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#fashion history – @wtfhistory on Tumblr
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WTFhistory

@wtfhistory / wtfhistory.tumblr.com

Those who do not learn from history are doomed to flunk their finals.
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nannaia

This is a hairstyle timeline that is meant to cover the Taishō era (1912-1926). However the dates for many reference photographs were rather vague, so some might actually fall into Shōwa era (1926-1989). Regrettably I couldn’t cover EVERY single hairstyle from this period so please consider this to be a brief overview. There are no Geisha, Maiko, etc featured here; they will be covered in another fashion timeline someday.

Some interesting notes about Meiji-Taisho era from Liza Crihfield Dalby’s Kimono: Fashioning Culture (1993)

·         “Men and women of Meiji had gulped up Western culture with all the indiscriminate enthusiasm of new converts. By Taishō, Japanese sensibilities vis-à-vis the West were much smoother. This was Japan’s political equivalent of the … social scene of the American Roaring Twenties. Japanese born during Taishō would enter adolescence as modern boys and girls. Significantly, women opened their closets to Western clothing during this decade. Kimono has lost space ever since.” (pg. 124)

·         “By 1915 Japan was beginning to feel itself a world-class nation, more confident of its military strength and social development. Ordinary Japanese were inclined to look at their society in light of how life might be bettered by adapting foreign ideas, or made more interesting by acquiring foreign fashions. Borrowing from the West was of course not new, but it had now become a more reciprocal and respectable process.” (pg. 124)

WOMEN’s HAIR:

·         In the Meiji era “a few women cropped their hair, but these courageous souls were simply regarded as weird” and indecent (pg. 75)

·         “If cutting the hair short was too radical [in Meiji Japan], as public reaction attests, women’s hair did gain a new option in the sokugami style, a pompadour resembling the chignons worn by Charles Dana Gibson’s popular Gibson girls. The further the front section, or ‘eaves,’ of the hair protruded, the more daring the style. The sokugami style bunched the hair, coiling it in a bun at the crown of the head. Unlike traditional coiffures, sokugami did not require the heavy use of pomade, pins, bars, strings, and false hair to hold its shape. Its appeal was promoted as healthier and more rational – hence, more enlightened- than the old ways.” (pg. 75)

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reblogged

Ancient Egyptian Woman with 70 Hair Extensions Discovered

More than 3,300 years ago, in a newly built city in Egypt, a woman with an incredibly elaborate hairstyle of lengthy hair extensions was laid to rest.

She was not mummified, her body simply being wrapped in a mat. When archaeologists uncovered her remains they found she wore “a very complex coiffure with approximately 70 extensions fastened in different layers and heights on the head,” writes Jolanda Bos, an archaeologist working on the Amarna Project, in an article recently published in the Journal of Egyptian Archaeology.

Researchers don’t know her name, age or occupation, but she is one of hundreds of people, including many others whose hairstyles are still intact, who were buried in a cemetery near an ancient city now called Amarna. Read more.

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Louis XIV pf France (the Sun King) wanted to make France the arbiter of everything luxury — and make his country rich selling it. And one of the most important luxuries was fashion. To show off the newest French styles, Louis XIV’s designers created bisque dolls, or fashion dolls. They were small, easy to travel, and wore only the finest and most trendy clothes. Bisque dolls remained important, and designers used little dolls instead of females as models through World War 2.

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wtfhistory

Still kinda' creepy.

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Hairstyles of Ancient Rome

"Hairstyle fashion in Rome was ever changing, and particularly in the Roman Imperial Period there were a number of different ways to style hair. Much the same with clothes, there were several hairstyles that were limited to certain people in ancient society. Styles are so distinctive they allow scholars today to create a chronology of Roman portraiture and art; we are able to date pictures of the empresses on coins, or identify busts depending on their hairstyles."
"Busts themselves could have detachable wigs. There have been many suggestions as to why some busts have been created with detachable wigs and some without. Perhaps the main reason was to keep the bust looking up-to-date. It would have been too expensive to commission a new bust every time hair fashion changed, so a mix-and-match bust would have been preferable for women with less money." [X]

inspiration 

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prokopetz

I’ve seen this image going around, and I feel compelled to point out that it’s only half-right. It’s true that high heels were originally a masculine fashion, but they weren’t originally worn by butchers - nor for any other utilitarian purpose, for that matter.

