – but it is really not funny on any intellectual level … From your long publishing experience you will know that it is less disastrous to turn down a work of genius than to turn down talented mediocrities.
  • George Orwell (on Animal Farm): It is impossible to sell animal stories in the USA.
  • Oscar Wilde (on Lady Windermere’s Fan): My dear sir, I have read your manuscript. Oh, my dear sir.
  • Vladimir Nabokov (on Lolita): … overwhelmingly nauseating, even to an enlightened Freudian … the whole thing is an unsure cross between hideous reality and improbable fantasy. It often becomes a wild neurotic daydream … I recommend that it be buried under a stone for a thousand years.
  • The Tale of Peter Rabbit was turned down so many times, Beatrix Potter initially self-published it.
  • Lust for Life by Irving Stone was rejected 16 times, but found a publisher and went on to sell about 25 million copies.
  • John Grisham’s first novel was rejected 25 times.
  • Jack Canfield and Mark Victor Hansen (Chicken Soup for the Soul) received 134 rejections.
  • Robert Pirsig (Zen and the Art of Motorcycle Maintenance) received 121 rejections.
  • Gertrude Stein spent 22 years submitting before getting a single poem accepted.
  • Judy Blume, beloved by children everywhere, received rejections for two straight years.
  • A Wrinkle in Time by Madeline L’Engle received 26 rejections.
  • Frank Herbert’s Dune was rejected 20 times.
  • Carrie by Stephen King received 30 rejections.
  • The Diary of Anne Frank received 16 rejections.
  • Harry Potter and The Philosopher’s Stone by J.K. Rolling was rejected 12 times.
  • Dr. Seuss received 27 rejection letters
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cidermoon

Now this…THIS inspires me.

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1. Take a pencil to write with on aeroplanes. Pens leak. But if the pencil breaks, you can’t sharpen it on the plane, because you can’t take knives with you. Therefore: take two pencils. 2. If both pencils break, you can do a rough sharpening job with a nail file of the metal or glass type. 3. Take something to write on. Paper is good. In a pinch, pieces of wood or your arm will do. 4. If you’re using a computer, always safeguard new text with a ­memory stick. 5. Do back exercises. Pain is distracting. 6. Hold the reader’s attention. (This is likely to work better if you can hold your own.) But you don’t know who the reader is, so it’s like shooting fish with a slingshot in the dark. What fascinates A will bore the pants off B. 7. You most likely need a thesaurus, a rudimentary grammar book, and a grip on reality. This latter means: there’s no free lunch. Writing is work. It’s also gambling. You don’t get a pension plan. Other people can help you a bit, but ­essentially you’re on your own. ­Nobody is making you do this: you chose it, so don’t whine. 8. You can never read your own book with the innocent anticipation that comes with that first delicious page of a new book, because you wrote the thing. You’ve been backstage. You’ve seen how the rabbits were smuggled into the hat. Therefore ask a reading friend or two to look at it before you give it to anyone in the publishing business. This friend should not be someone with whom you have a ­romantic relationship, unless you want to break up. 9. Don’t sit down in the middle of the woods. If you’re lost in the plot or blocked, retrace your steps to where you went wrong. Then take the other road. And/or change the person. Change the tense. Change the opening page. 10. Prayer might work. Or reading ­something else. Or a constant visualization of the holy grail that is the finished, published version of your resplendent book.

(via kadrey)

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Writing Resolutions

So, I’ve pooled together my new Year’s resolutions for writing! I decided to share them on here in case they are relevant to anybody else. Feel free to use or share them, though I recognize they may not be applicable to everybody --- you may wish to change them to better work for you! 

Either way, let’s all have a productive, inspired 2016!

  • Write everyday. Be it 5,000 words or 50 words. Get something down on paper, it really helps.
  • Focus on one project. Those other ideas might be alluring but they will still be there when you are done writing your current short story, novel or project. Note them down and keep them safe. If you really want to work on them then you’ll get this project done. 
  • Inspiration is fleeting. So you just watched a period drama and now want to write about Victorian London rather than your sci-fi epic? Give it a day or two. See how you feel then. 
  • Push on. If there is a plot hole, write another part of the book. Or counter it with something dramatic, like a sudden murder. It doesn’t matter how dumb it is, this is a first draft and editing comes later. The main thing is to always continue!
  • Whe all else fails, use prompts. Because writer’s block and plot holes hurt and stifle your motivation. When that happens, go write something from prompts instead. 
  • Recognize all your writing. Writing for school/work, or roleplaying with friends totally count and can be great practise. 
  • Read more. Simple. I love this one. I want to read everything. 
  • Take care of yourself and your space. To write well, you have be rested, you have to have experiences, and you have to feel comfortable with your own brand of organization. 
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penguinteen

