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WriteWorld is a writing help blog dedicated to serving our fellow writers through education and inspiration.
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Quick Grammar: Lie vs Lay

I had to look this one up the other day, so I figured some other people might have problems with it, so here’s a quick grammar tip on when to use which one.

Lie: “to rest or recline” i.e. I lie on my bed, thinking of how much I need to write, but end up drifting off to sleep.

Lay: “to place an object down” “I lay down my laptop on my desk every day and spend all of it on this god forsaken website instead of writing.

Now, here’s where things get tricky: the past tense version of lie is lay…English is hard. So here’s a “chart” type thing about what to use for each word and tense.

Infinitive        Present Tense     Past Tense     Past Participle     Present Participle

to lie               lie(s)                       lay                    lain                        lying

to lay             lay(s)                     laid                    laid                        laying  

Hopefully this helps! :D As always, feel free to ask any questions you may have and I will do my very best to answer them.

-Amanda

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1. Form the possessive singular of nouns with 's.

Follow this rule whatever the final consonant. Thus write,

Charles's friend
Burns's poems
the witch's malice

This is the usage of the United States Government Printing Office and of the Oxford University Press.

Exceptions are the possessives of ancient proper names in -es and -is, the possessive Jesus', and such forms as for conscience' sake, for righteousness' sake.But such forms as Achilles' heel, Moses' laws, Isis' temple are commonly replaced by

the heel of Achilles
the laws of Moses
the temple of Isis

The pronominal possessives hers, its, theirs, yours, and oneself have no apostrophe.

2. In a series of three or more terms with a single conjunction, use a comma after each term except the last.

Thus write,

red, white, and blue
honest, energetic, but headstrong
He opened the letter, read it, and made a note of its contents.

This is also the usage of the Government Printing Office and of the Oxford University Press.

In the names of business firms the last comma is omitted, as

Brown, Shipley and Company

The abbreviation etc., even if only a single term comes before it, is always preceded by a comma.

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It is a cliché: learn the rules before breaking them. Unfortunately, many writers lack basic knowledge of grammar. American schools stopped asking students to diagram sentences many years ago. Possibly worse, American English dictionaries and grammar guides increasingly accept non-standard word usages. Although far from comprehensive, this writers’ guide to basic grammar might prove useful.

Source: tameri.com
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In a previous post, I wrote about the em dash. This gentleman-like punctuation mark is used to indicate a pronounced interruption or break in thought. Now, on to the most exasperating and tiresome punctuation mark of all—the hyphen. In general, we use hyphens to avoid ambiguity. Otherwise, how would we be able to tell the difference between a “man-eating shark” and a “man eating shark”? A definitive collection of hyphenation rules does not exist; rather, different style manuals prescribe different usage guidelines. In the style guide that I use most frequently—American Medical Association Manual of Style—there are eight pages on the hyphen. These pages include rules for when to use hyphens and when not to use them. Hyphenation rules can be exceedingly complicated. Byzantine even. (I want to write, not solve differential equations.) I once spent 30 minutes explaining to someone why “work up” is hyphenated in some instances, but not others. Hyphens connect words, prefixes, and suffixes permanently or temporarily. When not otherwise specified, hyphens should be used only to avoid ambiguity. What follows is an abridged version of the hyphenation rules taken from the AMA Manual of Style. Other style guides will have different rules, but this is a place to start.

Source: prdaily.com
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Hi! I have an issue with sentence length and passive vs. active writing. For sentence length, most of my sentences are short. It's almost as if I'm too afraid to use long sentences, because I've been told all my life that run on sentences are extremely distasteful. How can I overcome this hesitance I have? And for passive versus active voice, I understand the concept, I just don't quite understand when it's appropriate to use either. I've also been told "was" and "be" are words to avoid. Help?

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The simplest way to start working with longer sentences is to see how you can combine the short sentences you already have into compound or complex sentences. I find compound sentences easier:

June looked up slowly. The behemoth towered over her. It seemed not to have noticed her yet.

In this example, I would choose to combine the second and third sentences, because they’re both talking about the same subject. So it would look like this:

June looked up slowly. The behemoth towered over her, but it seemed not to have noticed her yet.

