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@wuyifankris / wuyifankris.com

“我这个人就是轴,如果我不喜欢,我就是不做,你给我再多的钱,我也不想做。曾经有很多次这样的情况,我全都拒绝了,连我妈都说,你不要这么直接。但是,这就是最真实的我,我相信很多人喜欢我是因为我身上有跟别人不一样的地方,我坚持自己的个性,这是他们喜欢我的一部分。” — 吴亦凡 twitter subs
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Kris Wu -《想你》/ “Miss You” Translated Lyrics

Sung by: Kris Wu / Zhao Liying Lyrics: Kris Wu Composed by: Kris Wu Arranged by: Jyken / Kris Wu / Kevin Shin Produced by: Kris Wu / Kevin Shin QQ Music | Kugou Music | Kuwo Music

《想你》Miss You

Missing, missing, missing you These hazy memories Looking, looking, looking at you The secret stored in my heart I’m waiting, waiting, waiting for you I wanna be with you It’s you, you, yes it’s you I remember your aura

Looking at your photos Don’t know how much time has passed What should I use to express Some things can never be changed A promise that was broken A world that has left me A love that was never realised Fear that clouded my vision I want to remember everything about you

In the eyes of others, we're so close Afraid that there's not enough time for some people, some things Some feelings, some words couldn't be expressed right But those are already things of the past I still wish to be by your side Not knowing when this late autumn will end Will I be able to go on with you Can't put aside this confusion in my heart Just like your favourite sneakers Can't forget the promise you made How many days and nights have passed I'm missing, I'm missing you right now Not used to being without you I wish, I only wish to hug you You're my only one

This relationship between you and I I asked if you'd agree Across the vast distance I'm crazy for you, can't give you up You and I, we're back where we started Why do you always run away Even if the world is full of distrust But I only care about you, just wanna be with you

Missing, missing, missing you These hazy memories Looking, looking, looking at you The secret stored in my heart I’m waiting, waiting, waiting for you I wanna be with you It’s you, you, yes it’s you I remember your aura

Time goes on Ticking by Some feelings You repress them Those who know how to love Are even more

Who's this outcome for That parting sentence My never ending train of thought When I look back, will you still be there

Who's willing to be humbled in love Circling around you Not intending to deceive you For you, I can wax poetic For you, I can wear myself out I'm addicted to you, yet afraid you'll get hurt Not giving up some things, even if they're hopeless Choosing such topics, just to make you happy Even despite the heavy rain I'll be like a fearless shark, protecting you I don't think I can be without you I can't take it I want, I just want to be with you Till the end Can't control my emotions Express my words Occasionally I want to tell you There's someone who's really missing you Can't control my emotions Express my words Love is like a movie Don't put me in the background Put me in the background

This relationship between you and I I asked if you'd agree Across the vast distance I'm crazy for you, can't give you up You and I, we're back where we started Why do you always run away Even if the world is full of distrust

But I only care about you, only wanna be with you Missing, missing, missing you These hazy memories Looking, looking, looking at you The secret stored in my heart I’m waiting, waiting, waiting for you I wanna be with you It’s you, you, yes it’s you I remember your aura

translation: @wu_yi_fan

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Kris Wu: Hip-hop is my attitude (BAZAAR November 2017)

Hip-hop soul Styled as a garage, the photography studio had the metal look of "The Rap of China" recording set. Kris Wu and his friends arrived fully dressed in dark glasses, leather and fur, gleaming accessories and hair styled in place. A still capture of them would have completely looked like a poster for a mafia movie.

Stern browed and bright eyed; tall, stately and handsome - This was what Guan Hu described Kris Wu to be during the first time he saw him, and was probably the majority of people's first impressions of him as well. Until he is seated in front of you, very focused and good-tempered even during introductions where it was not necessary to actually answer any of the questions, patiently waiting for you to explain for an entire three minutes, then at that moment you would be able to feel this boy's liveliness and cuteness.

"Do rappers all dress like this?" While stroking his bracelet, he would begin to explain the origin of hip-hop to you: "Because the history of hip-hop was such - In the past, African Americans led a hard life, and had big hopes of money, so when they gained fame they liked to wear gold accessories to show that they earned money. Gradually this became something symbolic, including dark glasses, they represented a certain style which gave off the feeling that one was very cool. But at present, hip-hop fashion is different from that of the past. It is not only limited to baggy clothing, but also includes some high street fashion as well as athletic wear and classic styles mixed together to create a hip-hop look. However, no matter how the trends on appearance change, as a street culture which conveys freedom and an attitude of individuality, the spirit and soul of hip-hop will remain the same."

