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Would Die For Every Single Member of the Mighty Nein

@your-turn-to-role / your-turn-to-role.tumblr.com

Crit Role Sideblog | likes/follows/replies from atalana | Art Blog (Spoilers tagged for a week after the episode comes out, and maybe longer if it's in the queue)
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Still, as always, thinking about how Veth's story is such a complex look at womanhood and motherhood and what it means to be a woman and a mother who wants things. Because Veth's story is about wanting, just as much as it's about learning to be brave. Veth presumably comes from a very traditional small town, married her (effectively) high school sweetheart when she was quite young and had a child almost immediately, which, while based on love, might also have been an effort to fit in and become an independent adult in her town, away from the mockery of her brothers. The things people in town didn't like about her were her strangeness and her collections of bits and bobs and oddities. The shiny things that she wanted. In some ways, that was the wedge between her and her community, the strangeness of how she desired things and wantonly kept them. Even marrying and having a kid so young could be an extension of this. Veth wants things and strives to get them

All of that in heightened after she's turned into goblin. It becomes "the itch" to steal and to horde shiny, beautiful things, which is particularly poignant considering how ugly she finds herself, even uglier than she thought of herself when she was still a halfling. She wants to surround herself with beautiful things. She wants to help Caleb. She wants to be her again. She wants.

And it's okay for Nott the Brave to want things, because Nott the Brave exists outside of social contracts. She's already a monster--there's no need to pretend to fit in. It's freeing, to be able to want things as much as you want and people won't bat an eye. As much as she hated that body, she loved the freedom it gave her. The freedom to be transgressive in a way she was unable to be as Veth Brenatto. Because, much as she loves her family, isn't being a woman and mother something of a cage to her? Those labels put her in specific boxes, they determine how she should behave. So much of later development hinges on these questions: "What does it mean to be a good woman in this society? What does it mean to be a good mother?" She is SO hard on herself for not being with Luc enough, which is absolutely understandable, but she also wants this life of adventure. Does that make her a bad person? A bad mother? To want something that isn't her family?

And then Caleb. Probably the most unfortunate thing she wants, something she knows she can never have. Because she has Yeza and she loves him and he's her husband. They have a social contract that she must abide by. But Caleb's right there and she wants him. Does that make her a bad woman? Does that make her a bad wife? It's just one more thing that makes her different from her peers, her inability to be content with what she already has. And, at the end of the day, I think this is what we should think of when we talk about Veth's relationship with motherhood and womanhood. How transgressive it is for her to so deeply desire when clearly, from the way she grew up and the messages she internalized, it wasn't a woman's place to want more than she was afforded, nor was it a mother's.

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wizardnuke

have i said that i think essek planted that shiv on the volstrucker girl that caleb talked to in the dungeon of penance because i truly deeply believe that he did that. veth saw that essek was nervous. how the fuck would a handcuffed and top-priority prisoner have gotten out of her cuffs and more impossibly, somehow gotten ahold of a shiv. in the Top Priority Dangerous Violent Prisoner section of the dungeon. ain't no way she did that on her own. he wanted that guy dead. the m9 knew too much and as far as he know caleb was the most dangerous piece on the board in discovering him. he specifically was getting too close to essek. i don't think that essek was actually falling for him in the love way but i do think he recognized that he was getting attached to someone who had a fuckign history as a volstrucker and wanted to take down the people that essek was actively working with. he tried to kill that guy fr

like essek 100% had the clearance to go in there alone and be like "hey you're dead but do you wanna go out with a bang? to kill a traitor?" and she 100% was willing to take him up on that. i know it in my heart

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I am still blown away by the babygirl-ification the fandom threw at Caduceus, to the point there was a whole subset of critters watching Downfall and murmuring about “wow what would Caduceus think if he saw his goddess being so wild?” as if the man didn’t roll up to the group in his inaugural episode saying that death and violence are a totally natural part of nature, and that he wasn’t opposed to putting people into the ground as mulch. His primary motif is carrion bugs that eat rot and cause disease. His advice to Fjord about joining the Wildmother is that nature is powerful and dangerous. He is literally the meme of “I’m a healer, but—(cocks gun)”

Of course he’d be fine with the revelation of what happened in Aeor! And the fact that caught critters by surprise is a shame. Caduceus is freaky, and we love him for it.

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thechekhov

I have no idea what I’m even doing anymore, but I got to episode 33 and absolutely had to draw out Sassy Caleb, who has finally HAD IT with these tower shenanigans. 

I honestly find it endearing how he’s finally comfortable enough with the group to sass at them, or at least at Beau and Fjord. You know what that is? Growth.

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As an aside it is funny that Essek very briefly insinuates he picked up Teleportation Circle from Caleb—specifically, "I have something my partner has shown me," which suggests to me that he is referring to the spell itself, not that Caleb is the one who built the circle (which is possible).

And while he did seem to use Teleport as his primary form of transport in c2, that was primarily because the Nein called upon him when they were traveling somewhere without a circle, as Caleb was already capable of it otherwise. And in particular, how could we forget:

The closest Essek has ever come to personally murdering the Mighty Nein.

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edelgarfield

beauregard & essek at the end of a long day doing cobalt soul work, stuck in the middle of nowhere for the night getting piss drunk and commiserating about how much they miss their partners.

beauregard: i miss my wife... essek: i miss my husband... beauregard: .... i miss my wife MORE.

essek trying to get away for five minutes to send caleb a "good night love you" message but beau keeps knocking on the door like "tell caleb he's a nerd. ask caleb if he knows anything. tell him he better be doing his morning runs or i'll kick his ass."

beau: if you Send to Yasha and I talk into your ear will she be able to hear me? essek, putting in earplugs: no beau: ... okay but what if i yell REALLY loud.

essek: i investigated the weird magical device and i can't figure out how it works so there's no point in you— beau's +16 to arcana: cool i figured it out 10 minutes ago. essek: i am going to cast Dark Star, Target: Self and kill us both.

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4 hours into essek supercut and chill and i am on my disabled essek bullshit

critical role wiki: elves do not require sleep, nor can magic put them to sleep

essek: is visibly affected by a sleep spell, explicitly tells jester he's trying to sleep when she wakes him up at 2am to ask for pastries

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vethbrenatto

i don't mean to be all "veth is a character of all time" but truly, genuinely i cannot ever stop thinking about how interesting and unique a character she is.

the story of a young mother penned in by obligation and familial duty yet without the caveat that that home life is bad. the husband isn't the villain in her story because she married young. the story of self-discovery and growth by her goblin transformation, a literal different body giving her the freedom she so clearly needed to find herself while at the same time she's pitying and self-loathing because of that familial duty. like obviously "shirking obligations breeds guilt" isn't a new theme but i just can't think of any other character like veth with this specific story. she's such a complex person, complex woman, complex friend, wife, mother. seeing those themes get explored with her was such a joy.

and hey she also wants to boink a Minotaur.

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