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#1910s – @wingsandfins on Tumblr
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winged and finned

@wingsandfins

a proper young lady of long nose and very little pocket-money: her links, and leisurely rambles. interests: books, the 19th century, freakery, academia, disability rights, embodiment, queer identity. some images may be mildly disturbing. email to [email protected] if you have anything to share.
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The Armory Show wasn’t the only big event in 1913 - it was also the year that suffragists marched on Washington to demand women’s right to vote. In light of that centennial anniversary, which is being celebrated this weekend, and the kickoff of Women’s History Month, it seemed like a good time to present you with this declaration from Nancy Spero.

Nancy Spero letter to Lucy R. Lippard, 1971 Oct. 29. Lucy R. Lippard papers, Archives of American Art, Smithsonian Institution.

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wingsandfins

Reminded me of the startling overlaps between early and late 20th century white feminism.  A stark image, too, which I like.

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Tate Britain examines the history of those who have targeted art, from Henry VIII to the present:

“I got five lovely shots in,” the suffragette Mary Richardson, also known as “Slasher Mary”, proudly recalled in an interview with the BBC in 1961. She was referring to the fateful day in March 1914 when, after milling around London’s National Gallery for hours, she removed a meat cleaver pinned inside her sleeve and set upon Velázquez’s The Toilet of Venus (Rokeby Venus), 1647-51. She remembers feeling lucky to get in a few more blows as the warder mistakenly attributed the sound of breaking glass to a broken skylight. He eventually seized Richardson as she was still “hammering away” at the picture. But the damage was done: the long slashes that dotted the reclining nude’s back resembled gaping wounds in her flesh. Richardson’s assault was not without purpose, however: it was a protest against the imprisonment of fellow suffragette Emmeline Pankhurst. “I have tried to destroy the picture of the most beautiful woman in mythological history as a protest against the government for destroying Mrs Pankhurst, who is the most beautiful character in modern history,” Richardson told police after the attack.

The suffragettes’ campaign is examined in Tate Britain’s exhibition “Art under Attack: Histories of British Iconoclasm”, which explores various strategies behind the deliberate destruction of art in Britain from the 16th century to the present day.

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