High heels were worn by men for exactly the same reason they’re worn by women today: to display one’s legs to best effect. Until quite recently, shapely, well-toned calves and thighs were regarded as an absolute prerequisite for male attractiveness. That’s why you see so many paintings of famous men framed to show off their legs - like this one of George Washington displaying his fantastic calves:

… or this one of Louis XIV of France rocking a fabulous pair of red platform heels (check out those thighs!):

… or even this one of Charles I of England showing off his high-heeled riding boots - note, again, the visual emphasis on his well-formed calves:

In summary: were high heels originally worn by men? Yes. Were they worn to keep blood off their feet? No at all - they were worn for the same reason they’re worn today: to look fabulous.

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nebcondist1

so then how did they become a solo feminine item of attire?

A variety of reasons. In France, for example, high heels fell out out of favour in the court of Napoleon due to their association with aristocratic decadence, while in England, the more conservative fashions of the Victorian era regarded it as indecent for a man to openly display his calves.

But then, fashions come and go. The real question is why heels never came back into fashion for men - and that can be laid squarely at the feet of institutionalised homophobia. Essentially, heels for men were never revived because, by the early 20th Century, sexually provocative attire for men had come to be associated with homosexuality; the resulting moral panic ushered in an era of drab, blocky, fully concealing menswear in which a well-turned calf simply had no place - a setback from which men’s fashion has yet to fully recover.

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reblogged

we should talk more about how ‘macaroni’ in 18th century england was used to mean ‘fashionable’ because a bunch of rich young dudes went to italy and really liked the stuff there

language is weird

humans are weird

WELL THAT’S ONELIFELONG MYSTERY SOLVED

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wtfhistory

TBH it was pretty wonderfully shady towards the colonial Americans. It's like "Yah these idiots stick feathers in their hats and think they're fashionable. What losers."

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The African Context of Hair in Ancient Egypt

In February, #blackinasia wrote an essay, “Ancient Egyptian “Blackness” in the Graeco-Roman Imagination”, based on the ancient Egyptian race “controversy”, a long held debate that takes root from anti-black racism (Martin 300-306), that rejects any possibility of seeing ancient Egypt within an African context. This “controversy” has led ancient Egypt to be grouped under a near Eastern context, a European context in popular culture or a group of its own, entirely separate from the rest of African cultures (Martin 296). However, what usually goes largely ignored is the Afrocentric elements ancient Egyptians used in portraying themselves.

[image description: A model of a funerary boat from a tomb at Beni Hasan. 11th-12th Dynasty with figurines wearing Afro-like styles]

In #blackinasia’s essay on “blackness” in ancient Egyptian, he explains that the ancient Egyptians would more likely see themselves more as an African people than anything else through their cultural, linguistic, and biological background. #blackinasia starts off with explaining their ancestral homeland, the Land of Punt, which is located in modern-day Ethiopia and Eritrea. He then goes on to the biological similarities between the ancient Egyptians and Nubians (who are accepted as black Africans). Then onto how in ancient Egyptian art, Egyptians are depicted in brown and black hues. He later ends the essay with what is considered “blackness” through Graeco-Roman perceptions, listing more examples where Greek scholars imagined Egyptians within an African context.

[image description: a map of the continent of African with Egypt highlighted and label revealing it’s location]

I first would like to paraphrase Eglash and Odumosu (102) when I say that Africa does not have a homogenous culture in anyway, that is not to say that there a singular African identity, so instead I use the term “African context”. When I speak about an “African hair culture” it is to simplify a complex phenomena describing a family resemblance across multiple cultural streams.

As #blackinsasia mentions there are some cultural roots of ancient Egypt that better portrays them as an African people than ancient near eastern or European people. I believe there are actually multiple examples of how this is culturally true. However, for the sake of the theme for this blog, in this essay I argue that through close examination of the history of hair and hairstyles in ancient Egypt a pattern of similarities can be seen with African cultures and in fact that such cultural hair practices can only be indigenous to an African context. 

[image description: a side-by-side comparison between a Himba child and Ramesses II as a child to show a cultural resemblance in which it is quite common for various African peoples to shave their infants’ head, sometimes leaving a tuft of hair. (Seiber and Herreman 56).]

The Hair Texture of Ancient Egyptians

[image description: an artistic depiction of Herodotus, known as the “father of history and travel writing.” Photo via The Telegraph)

The ancient Greek historian, Herodotus, describes the hair of the ancient Egyptians as woolly using the term (οὐλότριχες), ulotrichous which means woolly or crisp hair. The root word, οὐλό, also has been used by Greeks to also describe the hair of Ethiopians, or black Africans (Snowden 6). There is also Cleopatra’s attendant, Iras, who is described as being dark-skinned with woolly hair (Snowden 15).