The most important thing is doing what you love After completing all of <The Rap of China> schedules, Kris Wu placed his work focus on creating his own new music. He has always created the newest hip-hop music, and openly expressed his desire to promote hip-hop. Like his song <6> which was released in July, its completely done in a international style with speedy Hi-Hats, various sound effects with the 808 drum machine, the combination of all these elements resulting in a multi-layered tune. He is willing to do such an experiment, to mix the most trendy global hip-hop music elements together with Chinese rap. He believes that currently, as hip-hop gets more popular, there will be even more of the public that will get to know and love hip-hop. He also hopes that one day in the future, Chinese hip-hop will make it big globally.

In the past, Kris Wu wanted to be a professional basketball player, but because of various reasons, his dream could not be accomplished, which became something he obsessed over. So right now with even more options today, Kris Wu's life motto is "Follow my heart", do the things that you love till the very end, so that you won't leave behind any regrets.

When many people watch <The Rap of China>, they would notice that you are not an idol with a hip hop label, yet you’ve said that you’re someone with a hip hop soul. At what age were you really sure that this was your favourite genre of music? I began listening to hip hop music when I was about 11, 12 years old. It was because I liked basketball when I was younger, and my idols such as Kobe were all African Americans, and also hip hop music was played during the NBA tournaments, so since young this was something I constantly heard. After entering the industry I had a growing realisation that since I was making music, why not make music that I loved?

Previously, (before <The Rap of China>) you didn’t have many close interactions with the local Chinese hip hop contestants, but after recording this show, were there any of their music works, skills or ideas that surprised you? There are definitely surprises, when it comes to rapping, the way the lyrics are conveyed, including content of lyrics, and language are all very important. So when the language is very different, the whole context would be very different as well, thus even if you sing a song of the same gene, for example Trap which is very popular now, after singing it won't feel the same. But after this competition, I also found out that many contestants like retro styles such as Old School, and many people like to rap very fast as well. This is something which is very meaningful, because overseas, such elements have been used by many people for years. And right now for the new wave of music, it's more focused on the  rhythm, including the use of catchy phrases and rhyming words. Before, everyone loved to write four-bar music that was fully filled with lyrics, which made it sound very outstanding, but actually you wouldn't be able to understand what was being rapped. So right now, others are making music with elements that aren’t as tightly packed together. Actually if you listen to hip-hop it's different every year, there will be different trends each year. So I feel that for this aspect, we can do even better, and it will definitely become even better as well.

At this point in time, is there any point music-wise which you really want yourself to improve on? I feel that all this while my standards for myself are especially strict. In all my works that I do, I always give my 100% effort. Just like we should never stop learning, when it comes to music it's also something that has no limits. There will always be ways to do it better, and there will always be new stuff coming out. I hope to be a pioneer in creating the direction and trends of music, this is something which I've been doing continuously as well.

From the start of the show till the end, it has garnered a large scale interest towards hip-hop. This is the outcome you hoped to see, right? Of course, I'm really happy about it. But on the flip side, I also hope that everyone will not overly commercialise hip-hop music and culture. This is my only concern, because I know that in China when something gains popularity, everyone would embrace it. (For example having thoughts such as) I want to sign on hip-hop singers, I want to start a company, or I want to become a hip-hop singer. But when something develops at a overly speedy rate, there will definitely be lots of loopholes and issues with small details that will arise, that would have a negative impact later on. So I hope that everyone can slowly go along, with patience, step by step. Give this genre of music and culture a good time frame for growth. Of course, proper guidance from the media and professional platforms would be needed as well.

KRIS IN MY EYES

CHEN WEI (Producer of <The Rap of China>) When the choice to make <The Rap of China> had been made, Kris Wu was the first producer to be chosen. This wasn't just because he would be able to raise viewership ratings, but it was because he really understood and was passionate about hip-hop.  The process of inviting him on the show went really smoothly, and we were only able to do so because this was something that he was most excited about. Earlier on there were people who doubted him, but from the start I was never worried. Based on his attitude and knowledge towards music, I felt that he would definitely be able to appreciate this. But after the program recording began, I was yet again shocked by him, as I didn't expect him to be so professional. If I were to evaluate his performance on the show, I would give a perfect score. For the second season, I hope that he can have even more fun on the show. I know that he would also really want to get to know the contestants, to create even better, even newer hip-hop music.

CHE CHE (Chief director of <The Rap of China>) The first time I saw Kris Wu was in his dressing room. I had a deep impression of this incident, he brewed a pot of tea by himself and came over. We then chatted for a long time and the conversation gave me many surprises. My impression of him before was a top-notch idol, but on that day I discovered that he had a deep understanding of the entire hip-hop culture, be it the industry or its origins, and even now the newest current global trends. After working together later on, what surprised me was that he really worked on <The Rap of China> as his own show, expressed himself, and was totally immersed and focused on it, completely exceeding my expectations. We feel that amongst the three groups of producers, Kris Wu represents the power of youth, because he has a great influence on trends, but what makes him even more outstanding is that he is able to introduce even more global views, what he values and is doing now is at the forefront of global music trends.