11 YA Authors Who Will Enhance Your Twitter Feed

You know what the beauty of following authors on Twitter is? They’re authors. They ALREADY know how to wow us with their words in book form, so reading their tweets is like getting a 140-character morsel of delight at any given time, whether it’s a hilarious observation, piece of sage advice, or dose of honesty. Read on for some of our Twitter-loving authors who will add a bit of oomph to your feed:

Rachel Hawkins, author of the Rebel Belle series

I forgot that the little cutesy chameleon 100% murderizes the witch in this movie. That’s *slides down sunglasses* COLD-BLOODED. #Tangled
— LadyHawkins (@LadyHawkins)
October 31, 2015

What to expect: LOL-worthy musings on everything from romance novels to living your #bestlife.

Anna Breslaw, author of Scarlett Epstein Hates It Here

How did our parents flake without iPhones? Did they just have a skywriting plane spell out “I am sooooo sorry, rain check???”
— Anna Breslaw (@annabreslaw)
May 3, 2015

What to expect: life observations that make it pretty clear where the leading lady in her upcoming novel got her hilarious personality.

Maureen Johnson, author of the Shades of London series

I’ll be visiting one of you In your dreams tonight. Tomorrow, I’ll find out who. *puff of smoke* *forgot to disappear* *uses door*
— Maureen Johnson (@maureenjohnson)
October 26, 2015

What to expect: genius with regard to the use of astericks. Take note.

Marie Lu, author of The Young Elites series

I’ve returned home to these butts. pic.twitter.com/aHwb6OkNJv
— Marie Lu (@Marie_Lu)
November 11, 2015

What to expect: abundant corgis and the perfect emojis every time.

Rick Yancey, author of The 5th Wave series

“We’ve heard you’ve composed a certain trilogy about our designs for your planet. Perhaps you would like to explain.” pic.twitter.com/4wkA5Jgpdh
— Rick Yancey (@RickYancey)
August 14, 2015

What to expect: aliens and concise wit that clearly informed Cassie from The 5th Wave.

Sarah Dessen, author of Saint Anything

Emotional writing day today. Whew. pic.twitter.com/6UYKKFXM4A
— sarahdessen (@sarahdessen)
November 5, 2015

What to expect: gifs galore and genuine encouragment in writing and in life.

Jessica Khoury, author of The Forbidden Wish

working on a bonus prequel scene to go with #TheForbiddenWish and IT IS BREAKING MY HEART WHY DO I DO THIS TO MYSELF T__T
— Jessica Khoury (@jkbibliophile)
November 12, 2015
while I’m having feels over this scene, my dog is picking fights with the Xbox again… like srsly dog can’t u see I can’t deal right now??
— Jessica Khoury (@jkbibliophile)
November 12, 2015

What to expect: the most important updates on her upcoming Aladdin retelling AND her husky!

Morgan Rhodes, author of the Falling Kingdoms series and A Book of Spirits and Thieves

It’s slightly disturbing how easily I can get into the head of a dark and twisted character. And enjoy it. 😈 #abosat2
— Morgan Rhodes (@MorganRhodesYA)
August 19, 2015

What to expect: teasers, hints, and fandom excitement galore.

Una LaMarche, author of Don’t Fail Me Now

TIP: Don’t ever Google what you suspect might be a genius, original thought. Just let yourself believe. (R.I.P. Manic Pixie Dream Squirrel)
— Una LaMarche (@sassycurmudgeon)
November 8, 2015

What to expect: bits of gold such as printed-out emails from her college days, which she’ll generously share with the world.

Beth Revis, author of the Across the Universe series and A World Without You

I’M NOT CRYING I JUST HAVE A BOOK IN MY EYE
— Beth Revis (@bethrevis)
October 21, 2015

What to expect: book love and coffee love shenanigans.

Richelle Mead, author of the Vampire Academy series and Soundless

People going to my signings next week: do you want me to bring Rose & Lissa so you can take selfies in line w/them? pic.twitter.com/SMCQvhJejb
— Richelle Mead (@RichelleMead)
November 3, 2015

What to expect: barbies. Need we say more?

