the resurgence of rape in media
for a brief moment, while game of thrones was airing, there was an international conversation about depictions of rape in media. this was a critical discourse, fueled by actresses coming out and sharing that they felt uncomfortable with the gratuitous nudity and many rape scenes in the show. people began to actually discuss the issue of the male gaze, and how rape and sexual assault can be shot in such a way that titillates rather than horrifies. this culminated, in my mind, with the release of jennifer kent's the nightingale, a 2018 film that reimagined the rape-revenge story.
for a while, perhaps due to the very brief popularity of #metoo, it seemed that rape-as-titillation was on the outs in popular culture. however, with the advent of the 2020s, this particularly virulent strain of misogyny and rape culture is back in full-force. this time it has a new coat of paint: the acceptable rape fantasy. these stories feature the same old tropes, but the trappings are designed to make the rape fantasy more palatable to modern leftist/"feminist" audiences. two prominent examples from this year and last illustrate the point well: sam levinson and the weeknd's the idol and gretchen felker-martin's manhunt.
the former is an HBO show which depicts, in great detail, the systemic rape and humiliation of a very young woman by her boss. the creators, sam levinson and the weeknd, were influenced by the pornography they both enjoy watching and writing about (remember the weeknd's song about correctively raping lesbians?), and by their own gender politics, which align rather more with andrew tate than mainstream feminism. how can a show like this be aired in 2023, the age of stifling wokeism™️ where cancellation™️ is social media's favorite hobby? it's simple--the boss in this series, the rapist, is a black man, and his victim is a white woman. this is something both black men who are fixated on white women, and white men who are fixated on watching black men fuck white women, enjoy. further, his victim herself "enjoys" being raped because she is a "sex-positive" feminist. bases? covered. too stupid to write about seriously, in my opinion, but a real bellwether due to its prominence on a prestige television network known for manufacturing cultural moments.
next, felker-martin's hugely successful novel manhunt, which is still being promoted by queer press and bookstores this june in celebration of pride month. it's a post-apocalyptic fantasy that features the corrective rape of cis lesbian "terfs" who refuse to have sex with pre-op transwomen. felker-martin defends the abundance of rape in the novel by saying all stories need to have rape, because 1. rape is interesting (?) and, 2. whether people will admit it or not, they are aroused by rape. i have written about this book before, in the context of "revolutionary rape", a particularly horrific form of "praxis" promoted by black panther eldridge cleaver. both the idol and manhunt hinge on their audiences believing that rape can be revolutionary praxis: that sometimes women deserve it. either because they're white and "slutty", as in the idol, or because they are lesbians who don't want to have sex with anyone who has a penis, as in manhunt. defending white women and terfs is social poison, so these projects receive some limited, light criticism, but no one wants to stake out the deeply unpopular position that rape is always bad, actually, lest they themselves be labeled a racist or a terf.
as someone who studies culture, as a black woman, and as a survivor of CSA and rape, i am not surprised at the resurgence of this trend. we are in the midst of a backlash against feminism that has yet to reach its peak, so things will only devolve from here.