MC JIN Before getting to know Kris Wu, I didn't really think much about him, but I knew that he debuted in a Korean group. That was in a highly competitive environment, where everyone had to work extremely hard in order to stand out. Such a background made me feel that he wasn't a very simple young person. I also knew that he was very popular, but what I wanted to know was, was he really someone who genuinely made music? After getting to know him much better, I sincerely admired him, because I was able to see his attitude in doing things.

During the time I was with Kris Wu, what I found the most unforgettable was when I wanted to make my own song. When I told him about this, he offered to help me, and I thought he was just saying it casually. I thought that it would be really complicated to meet up with him, would I have to get in touch with his manager first? Did I have to sign a contract and so on> But there was no such thing, it turned out to be really easy. The both of us happened to be in Los Angeles during a period of time, and we completed it together. Our goal was unanimous and simple, to make this song the best it could be. It was a time where we genuinely immersed ourselves in making music. His attitude and initiative were a huge encouragement to me.

JONY J Before the show I didn't have a good understanding of Kris Wu. I only knew that he was a handsome guy who knew how to sing and dance, and an artiste who was extremely popular. After getting to know him, especially in the 60 Seconds round, I thought he was a very interesting person when I saw him in the second set. I thought he was a honest and frank guy, who said what he wanted to, and in this aspect was very genuine. Actually coming on to this show, the pressure and burden of expectations he had to bear was greater than the other two groups of producers, because many people were doubtful of him. In the eyes of most of the underground rappers, they thought that he was entering a culture that he wasn't familiar with, and he stood out like a misfit. Later on I realised that he got into hip-hop even earlier, and made even more fresh music. He used his professionalism to prove himself, which is his strongest point. The best thing about participating in the show was that you could view it from the sidelines, be it producers or other rappers, every person has different strong points, which you do not possess.

translation: @wu_yi_fan

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Kris Wu “Deserve” on Spotify Viral 50

No.1: Global, USA, UK, Canada, Japan, Poland, Malaysia, Singapore, Switzerland, Hong Kong, Taiwan

No.2: Australia, France, Thailand, Netherlands

No.3: Italy

No.4: New Zealand

No.5: Denmark

No.6: Brazil

No.7: Germany

No.8: Philippines

No.9: Norway

No.11: Belgium

No. 12: Austria, Sweden

No.14: Turkey

No.15: Indonesia

No.23: Portugal

No.32: Iceland

No.37: Czech Republic

No.49: Ireland

No. 50: Hungary

Stream it on Spotify NOW!

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Kris Wu: More young people wanting to get into the hip-hop scene is a good thing

On 2 May, the opening press conference of Chinese Hip-Hop talent show <The Rap of China> was held in Beijing. Three groups of celebrity producers, Kris Wu, Chang Chen-yue & MC HotDog, and Wilber Pan were in attendance.After the press conference, producer Kris Wu accepted the interview by iFeng's reporter. 

During the interview, Kris Wu expressed his unique views and understanding towards hip-hop music. Kris Wu expressed that although he is the most junior amongst the three groups of producers, his good understanding of trap music is his outstanding point.

How would you define hip-hop? Firstly, this spectrum is a little broad, kinda huge, because hip-hop isn't just music, it's a culture, like sports. It consists of many different forms, I guess it depends on each individual's understanding. I feel that one major point that hip-hop wants to express is a certain attitude. Next is the method of expression, many people express themselves through rapping, but there are actually many other methods, like example other musical sub-genres, which are also included in hip hop. For example right now, what is currently in trend is EDM-based hip-hop, and right now there are more people who like trap hip-hop. These are all very different genres of music, so it's a little hard to define hip-hop.

As you've just mentioned, these days more and more people are listening to trap music, and there are much fewer people who listen to 90s and old school music. What do you think of this? I feel that this is inevitable, but what I'd like to say is, the [trend of] trap will pass too. This is something that I would really like to tell the contestants, because I believe that based on my personal experience, and including the current hip-hop scene in China, there are actually many contestants, perhaps 70%, 80% who have a better understanding of trap music, and who prefer trap music as well, which of course is inevitable because this is the current hottest trend. However there is a problem too, it's that when you do something that is currently in trend, when this trend dies down, the same would happen to you too. So you would still have to know where your roots are. I'm not saying that you have to like old school music, but you have to have a listen. Like I've just mentioned, in the 1990s boombap music was extremely popular, so you have to understand the musical style of the golden era of hip-hop as well. And then not only that but also many different types of genres, like understanding jazz hip-hop too. It would be very beneficial to your development. So these are some of my views.

Right now there is an emergence of many Asian rappers like [Rich] Chigga on an international scale. Do you have any expectations towards the development of Asian hip-hop? I feel that this is a good thing, for everyone to start liking hip-hop and think that it's cool. There are many young people who want to enter this industry, although it has a small audience, because at times there would not be many opportunities available, for example these kind of programs did not exist in China before. It's the first time that there's such a program, and this is why I feel that this program is meaningful. I hoped that I would be able to participate because I feel that it is a very good platform to reach even more people who love music. However, this culture has a small audience, and in China there are definitely much, much more people who listen to ballads than hip-hop music, so in order to make hip-hop music more mainstream, we would need even more people.

