This scene is a strange one, because it was the first thing we shot of the whole series.
We had been shut down since March 2020 when the initial COVID lockdown hit, and were the first show in North America to go back into production that summer. We didn't know how to do that, and were juggling constantly evolving safety protocols as we tried to figure out how to shoot in this new world.
Because a lot of our sets weren't ready to shoot when we came back, we opted to start easy - on our stages, with blue screen work. The boat scene is shot entirely on blue screen, we didn't even have water - the boat was gently rocked back and forth by grips.
Kate and Zach were asked to do this huge, heavy, insanely difficult and emotional scene ON OUR FIRST DAY.
I had asked them a few weeks prior if they'd be okay with that, as I was worried - they hadn't built their characters yet. They hadn't put a single scene down to draw from. But both said they'd do it, and so we threw them into the deep end.
(That's DP Michael Fimognari in the boat, trying to adjust lighting through his goggles)
It was a VERY weird day. We were all wearing KN95 masks and goggles, the actors had to wear full masks and face shields when we weren't rolling. It was absolutely surreal and just about impossible for anyone to get into any headspace that felt like we were doing scene work.
I had been fitted with modified motorcycle goggles, as I needed eye protection to be near the actors (it was all more than a bit ridiculous.) There was a ladder on set - you can see it behind Michael in the picture above - and I started the day by climbing it to address the cast and crew. About ten words into my speech, my goggles completely fogged up and I couldn't see anymore. I had to be helped down the ladder by several grips.
I remember the first rehearsal was insane because the actors weren't allowed to take off their masks, per Netflix safety protocols. I was also required to wear my mask and goggles throughout, so giving direction to actors who couldn't see my face was a brand new and deeply strange thing (I'd continue to work this way for the next two years, we all got used to it, but this first day was fucking WEIRD).
Kate and Zach couldn't even really hear each other through the masks to rehearse, as it was such a quiet and intimate scene. I was standing a few feet away and couldn't hear a damn thing.
It was additionally weird because all of the elements of the scene outside of the boat wouldn't be added for many, many months as we got into VFX. There was no water, no stars, nothing at all to look at but hanging blue curtains and masked crew members.
I don't know how Kate and Zach were able to put all of that aside and deliver the performances they delivered - oh wait, I suppose I do know. It's because they are exceptional actors.
Kate later told me she was so outside of her comfort zone that she had to just dive in and trust every single thing around her. The scenes in the boat ultimately came together beautifully, but I did apologize to both of them later in the shoot. It wasn't fair that we asked them to do that, to start like that, without letting them build any foundation.
But both waved it off. Production is chaos, and that particular production was the very first out the gate with COVID, so everything was crazy. They took all of that vulnerability and uncertainty and discomfort and fear and turned it into a handful of scenes that roar with honesty.
It's among my favorite moments in what may always be my favorite Intrepid series.