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shannonhale

Stories for all

A school librarian introduces me before I give an assembly. “Girls, you’re in for a real treat. You will love Shannon Hale’s books. Boys, I expect you to behave anyway.”

I’m being interviewed for a newspaper article/blog post/pod cast, etc. They ask, “I’m sure you’ve heard about the crisis in boys’ reading. Boys just aren’t reading as much as girls are. So why don’t you write books for boys?”

Or, “Why do you write strong female characters?” (and never asked “Why do you write strong male characters?”)

At book signings, a mother or grandmother says, “I would buy your books for my kids but I only have boys.”

Or, “My son reads your books too—and he actually likes them!”

Or, a dad says, “No, James, let’s get something else for you. Those are girl books.”

A book festival committee member tells me, “I pitched your name for the keynote but the rest of the committee said ‘what about the boys?’ so we chose a male author instead.”

A mom has me sign some of my books for each of her daughters. Her 10-year-old son lurks in the back. She has extra books that are unsigned so I ask the boy, “Would you like me to sign one to you?” The mom says, “Yeah, Isaac, do you want her to put your name in a girl book?” and the sisters all giggle. Unsurprisingly, Isaac says no.

These sorts of scenarios haven’t happened just once. They have been my norm for the past twelve years. I’ve heard these and many more like them countless times in every state I’ve visited.

In our culture, there are widespread assumptions:

1. Boys aren’t going to like a book that stars a girl. (And so definitely won’t like a book that stars a girl + is written by a woman + is about a PRINCESS, the most girlie of girls).

2. Men’s stories are universal; women’s stories are only for girls.

But the truth is that none of that is truth. In my position, not only have I witnessed hundreds examples of adults teaching boys to be ashamed of and avoid girls’ stories, I’ve also witnessed that boys can and do love stories about girls just as much as about boys, if we let them. For example, I’ve heard this same thing over and over again from teachers who taught Princess Academy: “When I told the class we were going to read PRINCESS ACADEMY the girls went ‘Yay!’ and the boys went 'Boo!’ But after we’d read it the boys liked it as much or even more than the girls.”

Most four-year-old boys will read THE PRINCESS IN BLACK without a worry in the world. Most fourth grade boys won’t touch PRINCESS ACADEMY—at least if others are watching. There are exceptions, of course. I’ve noticed that boys who are homeschooled are generally immune. My public-school-attending 11-year-old son’s favorite author is Lisa McMann. He’s currently enjoying Kekla Magoon’s female-led SHADOWS OF SHERWOOD as much as he enjoyed the last book he read: Louis Sachar’s boy-heavy HOLES. But generally in the early elementary years, boys learn to be ashamed to show interest in anything to do with girls. We’ve made them ashamed.

I want to be clear; if there’s a boy who only ever wants to read about other boys, I think that’s fine. But I’ve learned that most kids are less interested in the gender of the main character and more interested in the kind of book—action, humor, fantasy, mystery, etc. In adults’ well-meant and honest desire to help boys find books they’ll love, we often only offer them books about boys. We don’t give them a chance.

Whenever I speak up about this, I am accused of trolling for boy readers when they aren’t my “due.” So let me also be clear: I have a wonderful career. I have amazing readers. I am speaking up not because I’m disgruntled or demand that more boys read my books but because my particular career has put me in a position to observe the gender bias that so many of us have inherited from the previous generations and often unknowingly lug around. I’ve been witnessing and cataloging widespread gender bias and sexism for over a decade. How could I face my kids if I didn’t speak up?

And here’s what I’ve witnessed: “great books for boys” lists, books chosen for read alouds, and assigned reading in high schools and colleges, etc. are overwhelmingly about boys and written by men. Peers (and often adults) mock and shame boys who do read books about girls. Even informed adults tend to qualify recommendations that boys hear very clearly. “Even though this stars a girl, boys will like it too!”

This leads to generations of boys denied the opportunity of learning a profound empathy for girls that can come from reading novels. Leads to a culture where boys feel perfectly fine mocking and booing things many girls like and adults don’t even correct them because “boys will be boys.” Leads to boys and girls believing “girlie” is the gravest insult, that girls are less significant, not worth your time. Leads to girls believing they must work/learn/live “like a man” in order to be successful. Leads to boys growing into men who believe women are there to support their story, expect them to satisfy men’s desires and have none of their own.