So what are the kind of contestants that you wish to see the most on <The Rap of China>? I hope to see contestants that are more all-rounded, because like I've just mentioned, there are many people who feel that hip-hop is just merely rapping, but this is actually not the case, as there are many forms of expression. Even now there are many more melody-based tunes, melodic rap, songs which sound like singing but are actually a sub-genre of hip-hop. More and more [of such songs are produced], for example a key representation of the genre is Drake, many would wonder if he is a singer or a rapper. So when I select contestants, I hope to see that they have the basic foundation of right pitch and other elements, and are able to carry a tune, sing the chorus and rap as well. These are the type of contestants which I hope to see, who have more varied abilities.

Right now Kendrick Lamer is very popular, and the MV for his new song <Be Humble> isn't something that other musicians have tried before. What do you think of this? I feel that he is incredibly talented. His ways have always been at the top of trends. I feel that those who like hip-hop can listen to his music more, because it would be really helpful.

Generally, rappers who like hip-hop music will freestyle or battle, so do you usually freestyle with friends in your personal time? At times I would, it depends, if I have an opponent we would have a go.

We can see from Weibo that you really love playing basketball. What position do you usually play? In the past I played the position of point guard, right now I play the position of center forward more often.

At the NBA Celebrity Game you mentioned that you love Kobe Bryant, right now it's the first anniversary of his retirement, so how do you feel about it? After his retirement, I kept up with NBA news less often.

Are you a loyal fan of his? Yes, I feel that I'm missing something worth watching, so right now I don't really watch finals, and I'm still a little sad.

translation: @wu_yi_fan

Source: weibo.com
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170419 Mr_吴亦凡工作室 Kris Wu Studio Statement

Official Statement

Recently, a certain live broadcasting platform's broadcast has brought up content such as "commenting on other artistes" and "communicating with a female celebrity using suggestive text messages" and such related to Kris Wu, the content of which, are fabricated rumours of malicious slander, that instigates suspicion towards Kris Wu's public image, personal reputation and dignity. After the aforementioned content was posted, it was profusely reposted and reported on by many netizens and media outlets who were unclear of the truth, and now has caused a negative societal consequence on Kris Wu's reputation.

The Studio highly condemns such slander, and hereby releases this statement as follows:

1. In order to prevent the continued spread of such false news which may result in complications to the public, a warning is hereby issued to netizens and media outlets that have reposted such fallacious information, to take down all untruthful content related to Kris Wu with immediate effect. This is to prevent the poster from having to face lawful consequences upon the infringement of laws as a result of reposting such content. 2. To all respected media: While exhibiting eagerness to comply with performance duties, under the regulatory obligations of online service providers, do immediately cease all postings, broadcast and block all of such breachful content in a timely manner, and effectively manage the related online users, in order to prevent further violations and an increased level of repercussions.

Such actions of using false news and malicious slander of Kris Wu, are violations to his personal character. The Studio has entrusted Beijing Xingquan Law Firm to investigate and collect evidence concerning all related content. Through lawful methods, we will investigate till the end, the related persons or parties responsible.

The statement is hereby declared as such.

Kris Wu Studio 19 April 2017

translated by: @wu_yi_fan

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Amongst thousands of idols, why love Kris Wu only?

ELLE May 2017

Acting in 7 films in 18 months, working with Luc Besson and Vin Diesel, taking on the lead role in <Journey to the West: Conquering the Demons> which made 1.6 billion yuan box office; participating in the NBA All Star Celebrity Game, being appointed as ambassador of two major international brand labels, reaching over 20000000 fans on Weibo, getting millions of reblogs… Kris Wu is one of the most popular celebrities of the moment.

The bowl of soup noodles at 10pm

As the 7 hour photo shoot was coming to an end, making use of the interval when the staff were clearing the lights and cameras, Kris Wu remained seated on the sofa of the final set, staring into space. The cosy cafeteria was filled with the photography team of 20 staff, occupied with completing tasks on hand in an orderly manner, moving around, chatting to each other, and only Kris Wu remained unmoving.

His waist condition had worsened, till the point that he required surgery. But because he was still very young, he chose to opt for conservative treatment. Of course, the most important thing was to make sure he had enough rest, as he could not stand nor sit for long periods of time.

The doctor had instructed to remain in bed for half a year, but he just answered with, “There’s no way, there’s no way I would be able to control my time.” Helplessness painted his face, yet he did not hesitate to immediately return to the basketball court, film site, recording studio, event venues, photo shoots… There would always be a place which needed him.

Later on, when he encountered dangerous stunts during filming, his team intended to stop him, but he still chose to grit his teeth and go ahead to try it out, as he felt that he could do it on his own. “I feel that since I am young, I should be doing my best.”