[image description: A Fresco Scene of two grape farmers, two of which had thread-like lines for hair which possibly represents straight hair and the figure to the far right seems to be wearing afro-textured hair.]

Though enough mummies have been discovered to infer that some ancient Egyptians had straight hair, this piece of fact is usually used as an end-all debate by anti-black racists that deem it impossible for ancient Egyptians to be seen in an African context. What usually happens is that anti-black racists show that Egyptian mummies had straight hair and that supposedly that proves ancient Egyptians were closer to Arabs, Europeans, or any other people other than Africans. However, many of these denialists fail to explain why straight hair is apparently lacking in ancient Egyptian hairstyles. In fact, if we examine the history of ancient Egypt a trend of the indigenous people being woolly-haired becomes more evident especially in the Predynastic periods.

[image description: A scene from the Narmer Palette from the Naqada III period of two afro-haired men.]

Throughout ancient Egyptian history, including the Predynastic periods, there have been sufficient discoveries of combs with long teeth resembling African combs, suited for combing through and detangling coarse hair.

[image description: Ivory combs and hair pins from the Naqada period before the rise of Pharaohonic Egypt.]

There have even been a discovery of a toupee being made out of sheep’s or goat’s wool (Tassie 1066).

With the examples given through literary and art representations, and the use of particular materials and tools such as wool wigs and “Afro-combs”, it is safe to assume that the ancient Egyptians did have a consistent history of having “woolly”, or οὐλό type of hair. Although some ancient Egyptians did indeed seem to had straight hair, the absence of straight hair in the majority of art seem to suggest it was either not standard and/or did not fit within ideal image of their culture. 

The Dominant Culture of Hair in Ancient Egypt

“There are five main operations that can be performed on hair:

It can be curled or left curly;

It can be straightened or left straight;

It can be plaited, twisted, or teased;

Hair can be added; and

Hair can be taken away.” (Tassie 1064)

Although there have been Egyptians with straight hair, we normally don’t see any incorporation of leaving the hair straight in their various hairstyles especially among the upper class.This tells us the kind of dominant culture present within ancient Egypt society that led to a suppression toward otherness, such as balding (not the same as baldness), any hair color that wasn’t black, and as I argue in this paper, straight hair as well. (Tassie 1063).

According to the Dictionary of Sociology, dominant culture can be defined as the established cultural traits that would be considered as the norm for a society as a whole. Regarding to hair, the ancient Egyptians would usually either curl (even tightly), twist, and plait their hair, or hair pieces.

[image description: (from left to right) lady Istemkhebs’ short curly wig , duplex wig, Ahmose-Hentempet’s short curly wig. Located in the Cairo Musuem]

These alterations to the hair actually bear more resemblance to afro-textured hair and aesthetics found in African cultures. We can even see many of these similar alterations and styles in modern-day black Africans (the well ignored) that inhabit Northeast Africa, such the Afar people.

[image description: Ancient Egyptian depiction of Nubians wearing traditional hairstyles of status, bringing tribute on the tomb of Huy. Note the Nubian servant with straight-ish hair]

It cannot be left unsaid that ancient Egyptians also enjoyed other styling methods that other Africans did to their hair, such as tinting and particular braiding pattern even to the point of emulating Nubian hairstyles, as stated above the two are closely related biologically.

[image description: Canopic Jar Lid in the Shape of a Royal Woman’s Head wearing a hairstyle much similar to Nubians]

I like to further my point on the dominant culture of hair in ancient Egypt. During wig constructions, the type of hair they used for the wigs in every case was straight hair rather than afro-textured hair except that of Maiherpri’s (Fletcher 495). The hair would be gathered from either the wearers’ own heads, foreign captives, or from trading(Tassie 1066). However, the use and handling of straight hair did not prompt ancient Egyptians to seek out Eurocentric aesthetics, but rather they consistently altered the texture to appear more like Afro-textured hair or other African styles.

Acknowledgements

I would like to thank medievalpoc and lannaluv for reviewing this essay.

