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WTFhistory

@wtfhistory / wtfhistory.tumblr.com

Those who do not learn from history are doomed to flunk their finals.
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Once they had a ship, the pirates elected their captains, and made all their decisions collectively. They shared their bounty out in what Rediker calls “one of the most egalitarian plans for the disposition of resources to be found anywhere in the 18th century.”
They even took in escaped African slaves and lived with them as equals. The pirates showed “quite clearly – and subversively – that ships did not have to be run in the brutal and oppressive ways of the merchant service and the Royal navy.” This is why they were popular, despite being unproductive thieves.

Oops, turns out piracy is pretty much always a term like terrorist that gets slapped on whatever we don’t like despite being a general reaction to the status quo. And nothing’s really changed.

And when african pirates were captured by the British they were forced into the slave trade.

Horrible Histories taught me about pirates https://www.youtube.com/watch?v=Zwn5K89dE5c

They were generally democratic, disciplined, communal - they even had pensions! If you wanted out of the pirate life, you would be taken to a destination of your choice (anywhere in the world) and given a lump sum to help you with your new life.

interesting

Honor among thieves.

THANK YOU THANK YOU THANK YOU YES i’ve spent like two years studying piracy (back when i had time to devote to reading and research) and yes pirates are actually all very interesting and democratic and great

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medievalpoc

Reblogging since someone recently sent me an ask on this topic (although now it appears to be lost somewhere in my inbox).

The thing that annoys me the most about conversations on piracy is the Eurocentrism. African pirates feature as ‘side characters’ on white western ships and that’s about it. This TOTALLY ignores the many other pirate communities out there. Like, why are there no documentaries, movies and novels about Chinese pirates? They outnumbered pirate ships of European origin by a large margin and were very succesful. They formed massive fleets and regularily kicked ass against European naval fleets.

Chinese ‘Pirate kings’ often had a fleet of over 200 ships and the Japanese-Chinese pirate king Cheng Chih-Lung had over a thousand. He fought wars against rival pirate kings and often saw the European fleets as minor nuances. After 1635 you couldn’t sail the Taiwan Strait without a permit issued by Cheng Chih-Lung. He then went on to become a navy commander of the Ming dynasty. He kicked the Dutch VOC out of Taiwan and might have become king of Taiwan if he hadn’t died shortly after.

How is he not the most famous pirate in the history of piracy? Oh yeah.. wait.. he wasn’t white.

Deadline is reporting that one of our favorite historical ladies may be coming to a television screen near you: Ching Shih, a pirate’s widow who, at the dawn of the 1800′s, began a career that would make her one of the most notorious pirates in the world, the terror of the Chinese, British, and Portugese navies, so unstoppable that the only way to end her naval empire wound up being to offer her complete amnesty and a nice retirement.
Maggie Q, late of Nikita, Mission: Impossible III, and Young Justice, is”set to headline a limited series from Steven Jensen’s Independent Television Group, Mike Medavoy & Benjamin Anderson of Phoenix Pictures (Black Swan), and Fred Fuchs (Transporter). Titled Red Flag, the series is set in the early 1800s and centers on Ching Shih (Maggie Q), a beautiful young Chinese prostitute who goes on to become one of history’s most powerful pirates and head of the most successful crime syndicate in China.”
Little is known of Ching Shih’s early life, so our accounts of her usually begin with pirate leader Zheng Yi taking a cantonese prostitute for his wife. During their marriage, Ching Shih was fully a part of her husband’s profession. After his death, she maneuvered and politicked her way into the lead position of his fleet, taking as a lover and new husband a man she could trust to take care of (and I might be reading a little too far into Wikipedia here) all the boring administrative stuff. Under Ching Shih, her fleet adopted a strict code of conduct governing loyalty and the distribution of loot and stolen goods, as well as personal conduct.
Ching Shih was also remarkable for being one of the only famous pirates to retire and die of natural causes. Giving up on defeating her, the Chinese government offered complete amnesty to all pirates, and she accepted, taking her ill-gotten gains and opening a gambling house, eventually dying at the age of 69.
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medievalpoc