Time had gone by and it was already 10pm. He sat at the corner of the dressing room, with a bowl of soup noodles which had already began to clump together, yet he still ate with gusto. We talked as he ate, alternating between spoonfuls of soup and noodles, until finally at the end of our conversation, the bottom of the empty plastic lunchbox could be seen. He said happily, “We’ve talked till I have finished this bowl of soup noodles, should I still eat more tonight?”

“Have to do it on my own, only then will it be even better.”

Kris Wu has written on his Weibo profile bio: Singer Kris Wu. Actually I’m an actor. As an actor, he is gaining more and more recognition, and Kris Wu is also forking out more time for his passion - Music.

A combined work of the world’s top music producers, <July> made it to number 49 on the US iTunes Chart upon its release, making Kris Wu the first Chinese male singer to achieve such a result. <Juice>, which was the theme song for <xXx: The Return of Xander Cage> which was released 3 months ago, made it to number 28 on the US iTunes Chart, beating his previous record. Vin Diesel even made an appearance in this MV.

His next song, is still in the works.

However, he is clearly a producer who writes songs very quickly, completing it in one go, and remain unfazedf by the his surroundings as well. He is able to write in the car, and on set as well. His previous song <Bad Girl> was written on the filming set of <Journey to the West: The Demons Strike Back>. While waiting for his scenes, he would evaluate his acting of his character Tang Monk’s scenes, and his mind would churn out the melody of a new song. Usually, it would take around two hours for a song to take shape, after writing, would be added in.

It’s written so quickly? Why not write more? “Actually, I’ve written a lot.” He pauses his chopsticks and looks over, eyes shining. Why not release them? What is he waiting for? “It’s because I want to ensure the quality (of my music)!”

When Kris Wu talks about music, in an instant he becomes filled with excitement. Without having talked much, his self-confidence is already overflowing.

Directly obtaining songs would definitely mean less work, but he is certain that “he is not suited to this”, as he feels that he must personally participate in the production process. “For example, after making a song, there will be someone singing it, and after listening to it, I’ll say, alright, when you sing this part, I only like the first and fourth line, and the rest can be deleted.” He is like a military strategist, and he is also very clear on what he is comfortable with, what he can control. “Like a director of music.”

Because many of those whom he works with are overseas, on the other side of of the world, and time differences cause his days and nights to be swapped, later on when efforts are more concentrated and focused, in order to accommodate the other party’s timezone, sleepless nights are uncommon for him. “For many things, if you don’t pay close attention to them, others would not care. You have to do it yourself, only then would you be able to do it even better. For example if today I do not wish to wait for them to wake up and intend to go to sleep, once I fall asleep, an entire day would go by already.”

At only 26 years old, he already has the understanding of the urgency that time and tide waits for no man.

“When your level of passion is very high, the level of hardship you experience will gradually do go down.”

Before releasing a new song, Kris Wu would hold a small listening party for the people around him to listen to his song. He would listen to everyone’s opinions, and include friends who are not into music as well. He would ask them, see if you can hear any differences between these two segments, and at times there would just be a small delay in rhythm. There would be some who can hear the difference, “It’s different, but I can’t place my finger on which part?” Which one is better? Kris Wu would patiently ask about each point, then go back, and make amendments.

ELLE Q&A ELLE: For the final question of the interview, last year you…. KRIS WU: It’s the final question? Goodness! Really? I’m too happy!

ELLE: Have you thought about last year… KRIS WU: No. (What are you doing? Answering in advance?) Yes, I think I know what you want to ask me about. Alright, you can ask. (Summarise your growth last year!) I don’t think I do. I won’t really do a round-up myself, because my math isn’t good, this was the case since young, also my handwriting is ugly, hahaha! I won’t, I have never done such.

ELLE: Many people like to bring up topics about “get a clear understanding of oneself”. KRIS WU: What do I think of myself? Perhaps it’s because I feel that I am rather clear, no uncertainties, so I don’t really need to obtain a clear understanding of myself. It’s with my unchanging heart of original intent, passion, interests, and various things which I persevere in, there isn’t anything much that has changed.

ELLE: But the surroundings are so chaotic, so unclear… KRIS WU: Do you mean hazy weather? Then I won’t leave the house! I won’t be affected, I really won’t, really would not! I have a world of my own, this world is extremely quiet, and isolated from the rest of the world, it enables me to do what I wish to do, and dream what I wish to dream.