Varying your sentence structure may take practice, but it’s almost always better than having all long sentences or all short sentences, like Gary Provost says

Active and passive voice are not exactly the same as whether or not you should use ‘was’ or ‘be.’ In a sentence that uses active voice, the subject completes the action:

The behemoth attacked June!

A sentence written in passive voice is ‘backwards,’ meaning that the subject is not the one actually DOING the action:

June was attacked by the behemoth!

An sentence in active voice feels more immediate; it gives the subject agency as well as focus. That doesn’t always make it the best choice. Sometimes you want to emphasize the lack of action from your subject, emphasizing what’s being done TO her. Just be careful with that, because it can easily paint that subject as a victim.

You can also use forms of ‘to be’ as linking verbs in descriptive sentences. While these sentences aren’t active, they’re not exactly passive either, because they don’t have someone else performing an action on the subject:

The behemoth’s breath was hot and rancid.

In each case, it’s about choices. There’s nothing inherently wrong with short sentences or long sentences or active voice or passive voice or even run-ons! But it’s helpful to know how to use different techniques, so that you can choose what works best for each situation as you write.

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Introduction

This pamphlet is designed to introduce you to, or remind you of, the basic principles of prose style and mechanics. The Prose Style Section describes twelve basic principles of good prose style and illustrates most of these principles with examples. Since most writers and editors agree about the importance of these twelve basic principles, I have drawn from a wide variety of sources. However, I would especially recommend two texts: The Elements of Style by William Strunk and E.B. White and Style: Ten Lessons in Clarity & Grace by Joseph Williams.

All twelve principles described in the style section above are based on one overriding principle—that the essence of good writing is rewriting. You may attend to some of these principles spontaneously when you compose your first draft, but stylistic considerations become more deliberate concerns when you work on second, third, and fourth drafts. Remember that good writing is hard work, and as Samuel Johnson said, "What is written without effort is in general read without pleasure."

The Basic Punctuation and Mechanics Section of the pamphlet presents rules that govern the approximately fifty most common problems with punctuation and mechanics. Most of these rules are illustrated with examples, and many are cross-referenced with other rules with which they are frequently confused. This section is based primarily on The Associated Press Stylebook and The Chicago Manual of Style, 14th edition, generally considered the definitive reference on questions of punctuation and mechanics.

Source: hu.mtu.edu
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An ellipsis [ ] proves to be a handy device when you’re quoting material and you want to omit some words. The ellipsis consists of three evenly spaced dots (periods) with spaces between the ellipsis and surrounding letters or other marks

Let’s take the sentence, 
“The ceremony honored twelve brilliant athletes from the Caribbean who were visiting the U.S.” and leave out “from the Caribbean who were”:
The ceremony honored twelve brilliant athletes … visiting the U.S.

If the omission comes after the end of a sentence, the ellipsis will be placed after the period, making a total of four dots. … See how that works? Notice that there is no space between the period and the last character of the sentence.

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We’re big advocates of conversational writing that’s engaging, persuasive, and fun. So that means it’s perfectly fine tofracture the occasional stuffy grammatical rule (and many times it’s preferable).

On the other hand, making somegrammatical errors just makes you look bad, and hurts your effectiveness. Sometimes we even misuse words simply because we hear others use them incorrectly.

So, we’ve assembled the 15 most egregious grammar goofs into one helpful infographic. With this handy reference, you’ll never look silly again.

Like this infographic? Get more content marketing tips from Copyblogger.

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Dialogue has its own rules for punctuation. Commas go in particular places, as do terminal marks such as periods and question marks.

Only what is spoken is within the quotation marks. Other parts of the same sentence—dialogue tags and action or thought—go outside the quotation marks.

Dialogue begins with a capitalized word, no matter where in the sentence it begins. (Interrupted dialogue, when it resumes, is not capped.)

Only direct dialogue requires quotation marks. Direct dialogue is someone speaking. Indirect dialogue is a report that someone spoke. The wordthat is implied in the example of indirect dialogue.

Direct: “She was a bore,” he said.
Indirect: He said [that] she was a bore.

Here are some of the rules, with examples.