Xiang Fei Altered Copy: Mind=Blown

I saw your post about Xiang Fei and, as a woman and a Chinese person, found it interesting. I did a little digging, and found a higher resolution version:
(The colours may appear a little faded, but her face is similar enough to my own skin tone that I don’t think it’s been deliberately altered.)
What is interesting is that another version of this painting exists. Because I don’t know the name of this other version, it’s been hard to find info on it, but all evidence seems to suggest that it’s a reproduction:
What is interesting to me is that not only is her face distinctly more European in this later version, she also appears less comfortable in her armour. Unfortunately, I have no idea when this reproduction was made, where it was found, or if the painter is from the Occident or Orient. Given the high level of accuracy in the rest of the reproduction, the altered face is probably not an accident.

[mod note]

WHOA.

The alt text for the first image here is : 香妃戎装像 — 郎世宁, which, according to google translate, says “Xiang Fei military uniform like - Castiglione”. The other one has just “香 妃”, “Xiang Fei”

I have never seen that copy. Wow. Wow.

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Ancient Tattoos

 1. Ibaloi Mummy, Ibaloi, Philippines, ca A.D. 1500
 2. Head Effigy Pot, Mississippian, United States, A.D. 1350-1550
 3. Hollow Ceramic Figurines, Western Shaft Tomb, Mexico, 100 B.C.-A.D. 400
4. Iron Age Mummy, Pazyryk, Russia, Fourth to Third centuries B.C.
 5. Tarim Basin Mummy, Unknown Culture, Tarim Basin China, 1000-600 B.C.

For more details on each specimenArchaeology.org

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reblogged

Women in Ancient China

Women’s roles in  family and society

Ancient Chinese women were subordinate to men for most of their lives. First she would obey her father, and after marriage she answered to her husband. According to K’ung Fu-tze, also known as Confucius, a woman’s duty was to look after her husband, sons and the other men in her life. As such, her greatest duty was to have a son. That didn’t mean that she shouldn’t respected: her role as mother and mother-in-law was very important and she should be honoured by her offspring. In their old age, women were often respected by their families as the oldest living member, especially if they survived their husbands.

Marriage was an arranged affair that was set up in such a way that both families would profit from the union. The bride’s family would provide her with a dowry. Because of this, the father of the bride always had the last say in who his daughter married; the girl in question wouldn’t have any input in this, regardless of whether she was a noble or a peasant girl.

Women could be sold by their male relatives for a variety of reasons, though this usually happened in the lower classes. If there had been a bad harvest, a peasant could sell his daughter to get the rest of the family through the winter. It was also possible for a father to sell his youngest daughter after marrying off her other sisters; multiple dowries could, in the case of the working class, get rather expensive or unaffordable. The women sold this way would usually end up in brothels.

Education and occupation

Because of the subservience of women, education was mostly out of the question. Daughters of nobles could be literate, but this was, especially in early Imperial China, more an exception than a rule. Their occupations were centred around home and hearth: from cooking and cleaning to nurturing the children. Weaving, spinning and sewing were common, home-based occupations for women of the working class. Their husbands would sell the products as additional income for the household. Some farmer’s wives helped their spouses on the fields.

There were of course, less savoury professions such as prostitution. The bulk of these girls were your regular, run-of-the-mill prostitutes who had to give their bodies to whoever paid the price. Talented girls could end up becoming a courtesan, a Yiji. As a Yiji, the woman would not often engage in sex trade, but was instead a songstress, poetess, dancer and companion in one. Rich and influential men often had favourite courtesans, and sometimes such a man would buy the lady in question free and take her as concubine or even a wife (in ancient China, men of standing were allowed to have more wives).

Women’s dress and makeup

The prevalent mode of clothing for millennia was the Hanfu, or silk robe, in use for both men and women alike, but with some difference in composition of garments for each gender. Each dynasty would develop its own style of Hanfu. For women, a Hanfu was made up out of a qun or qang, a skirt; yi, an open cross-collar garment; ru, an open cross-collar shirt; and the shan, an open cross-collar jacket that was worn over the yi. There were women-specific styles as well, such as the quju version of the shenyi, which was a mode of dress in use mostly in the pre-Shang periods (before the second millennium B.C.). The quju had wider sleeves than the male zhiju, a longer, pointed lapel, and had a curved hem.