translated by: @wu_yi_fan

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《乖乖》 Good Kid   Promotional theme song for Journey to the West 2 Sung by: Kris Wu, Tan Jing Arrangement (lyrics): Kris Wu, Tan Jing Arrangement (instrumentation): Kris Wu
English translation of lyrics
[Kris Wu rap] Us four, master and disciples, went on a pilgrimage Were we able to read each other's minds Master told his disciples, don't think too much, I can protect you guys throughout Monkey King would always be up to his tricks Pigsy would always ask me if I'd come back Sandy would always ask me what to do if I were captured by demons
My Buddha's Palm is extremely powerful But I'll be low-key, not mention it Buddha you have given me superpowers to journey to the West; would you like to listen to this story
My Buddha's Palm is extremely powerful We can defeat the monsters together Magical golden staff, Sandy, Pigsy gets fatter, and Master has had enough Please listen and be a kind kid I love you with my whole life [Tan Jing] Good kid, come back soon My arms have always been wide open to embrace you Good kid, you have to repent and change wholeheartedly You are forever my most beloved child [Kris Wu rap] Monkey King; Has an unchangeable bad habit of demanding that all his requests are answered This headache of mine; A tune I can't get out of my mind You said, I have a temper You said, I have a bad temper You said, I have a nasty temper I tell you that the pilgrimage is not an easy one Conquering numerous difficulties, you still have to give me inconveniences Don't ask me why it's so difficult  Life's journey is like a pilgrimage If you intend to have growth you must experience hardships If Buddha is backing you up, please don't have any regrets in life [Kris Wu and Tan Jing] Little one little one  Why are you so naughty Bullying, Cheating  Why have you done such things Learn how to be good kids  Mutually loving and being kind to each other With care that is in your heart Full of color [Tan Jing] Good kid, come back soon My arms have always been wide open to embrace you Good kid, you have to repent and change wholeheartedly You are forever my most beloved child [Tan Jing] Good kid, come back soon You have to study hard for the future [Kris Wu rap] Monkey King; Has an unchangeable bad habit of demanding that all his requests are answered This headache of mine; A tune I can't get out of my mind You said, I have a temper You said, I have a bad temper You said, I have a nasty temper I tell you that the pilgrimage is not an easy one [Tan Jing] Turn back, be a filial child [Kris Wu rap] Conquering numerous difficulties, you still have to give me inconveniences [Tan Jing] Everyone was originally as kind as children at heart [Kris Wu rap] Because in my heart You are actually a good kid [Kris Wu rap] Us four, master and disciples, journeying far Looking at the last of the setting sun in the distance Whether I can see you, I do not know Yeah
translation: @wu_yi_fan
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Kris Wu: My Time Has Just Begun

ELLE MEN December 2016

Kris Wu celebrated his 26th birthday with the release of his new song. This youth, contradicting and full of endless possibilities, had also begun to understand the real meaning of life and come to an age of accepting regret, therefore having to work even more firmly to treasure time. He said that, his time has just begun.

It was just slightly over half past seven when I had stepped into Shanghai Gymnasium and realised that I was already late. The lights were switched off, and I found myself surrounded by a sea of hundreds, thousands of phone lights. "Happy birthday to you" a medley of high and low voices rang throughout the venue like waves, each subsequent time resounding with increased excitement. This was Kris Wu's 26th birthday party, and although he had yet to appear on stage, the air was bursting with excitement, as if it was a balloon that would rupture at any moment a scream were to pierce the air. When he finally emerged rising from the center of the stage in a silver jacket, without a word, screams erupted with the force of lava spewing out of a volcano.

I managed to catch several little things about him when I saw him a couple of days ago in the photography studio: The bluetooth speakers which accompanied him throughout ("Use music to change the working environment"), the grey hair with hints of pale purple and sky blue, and his black leather flip phone case, that had several bank cards which looked like something a conservative middle-aged person would opt for. It's rumoured that fans have tried gifting him [phone cases] in a "more fashionable style", but he turned them down. Having used the previous [similar styled phone case] till it was worn out, [Kris said it was] "because it was practical", and thus went to get several of the exact same design, just in case.

From time to time he would gently furrow his eyebrows, and walking amidst the people he would maintain a steady gaze. His gaze was not one which could be easily met; it was polite and distanced. He likes to use declarative sentences, being direct and straight to the point, very rarely containing a sense of uncertainty. He is a person who is used to taking in charge when it comes to making decisions. "Others say that Scorpios are natural-born leaders, and I'm like that." However he burst out laughing before even finishing off, his brazenness giving in to shyness. He is aware that he appears to possess a combination of contradictory elements: a little new, a little old, a little far, a little near. "Many people feel that I am really cold, actually I have a rather warm heart. Everyone needs to have a second chance to be introduced."

After the shoot that day, I accompanied him to his next work venue. He had to continue with movie dubbing, and the expected end time was around 2am. He changed into his own hoodie and sweatpants in the car, falling back comfortably into the seats, and time to time hummed and moved to the music. When the staff did not know how to use the airdrop function, he simply reached out to take the other party's phone and worked it out himself. While watching his fingers dance along the two phone screens, I could not help but think, here is such a joyful 26 year old.

Music is like a switch on Kris Wu’s body, once switched on, it is as if he is powered up by a sudden surge of energy. When I mentioned the "singer" written on his Weibo verification, he let out an exaggerated expression only seen on manga characters and his fingers began to move animatedly. "We're finally able to talk about my music? Come on, let's."