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10 Reasons Every Fiction Writer Should Learn Technical Writing

I know many of you who write fiction are probably cringing at the words technical writing, but hear me out. Though fiction and technical pieces are very different and require unique skills, they also have a remarkable amount of overlap. I’ve been writing fiction most of my life, but I’ve actually spent much of my career working as a technical writer. I’ve worked on brochures, manuals, newsletters, you name it. It sounds pretty drab, but there’s something beautiful to me about meticulously crafting words into an artistic yet technical document. It’s not for everyone, but I enjoy it. So why am I insisting that all fiction writers learn it?

1. You will learn to write concisely. Yes, fiction writing is an art and a creative process. But that doesn’t mean that there isn’t a method to it. By learning to write concisely, one of the main skills of technical writing, you can learn to get your point across quickly and efficiently without filling your story with a bunch of fluff. Too much fluff, and your readers will be removed from the story and might be less likely to continue reading. Just look at all the books out there about the craft of writing fiction. If there was no method, there’d be no reason for those books.

2. You will get better at line editing. Technical writing focuses a lot on taking apart sentences and reconstructing them, especially since you often have a limited amount of space to fit the text. That knowledge will easily translate to line editing, where you’ll focus on the flow and wording of a sentence to make sure it doesn’t break from the style of the narrative; you’ll also learn to pick out more redundancies.

3. You will improve the structure of your plot. Good technical writers are masters at structuring the content of their work in a way that will both inform and propel a reader through it. By learning that skill, you’ll gain a critical insight as to what works in a story and what doesn’t. You’ll be able to better see if a scene is inappropriately placed or if it needs to be cut altogether.

4. You will get a taste for another genre and develop experience and skills while doing so. For those who have dabbled in tech writing or have perused manuals and instruction booklets, you know that technical writing is a whole different beast from writing fiction. (That’s also part of the reason there are so many poorly written manuals.) Well-written manuals include only the essentials. They have one job: to give the reader knowledge about a particular product. They don’t—or at least shouldn’t—be wishy washy and open to interpretation. Gaining experience in tech writing will help you to establish a clear path for your story and give it a purpose. One of the biggest indicators of amateur writing is ambiguity. Tech writing skills can help you avoid that.

5. You will gain a better understanding of which questions to ask and how to find the best editor/agent for your manuscript. One of the main tasks a technical writer has to undergo is to research and ask questions. Loads of them. Tech writers are jacks of all trades; they acquire knowledge about many different subjects, and if they’re writing a piece on a subject they’re unfamiliar with, they are expected to track down those who do, interview them, and then translate that knowledge into words the average Joe can understand. Having the skill to do that gives you a huge advantage as a fiction writer. It gives you the ability to know how to approach potential editors, agents, and publishers and CONNECT with them—a must in the publishing industry. It can also help you gain efficiency with your research.

6. You will get a chance to dip your toes in graphic design. It’s true that you can hire a professional to design your book cover (and I highly recommend doing that), but becoming familiar with the basics of graphic design can be very beneficial for you as an author. Apart from your cover, you’ll have to consider all the graphics you’ll need for marketing your book. It doesn’t matter whether you’ve published traditionally or independently; either way, you’ll be responsible for most of the marketing. If you’re a self-published author, having the skills to market your work will make or break your success. So how does tech writing play into this? As a technical writer, you learn that aesthetics of font and layout. You learn what draws readers’ attention, how to make focal points on a page, and how to create text-based designs in a limited amount of space.

7. You will learn how to analyze your manuscript and take a critical approach to it. Since technical writing is all about writing, rewriting, and assessing your own work, the experience you’ll gain from learning the techniques involved can be invaluable when it comes to editing your fiction. Getting the first draft done is an awesome first step, but being able to see the bigger picture and reevaluate your work is crucial to its growth. I’ve read plenty of books that were published “as is” because the author didn’t want to change it, and I’ve read books that have been through hundreds of revisions because the first twenty times weren’t quite right. Believe me, I’ll take a thoroughly edited book over the others any day, and I’m betting you would too.

8. You will acquire more marketing skills. In additional to the marketing benefits you get from studying graphic design, you can pick up even more through learning to write for a target audience. In a technical piece, it’s vital to first know your audience and then cater that piece to fit your audience. And while most of us fantasize about readers appreciating the artistic beauty in our books and the sometimes flowery language that we might use, the truth of the matter is superfluous wording doesn’t sell 90% of the time. The ideas behind your book might be genius, but if the writing isn’t well executed and you can’t market it well, you’re still sunk.