The Hanfus of the upper class could be as elaborate as their rank in society allowed, with ornaments of jade or precious metal hanging from the sashes of the garment. Working class women wore less elaborate versions of the Hanfu, or, if they were doing manual labour, might have preferred loose trousers and simple open cross-collar jackets. These women aren’t likely to have worn makeup, though it’s not possible to say for certain. The makeup trends that were in vogue among daughters and wives of the nobility were mostly focussed on the eyebrows: there are quite a few legends wherein the Emperor or another man of high standing falls in love with a lady because of her elegant eyebrows.

Apart from painstakingly painting their eyebrows in blueish black (a practice that had many different styles, each with its own name), Chinese women applied foundation for a smooth, pale look and reddened their lips and their cheeks. Dimples were enhanced or painted on, and often a flower ornament was painted on the forehead, between the eyebrows. Legend goes that a princess once fell asleep under a cherry tree, and when she woke up a blossom had fallen on her forehead. The princess and the ladies of the court were so taken by this, that they started painting the flower patterns on their skin.

That most infamous beauty practice of China, foot binding or chanzu, had not yet gained widespread use in antiquity. The exact origins are unknown, but it is thought that it originated with the dancers of the early Song dynasty, around 960 A.D. 

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Chinese prisoners are used as live targets in a bayonet drill by their Japanese captors during their occupation of Nanjing.

From TIME.com’s series: (WARNING: Graphic content.)

75 years ago, on Dec. 13, 1937, Japanese troops captured the city of Nanjing, then the capital of the Chinese republic led by Chiang Kai-shek and went on a six-week campaign of carnage and slaughter that would be forever remembered as the “Rape of Nanjing.” Reports document widespread rape and the indiscriminate killing of civilians; some death tolls estimate over a quarter of a million people were killed. The incident, though, still rankles Sino-Japanese relations. Japanese nationalists contend that the death tolls are inflated and the majority killed were resisting Japanese occupation. To this day, pages in Japanese school history textbooks can incite heated protests on the streets in China. Then and now, the Nanjing massacre remains one of the darkest events of the last century. — Ishaan Tharoor

Source: TIME
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The Trebuchet

Paul E. Chevedden, Les Eigenbrod, Vernard Foley and Werner Soedel

Scientific American, July (1995)

Abstract

Centuries before the development of effective cannons, huge artillery pieces were demolishing castle walls with projectiles the weight of an upright piano. The trebuchet, invented in China between the fifth and third centuries B.C.E., reached the Mediterranean by the sixth century C.E. It displaced other forms of artillery and held its own until well after the coming of gunpowder. The trebuchet was instrumental in the rapid expansion of both the Islamic and the Mongol empires. It also played a part in the transmission of the Black Death, the epidemic of plague that swept Eurasia and North Africa during the 14th century. Along the way it seems to have influenced both the development of clockwork and theoretical analyses of motion. The trebuchet succeeded the catapult, which in turn was a mechanization of the bow [see “Ancient Catapults,” by Werner Soedel and Vernard Foley; SCIENTIFIC AMERICAN, March 1979]. Catapults drew their energy from the elastic deformation of twisted ropes or sinews, whereas trebuchets relied on gravity or direct human power, which proved vastly more effective.

Click on the picture to read more!

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iheartchaos

Archaeologists think a hidden imperial tomb may be too full of deadly traps to enter

According to Hollywood, part of archaeology is breaking into ancient tombs and dealing with deadly traps, poison gas and the undead. In real life, it’s far less dangerous. In fact, despite rumors, there hasn’t been a single ancient deadly trap-filled ancient tomb discovered anywhere in the world… until now. Work on excavating an ancient Chinese imperial tomb has stopped because archaeologists are afraid it’s full of traps and poison gas.

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