He couldn't wait to introduce his new song <July>. "From debut till now, this is the music-related work which I am most satisfied with. This is the first time I have put in my all, and was immersed in all parts of making this piece of music." It is evident where he has invested his time in, and he strongly believes that. "It's not to say that I haven't put in enough effort in the past, but if a time limit is put on the creation process, it will definitely have a huge impact on the quality of your final work. So having many films is good, <Bad Girl> which was released last year is good too, now even more so, I would wish for those to be seen as trailers, because right now is where it truly begins."

He had spent three months completing the composition, recording, mixing and mastering in America. As producer, he had stayed on throughout, keeping close watch from beginning till the end. Talking about it, he sounded like a proud kid. "All of the people I worked with were incredibly outstanding musicians, and one of them was even a two-time Grammy award winner!" During that period of time, he would be in the studio every day from 2pm till 10pm. I asked if it was because that was the time when his voice was at its best, and he pondered for a moment before replying, "I'm not sure about my voice, but I can say that I am most comfortable with that timeframe. Many singers are used to recording through the night and into the morning, but I definitely can't. Even more so, I can't do so in the morning -- I am not a morning person, the music I have done in the mornings were all in frustration."

One song, three months - based on his jobs which were scheduled to the hour, is really a luxury. "As an artiste, whose time isn't valuable? I can film a movie within three months. Actually all this while there have been others who have been buying songs from abroad, but there are very few who go overseas to do production work. Not only would it cost even more time and money, but one would also be faced with many uncertainties. But as long as there are people who are willing to try, why not?" He feels that this has to do more with being courageous. "In the end, what matters is how much you want to do this."

He then began to explain the different genres and history of development of hip hop music to me in detail. "It is what I love the most, there is nothing else like it." This was what he concluded his feelings toward hip hop with. "It's like being unable to extricate yourself after having fallen in love with it. Perhaps there would be no way to do other genres of music, for example if you asked me to do rock, it would be very hard." Since young, he loved wearing baggy drop-crotch pants and oversized tees, and felt that a little more satire could be included in life. From the inside to his appearance, everything was all a homage to hip hop. "My friends around me all watched, listened, and talked about hip hop. I love every single beat and rhythm, it's as if it is imprinted in my body."

Why go to America to produce music? "The most direct reason is that, the quality of music depends hugely on the equipment. Lyrical songs can be done to perfection in China, but when it comes to hip hop or electronic music, there isn't enough equipment or knowledge about it in China." He hopes to do the best with all the resources he has. "Not only the equipment, but in terms of producing hip hop music, America has more experience." The most critical point is of course himself. "During the mixing and mastering, I would ask others if there was any difference between the two? They would not hear any difference, but because I could not choose which was a better version, I would continue on, without sleep, till five in the morning."

He repeatedly emphasised that <July> is a song which has a "completely new hip hop style, one that has never been seen before", [and that he wanted to] "present the purest form of hip hop to everyone". Having a listen, besides having fun, also endowed him with a little sense of responsibility. The new song was only digitally released online, and he felt that it was "very embarrassing" if he were to release a physical copy of just one single. "My goal will always be to spread a type of music, some art, some happiness. I won't think so much on making profit." As to how wide a scope of affirmation he wished to have , he expressed that he did not demand of it. "I just wish to convey a work of mine, a music piece which I feel highly satisfied and extremely happy after listening to."

That day, after driving for over an hour, we were still held up in that evening's Beijing traffic, inching forward at a snail pace. Looking ahead at the sea of red tail lights, he could not help but rub his eyes tiredly several times, and was starting to get a little restless. "In the car, I cannot fall asleep nor get any rest." He sighed softly, as the car switched lanes. He was worried that he would not be adequately focused. "I have to complete everything before I can relax, otherwise it would be like carrying a rock in my heart."

Having returned to China to develop his career for two years, Kris Wu already completed filming 8 movies, and worked with Luc Besson, Stephen Chow, Tsui Hark, Feng Xiaogang and other internationally renowned people. He has graced the cover of almost all the top magazines, and was even appointed brand and product ambassador to Burberry and Bvlgari and several international top labels. View on the music video of his newest song exceeded 1 million within 14 hours of its release. The opportunities and results which other people dream of, he had grasped into his hands, and yet facing all of that, he merely explained that for all that he did, "I like it, I am happy, I work hard, and I don't let myself down." He is a little of a workaholic. "The most important thing is that passion, as long as it is burning in my heart, there is no problem which cannot be overcome. The scariest thing for people is to get tired of something."

Such an answer sounds like the "standard inspirational words of wisdom of idols", but the solemn expression on his face made others feel that this is truly his attitude towards his long term, demanding career. While working, he can forget that he is cold, hungry, or tired. He sacrificed his freedom for his job, and even when there were misunderstandings, he felt that it was within reason. Everything is fair: You win some, you lose some, and during the growth process he learned an important lesson - as long as one persists in what they genuinely love doing, and put in their utmost effort into doing it, the journey would be much more interesting than the results.

