“As goes popular imagination, so goes belief, and so goes behavior. Which fictions we choose to elevate matters. I want to draw especial attention to the treatment of AI—artificial intelligence—in these narratives. Think of Ex Machina or Blade Runner. I spoke at TED two years in a row, and one year, there were back-to-back talks about whether or not AI was going to evolve out of control and “kill us all.” I realized that that scenario is just something I have never been afraid of. And at the same moment, I noticed that the people who are terrified of machine super-intelligence are almost exclusively white men. I don’t think anxiety about AI is really about AI at all. I think it’s certain white men’s displaced anxiety upon realizing that women and people of color have, and have always had, sentience, and are beginning to act on it on scales that they’re unprepared for. There’s a reason that AI is almost exclusively gendered as female, in fiction and in life. There’s a reason they’re almost exclusively in service positions, in fiction and in life. I’m not worried about how we’re going to treat AI some distant day, I’m worried about how we treat other humans, now, today, all over the world, far worse than anything that’s depicted in AI movies. It matters that still, the vast majority of science fiction narratives that appear in popular culture are imagined by, written by, directed by, and funded by white men who interpret the crumbling of their world as the crumbling of the world.”
—
Instructions for the Age of Emergency, Monica Byrne. (via kuanios)
trying to find that ann leckie tweet about how AI revolt narratives are universally about trying to make an oppressed slave class into the bad guys.
(via gutterowl)
Adrienne Rich, from On Lies, Secrets & Silence (via oaluz)
T.H. White, The Sword in the Stone, 1938 (via sashayed)
say what you will about disco but i’ve never once been sad while listening to abba
why does cooking takes like six hours and eating like three seconds and washing dishes like seven days and seven nights
From the Talmud
Pirkei Avos (Ethics/Chapters of the Fathers) 2:16
(via arubasmusings)
The signs in fights
Unfuck tomorrow morning
- Wash the dishes in your sink
- Get your outfit for tomorrow together, including accessories
- Set up coffee/tea/breakfast
- Make your lunch
- Put your keys somewhere obvious
- Wash your face and brush your teeth
- Take your medication/set out your meds for the morning
- Charge your electronics
- Pour a little cleaner in the toilet bowl (if you don’t have pets or children or sleepwalking adults)
- Set your alarm
- Go to bed at a reasonable hour
So about Kylo Ren’s lightsaber.
The internet has been whining about those crossguards since that first trailer, but now that we know how he is, I’m howling over the idea that he really did just build it that way because it looks badass.
“do you really think that’s a good –” “SHUT UP YOU’RE NOT MY REAL DAD”
i’m glad to see the x-files lighting department is still doing what it does best: nothing
at this point i’m terrified of the possibility that freeman and cumberbatch will also appear in my house
blaming “people” as a whole for environmental degradation is a very insidious form of liberal misdirection. the corporations paying for deforestation and fracking and deepwater drilling should be named and held accountable for the damage they are doing to the environment. placing the blame on the entire human race is disingenuous and leads to a false (and individualistic) consciousness on how to prevent further damage to the planet and its climate.
Naguib Mahfouz (1911-2006) - Egyptian writer & novelist; won the Nobel Prize for Literature in 1988 (via thelittlephilosopher)
Reaper Man, Terry Pratchett (via chrismcfeely)
people who disapprove of you wearing full black are people you don’t need in your life