9. You will learn how to view your manuscript as a beta reader. Technical writing is all about trial and error. You write the document, test it to see how well it captures the use of a product, then revise it. You’ll likely have others reviewing it as well. Beta readers will do the same thing for your story. They’ll tell you what worked for them and what didn’t and what other readers might find confusing. Working in the technical writing industry can give you a better feel for that process, and it’ll teach you to view your own through the eyes of a beta reader.

10. You will get more experience with research. Tech writing is all about research. Like I mentioned before, most documents that are written in the tech industry are manuals, brochures, and articles that explain how something works. And since most of us don’t have extensive knowledge in science, math, engineering, medicine, etc., a lot of research would be required. Familiarizing yourself with the various methods of research and knowing how to apply what you find will have a tremendous effect on your ability to incorporate outside information into your novel. You’ll become well versed at weaving in facts and making them flow with the rest of the manuscript.

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Four Ways to Improve Your Grammar and Punctuation

Let’s face it; grammar and punctuation are hard. Especially in the English language, it’s a vast and ever-changing pool of rules, regulations, and personal taste that can enhance your text or completely sink it.

Just as grueling a truth: We can’t do without them. We may hate it, but – just like your protagonist hates teaming up with the antagonist (even if the reader loves it) – we need it and we have to roll with it. Punctuation is mortar for a wordsmith and grammar is the clay in the bricks. If you want to build a successful and enjoyable story (fiction or non), you have to master these two incredibly vital, incredibly annoying elements.

“How,” you ask? Well, here are some of the easiest and most steadfast tips for getting a hold on it.

  1. Reading. Now trust me - this really is the best way. Seeing it in practice engrains the proper usage in your head. It’ll help you develop an eye for it and catch those errors everywhere. Eventually – over the course of two books or two hundred – you’ll begin noticing errors by just feeling that something is off. You may not know the technical reason, but that certain comma in that place has such a faulty tone about it that you can’t help but change it to an em dash. Or a sentence will just sound slightly off and you won’t be able to leave it until you’ve achieved that perfect click of corrected perfection.
  2. Writing. After seeing it in practice, putting it into practice yourself will solidify the entire process in your mind. It’s one thing to watch someone else ride a bike – and it’s helpful – but climbing onto one yourself and trying out the petals ensures you’ll never forget how to ride it. It’ll also show you which rules are hard and fast, and which are fashionable deviations. Bonus: Portions of grammar and punctuation are simply stylistic; so apply the hard and fast rules and then play with the stylistic portions to suit your own writing. Do you like the way a certain author lengthens their sentences? The way another uses commas? Neither are wrong, just a preference. Try out their methods and see which you prefer. You’ll probably fluctuate through a variety of styles while doing so and it’ll strengthen your writing voice.
  3. Getting Feedback. After placing your newfound knowledge on the page, having others look over it to catch mistakes will help to guide you even further in the right direction. As much as you may disliked it, having that one reviewer who points out every single error will help burn those mistakes into your head and you’ll never make those specific errors again – maybe just to spite them. And remember, as you’re downing that entire pint of Rocky Road: Grammar and punctuation are rather technical things, so don’t beat yourself up about making mistakes. Really, it’s just a misplaced generic symbol.
  4. Freelance studying. Certainly attending courses specializing in grammar and punctuation would be helpful, but maybe you don’t have the time or the funds to devote to that. Instead, as you’re writing, if you come across a comma you’re not quite sure about or a phrasing that’s not quite right, stop and Google your very specific question. “Does a comma come before or after a quote?” “Is [insert phrase] grammatically correct?” Usually a few results will come up with detailed answers, not only solving your problem but also explaining the rules behind this solution, which you can remember for next time. This is an invaluable step.

So whether you want to improve your use of grammar and punctuation for your own satisfaction or to get that one reviewer to shut up, the end result is master these two important bits of knowledge. It’s a long process, but these four tips will give you the most effective, most efficient, and least costly college course you can find.

I hope you find this helpful! Feel free to check out my website: Ember Ink Wordsmithing

Happy writing!

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