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Homines dum docent discunt. Séneca

@yaellaharpe-blog

Desde la prehistoria hasta el Imperio Romano.
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Detail of the colossal statue of Mars.

Detalle de la estatua colosal de Marte.

(English / Español / Italiano)

Detail of the colossal statue of Mars (Pyrrhus) in the Capitoline Museums, dating from the 2nd century AD, a masterpiece of Roman sculpture.

This emblematic work of art shows the artistic achievements of ancient Rome, particularly in its intricate details, such as the "Calcei of Mars", the extraordinary footwear adorned with intricate designs.

As the Roman god of war, the statue of Mars embodies the cultural values of the time.

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Detalle de la estatua colosal de Marte (Pirro) de los Museos Capitolinos, que data del siglo II d. C., una obra maestra de la escultura romana.

Esta obra de arte emblemática muestra los logros artísticos de la antigua Roma, en particular en sus intrincados detalles, como los "Calcei de Marte", el extraordinario calzado adornado con intrincados diseños.

Como dios romano de la guerra, la estatua de Marte encarna los valores culturales de la época.

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Particolare della statua colossale di Marte (Pirro) dei Musei Capitolini, risalente al II secolo d.C., capolavoro della scultura romana.

Quest'opera d'arte emblematica mostra le conquiste artistiche dell'antica Roma, in particolare nei suoi intricati dettagli, come i "Calcei di Marte", le straordinarie calzature ornate da intricati disegni.

Come dio romano della guerra, la statua di Marte incarna i valori culturali dell'epoca.

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Antigua Via Latina / The ancient Via Latina

In the middle of the Roman periphery, between the modern Via Appia and Via Tuscolana, a section of the 3rd mile of the ancient Via Latina is preserved in perfect condition.

It has ancient origins: the natural route, already followed in prehistoric times, was used by the Etruscans to colonise Campania in the 8th-6th centuries BC.

Definitely laid out by the Romans around the IV-III centuries B.C., it connected Rome with Capua, maintaining its importance throughout Antiquity. In fact, even in the Middle Ages, it was preferred as an access road to Naples because of its better preservation compared to the Appian Way and the presence of a number of Christian places of worship along the route..

Entering the Archaeological Park of the Tombs of the Via Latina, it is now possible to walk along a section of the original paving of the street. With a pleasant walk you can admire the rich tombs dating back to the I-II century A.D. that overlooked the route, which still have perfectly preserved polychrome decorations on the façades and inside: vaults covered with painted plaster and stucco, walls frescoed with funerary scenes and rich mosaic floors are still substantially intact in their original context.

From the street it is also possible to reach the Basilica of S. Stefano, a rare example of an early Christian building erected under the pontificate of Leo the Great in the middle of the 5th century.

Santo Stefano en Vía Latina, restos parcialmente reconstruidos, 1911.

Santo Stefano in Via Latina, partially reconstructed remains, 1911.

The Archaeological Park of the Tombs of the Via Latina was created in 1879 following the acquisition by the State of a vast area in which important remains from Roman times had been discovered.

BARBERINI TOMB

The so-called Barberini Sepulchre, or Sepulchre of the Corneli. The funerary monument, dating from the 2nd century AD, consists of two above-ground floors and a hypogeum in an excellent state of preservation. The upper floor is covered by a ribbed vault completely covered with plaster painted with a red background and stucco elements. Groups of figures, winged victories on chariots, love affairs, birds, marine animals, mythological themes and architectural backgrounds can be recognised.

Sepulcro Barberini y su interior / Barberini Tomb and its interior

TOMB OF THE VALERI

The Tomb of the Valeri. The richly decorated underground rooms dating from the mid-2nd century AD are preserved, while the elevation is a hypothetical reconstruction dating from the mid-19th century. An elaborate white stucco covering, articulated in 35 medallions and panels, adorns the lunettes and the barrel vault of the underground room. The medallions depict Dionysian themes, female figures and sea animals, while in the central tondo there is a delicate-veiled figure on the back of a griffin, representing the deceased being carried to the afterlife.

Tumba de los Valeri, exterior e interior / Tomb of the Valeri, exterior and interior

THE TOMB OF THE PANCRATII

The Tomb of the Pancratii. Much of the visible structure is a modern construction that protects the monument below by resting on the original 1st-2nd century AD walls, about a metre high. Upon entering the tomb, one can admire the beautifully decorated underground rooms, with mosaics on the floors and vaults and walls frescoed in bright colours and stucco in an excellent state of preservation. They depict mythological scenes, natural and architectural landscapes, images of women and animals. In the centre of one of the underground chambers is a large sarcophagus for two Greek marble depositions.

Sepulcro de los Pancracios, exterior e interior / Tomb of the Pancracios, exterior and interior

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