He had just wrapped up filming <Journey to the West 2: Conquering the Demons> not too long ago, playing the part of Tang Sen. To the viewers and himself, this was something which was completely unthinkable at the beginning. "Stephen Chow and Tsui Hark brought out a side of me which I did not know, and I can only say that I was incredibly fortunate to have been able to meet them." His first meetings with both directors were not a walk in the park: Stephen Chow wanted him to try acting like a person with Parkinson's disease. "I had no idea that I was able to act out that kind of trembling." When he met Tsui Hark he had yet to shave off his hair, and both of them were unsure of how his final look would turn out. "There was unease in my heart."

It's not a huge deal to shave off hair for a role, even more so when he loved changing hairstyles since his younger days. But his shortest hairstyle was never more than a crew cut, and he had no idea how he would look like bald. Seeing the final result in the mirror for the first time, he merely felt that it was new and strange. "I still look rather handsome!" He just spent a little more time getting used to being bald. "When I woke up in the morning I would still be in a daze, I was used to touching my head, [but now] oh no, why is my hair gone? At night before sleeping, I would always wonder why it was so cold... therefore I constantly kept a beanie on." Those months led him to have a new understanding of the ability to keep warm with hair. "People with hair really have to thank the heavens."

After shaving off his hair, he felt more like a monk, and even practiced meditating at home. "I hoped to get into character as much as possible. For example before filming <Mr Six>, at that period of time I maintained a very cool persona, and I conversed with others in strong Beijing dialect." Filming had taken part during the coldest time of winter in Beijing, staying up overnight outdoors with temperatures below negative ten degrees, and in the daytime having to fly around suspended by wires. He recalled that that period of time was "rather strenuous", but even more so, clearly could feel a sense of excitement in his heart. "There are many people who were a little afraid of Stephen Chow while filming, but I didn't feel that at all, instead I felt that his way of thinking was simply... Stephen Chow's shots make use of abstract ideas, and there are many brief yet brilliant moments as well."

Kris Wu paused to find the right words to describe what set them apart from the rest. "They can help you make up for the loss of 2%." What is 2%? "It's the minor difference in art. At times you may feel that, this is not bad, but actually there's just a difference of 2%, which can only be seen if one has acquired an appreciation of the arts. People like Feng Xiaogang and Stephen Chow can accurately grasp that point to the fullest."

He knows that before being able to grasp this "2%", he would first have the ability and belief to accept imperfections. "You would constantly think, why couldn't I do better at that time? But that can't be helped. When I filmed my first movie, Director Xu Jinglei told me that movies are a form of imperfect art, and a sense of regret was necessary." Right now while filming, Kris Wu simply does not watch playbacks of his scenes. "This has nothing to do with having or not having self-confidence, it's just that I do not wish for this to impact my performance later on."

The same goes for music. He loves the feel of performing live at the venue, there are flaws, but the joy that comes from the combination of excitement and fear is something which is most valuable. He has already accepted that "before going onstage, I would definitely feel nervous", and said, "I will always be worried that I'll make a mistake, but the moment I step onstage, that is forgotten. Really, I've never thought of what I've said onstage. When I stand onstage, I enjoy [the moment]." This year, as a model he walked for the Burberry show in London, and before the fashion show began, he inwardly prayed, "Hope that when I walk out I won't go around in circles and be unable to find my way, and not fall in front of the audience." Later on the evaluation he received was that he was calm and composed.

Since entering the industry, he felt that he himself did not change much. He liked staying at home before, and now there were even lesser opportunities to go out, "But this is alright, actually I like staying at home and watching movies, it feels like I have the whole "cinema" to myself. When I feel bored I will play video games, and I can make many interesting friends in the 2D world." Moreover, he has never felt lonely, as his best friends (t/n: referring to fans) were always by his side from start till end. All around the world, whenever he walked out of airports, there would always be fans waiting. "Wherever I go feels like home, it's really warm." They love him, and also understand him. "I have my own way of doing things. At times there would be ten days, or half a month of not posting on Weibo, and my staff would all tell me that that shouldn't be the way, it's as if I disappeared into thin air... But my fans know that, whenever I want to say something I would say it. They wish for me to live my life well."

The only change "Is that I have become old!" He repeated it several times, of course as a joke -- since he was young, therefore he talked about age in such a carefree manner. In the face of numerous new things coming towards him at once, he is not greedy, and deeply believes that the ability to say "no" is necessary. "I am extremely clear about what my boundaries are, and I would never let myself do things which I do not like."  He has also begun to experience the pressure of time. "No one knows how tomorrow will be like, so it is better to view things in the present, not so much of the future. Therefore I wish to maximise the limited time to a better extent, so as not to leave behind any regrets."

translation: @wu_yi_fan

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