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@yepthatsacowalright / yepthatsacowalright.tumblr.com

Sarah's Tumblr of Curiosity & Confusion 30s | Girl | Los Angeles | Tired
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I kind of want everyone who interviews Mike Flanagan, from now until Netflix changes their mind, to ask him about physical media, so he once again has an excuse to publicly remind people that streaming-exclusive deals suck, physical media is essential, and he will always want Midnight Mass, The Midnight Club, and The Fall of the House of Usher to be available to watch in more ways than just on Netflix.

Transcript:

"The last question from my patrons is something we've touched upon a little bit, again, but given your public opinion on the importance of physical media and your experience with Netflix in the past, will the ability to release your work outside a typical streaming service influence your distribution decisions on future projects?" "Absolutely. So...big time, in fact. And we're about to kind of put this into practice with The Life of Chuck as we go out, seeking distribution.

I think it is actively bad for the industry and for cinema to contain any piece of work exclusively on one streaming service, without any other platforms, and without physical media. I think it is bad for the business, I think it is bad for art, and I deeply regret that some of my favorite pieces of work will never be available anywhere outside of Netflix.

It's not that I'm not grateful to Netflix for making them, and they run their company in a way that works for them, but I spent an enormous amount of time while I was there trying to convince them to supplement their platform release of these things with a physical media release as well, and that it wouldn't hurt their bottom line, and in fact it could actually greatly help it.

I didn't win that argument, and you know I think Midnight Mass, The Midnight Club, and The Fall of the House of Usher will likely never be available on physical media, unless something radical changes at Netflix, and that really hurts.

But moving forward, where I do I have the control now on independent projects, I'm not really interested in entertaining a distribution model that's exclusive to one streamer, just in general. And that doesn't mean I wouldn't license something to Netflix, I just wouldn't license it exclusively. And we would have to carve out these other platforms, and these other means of distribution. And I think, and I hope, that more and more filmmakers...I hear Christopher Nolan being very, very loud about these issues, you know...Martin Scorsese, same thing. And even filmmakers who have flirted with these exclusive streaming platform releases for some of their things are still vocal proponents of physical media.

But yes, it will absolutely inform every distribution decision I make for the rest of my career. I don't ever want to be in this situation again."

[x]

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nessa007

seriously FUCK netflix and most other streaming services!!!! i miss physical media so much!!! behind the scenes footage, bloopers, interviews, cast/director/producer commentaries etc… bring this back, damn it!!!!

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"There are just treasure troves of people's blood, sweat, and tears, and creativity, sitting on the shelves of Netflix, where they're owned - by contract - till the end of the universe. This is how a lot of these things go. Unless you had a good enough lawyer and you had the pull to get a reversion clause in there, so you could get the work back from them if they didn't make it. But they don't really like reversion clauses because it makes them embarrassed if they lose a show...or had a show, didn't make it, and then somebody else makes it and it's a hit. That's, like, egg on their face. So now if they buy something from you, they try to buy it from you for eternity, and whether they make it or not is a coin toss."

Jamie Flanagan, on the Shadows at the Door podcast

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dduane

“The unnecessary demands of the WGA are completely ruining the process of having writers slave over a show for countless weeks only to have their work disappear completely from the streaming platform.”

😏

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Two weeks into tweeting at Netflix for a Midnight Mass physical release and I’m starting to worry that there is a younger generation that is so far removed from Blu-rays/DVDs that they don’t even understand the appeal of them over streaming. Blu-rays/DVDs = Blooper reel! Deleted scenes! Audio Commentary! Behind the Scenes/Making Of Features! Concept Art! More in-depth interviews! Sometimes hidden easter egg fun stuff! If you’ve ever searched on YouTube for the blooper reel or a deleted scene of a favorite show recently made, a lot of the time it’s only on YouTube because someone ripped it off their Blu-ray/DVD copy and uploaded it!! If the Blu-ray/DVD doesn’t exist in the first place, that doesn’t happen!! I’m just...are we really doing this? Are we really letting society as a whole forget about how fucking great owning a physical copy of your favorite show/movie is?!

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The evident imminent demise of Netflix once again raises an issue I have had with streaming services, which is the lack of physical media support. If Netflix tanks, what’s going to happen to all those Originals, all the shows they picked up for more seasons after getting canned elsewhere? Was there any DVD releases of She-Ra, Carmen Sandiego, Series Of Unfortunate Events, and so on? Or is it just gonna get lost to the void because it was only accessible on servers that are likely to be shut down in the near future?

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