The more I talk about this topic, the more I’m amazed at how many people haven’t really thought about it or considered the widespread effect gendered reading causes. I was overwhelmed by the response to a blog post I wrote earlier this year. To carry on this conversation, I’m working with Bloomsbury Children’s Books to create #StoriesForAll. Each day this week we’ll feature new essays on this topic from authors, parents, teachers, librarians, booksellers, and readers. On twitter, instagram, and tumblr, join us with the #StoriesForAll hashtag to share experiences, photos, book recommendations. Discuss: How deep is the assumption that there are boy books and girl books? Does it matter? What have you witnessed with regards to gendered reading? What damage does gendered reading cause to both girls and boys? What can each of us do to undo the damage and start making a change?

I yearn for that change. For our girls and for our boys.

——————

Shannon Hale is the New York Times bestselling author of over 20 books, including the Ever After High trilogy and the Newbery Honor winner Princess Academy. She co-wrote The Princess in Black series and Rapunzel’s Revenge with her husband, author Dean Hale. They have four children.

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strandbooks

5 Questions with Mary Higgins Clark, the Queen of Suspense

Mary Higgins Clark is hailed as the “Queen of Suspense,” with an intimidating number of books and sales on her resume to secure her title. All of her suspense novels have been bestsellers, and most of them are still in print, with her first suspense novel Where Are the Children currently in its 75th printing. Higgins is known for her masterful command of the suspense genre, creating and building tension that has won her writing numerous awards and great recognition not just in America, but all over the world. Her newest book, All Dressed in White is the second book in her Under Suspicion series that focuses on suspects surrounding a cold case of a missing bride and is available Nov. 17.

You are the author of over 50 novels, which have sold over 100 million copies in the U.S., what’s the trick to writing a good suspense story?  

As a child, starting with Nancy Drew, I loved reading suspense stories. My first book, an historical novel about George and Martha Washington, went absolutely nowhere when it was published. Ten years later it became a bestseller. But at that time I thought, ‘I want to write a book that will sell.’ I studied my book shelves and saw row upon row of books by Mignon Eberhart, Agatha Christie and Josephine Tey. I loved mystery suspense and wondered if I could write one.

Starting out as a writer, what do you like to read?  Suspense, romantic novels, detective stories, science fiction?  If one category jumps out at you, set your first book in that field.

You are a New York City native, growing up in the Bronx. Was there anything about your childhood, your environment, that helped shape you as a writer?  

I have used my background, of course, in books; however, when I was six years old, I was writing poetry, skits for my brothers to perform in and making up stories. I did not choose writing - writing chose me.

Can you tell me a little about your new novel “All Dressed in White”?  I’m especially interested in the Under Suspicion books using an investigative television series as a catalyst to open up cold cases. It sort of reminds me of The Jinx (that HBO show), where, unlike many cases that are headed by law enforcement, the motives for investigating can be much more complex.

All Dressed in White’ is the second novel in the Under Suspicion series where television producer, Laurie Moran, investigates the case of a missing bride. 

I used to attend murder trials and in one of them, one man was found guilty but many thought his friend was the one who committed the crime. The guilty man served 14 years, was released and three years later tried to commit exactly the same crime dragging a young girl into the woods and strangling her. About that time his friend, who had been under suspicion for all those years said, “I could not have survived without my parent’s faith in me and then my wife’s.” That is why I thought that the premise of a TV program where people who are under suspicion get to tell their story, would be an intriguing plot.

You are known as the “Queen of Suspense” around the literary world, if you could be named “Queen” of anything else, what would it be?

Queen of the Bronx.

Who are some authors that inspire you?

I think that my favorite books were by authors Jane Austen and any one of the Bronte’s and Charles Dickens. 

Bonus! Who have you read lately that you absolutely loved?

‘The Wright Brothers’ by David McCullough and 'The Last of the President’s Men’ by Bob Woodward.

Mary Higgins Clark’s All Dressed in White is out from Simon and Schuster Tuesday, November 17. Find it and more of her books here.

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                 YOUREALLWRITE is a writing blog ran by a writer & dedicated                     to helping create a safe,          inspirational and helpful space for my                      fellow writers. We create & reblog content    focussing on everything                     from vocabulary to free speech.     We also archive research & even                     YOUR own work. so come,      take a look,    see if we can help you! 

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