Further Reading

Bibliography

#Blackinasia. “Ancient Egyptian ‘Blackness’ in the Graeco-Roman Imagination”. Tumblr. 18 Feb. 2014. Web. 24 Feb. 2014

Bridge, Sarah. “The Ethiopian Tribes Who Use BUTTER to Style Their Hair: Incredible Photos Reveal the Elaborate Curled Creations of the Afar People, and the Hamer Who Mix Ghee with Red Ochre to Spectacular Effect.” Mail Online. Associated Newspapers, 13 Feb. 2014. Web. 24 Feb. 2014.

"Dominant Culture." Wikipedia, The Free Encyclopedia. Wikimedia Foundation, Inc. 22 Jan. 2014. Web. 24 Feb. 2014.

Eglash R. and Odumosu T. “Fractals, Complexity, and Connectivity in Africa.” What Mathematics from Africa? ed. G. Sica. Italy: Polimetrica International Scientific Publisher, 2005. 101-109. PDF File.

Fletcher, Joann. “Hair.” Ancient Egyptian Materials and Technology. By Ian Shaw. Cambridge: Cambridge UP, 2000. 495-96. Print.

"GEICO Ancient Pyramids Were A Mistake Commercial." MarketMeNot. n.d. Web. 24 Feb. 2014.

GORDON MARSHALL. “dominant culture.” A Dictionary of Sociology. 1998. Encyclopedia.com. 24 Feb. 2014 

knowledgeequalsblackpower.”Maiherpri, Buried at Thebes, Valley of the Kings, New Kingdom 18th Dynasty, 1427-1392 BC” Tumblr. 10 Jan. 2012. Web. 24 Feb. 2014.

Martin, F. “The Egyptian Ethnicity Controversy and the Sociology of Knowledge”.Journal of Black Studies 14.3 (1984) 296+300-306. Print.

Seiber R. and Herreman F. “Hair in African Art and Culture”. African Arts. 33.3. 2000. 54-69+96. PDF File. 

Snowden, Frank M. Blacks in Antiquity; Ethiopians in the Greco-Roman Experience. Cambridge, MA: Belknap of Harvard UP, 1970. Print.

Tassie, G. J. “Hair in Egypt.”, “Hair in Egypt: People and Technology Used in Creating Egyptian Hairstyles and Wigs”,”Hairstyling Technology and Techniques Used in Ancient Egypt”. Encyclopaedia of the History of Science, Technology, and Medicine in Non-western Cultures: With 107 Tables. ed. Helaine Selin. Berlin: Springer, 2008. 1060-1076. Print.

TRUTHTEACHER2007. Ancient Egyptian Afro Wigs. Youtube. 22 Apr. 2010. Web. 24 Feb. 2014.

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medievalpoc

The research here is amazing.

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wtfhistory

This is awesome.

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ancientart

A remarkably preserved Roman coffin, and a child’s shoe found within it. Excavated by Wessex Archaeology at Boscombe Down, Wiltshire, England. 

This burial is the earliest in its cemetery, and dates to around 220 AD. Later burials are clustered around it.

When the archaeologists lifted the lid of this stone coffin, they were surprised to find that it had not been filled with soil. Instead was the skeleton of a woman cradling in her arms a young child. Check out this video if you’re interested in seeing the part of the excavation.

Of the items in the coffin, the child’s leather shoe (pictured) survived. Laces that strapped the shoe can be clearly seen, as well as the holes for stitching the shoe together. The woman’s deer skin slippers also survived.

"The preservation of the shoes is remarkable. Because the processes of decay were quite slow we also have traces of cloth that have been preserved by a chemical reaction with the metal bangle. We even have traces of the puparia from which the coffin flies that infested the body hatched. Squeamish but fascinating!"
-Dr Andrew Fitzpatrick of Wessex Archaeology

Photos courtesy Wessex Archaeology.

Source: ancientart
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(from the website above) 
[The Kim Sisters] were a South Korean trio who had a successful career in America during the 50’s and 60’s. To support their family during the Korean War, they performed songs for American GIs who then spread word of them after returning home. They were signed to a contract and went to the US, eventually performing 22 times on The Ed Sullivan Show.

Can I just add how much I love that they were successful Asian-Americans in the mid-20th century? Also I’m glad vintage style inspiration isn’t spared for Asian women!

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The cover of the secret compartment is decorated with a diamond flower (rose-cut diamonds) on a royal blue guilloche enamel ground.   This type of rings is also known as poison rings.  The shoulders are finely chased with stylized flowers and foliage in Art Nouveau taste.  The ring is set with a miniature glazed compartment suitable for a miniature portrait.  18 Karat greenish yellow gold. 

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