Settle a bet.

soooo true bestie

NO ONE GETS THEIR ASS BEAT IN A POLL LIKE GASTON

need a bi4bi t4t m/f pairing where the girl is a giant freak and not in the "cute manic pixie" way but in the "unethical experiments in my fucked up laboratory" way and the guy is a golden retriever who thinks he can fix her. and he brings her cute bento lunches and she's like "bradley shut up put on your fucking gloves and hold this possum down so i can graft these giant grasshopper legs to it"

your brain is unfathomably colossal

“it’s a good thing that the minecraft movie isn’t about the intense loneliness of minecraft’s world and finding growth and hope in a post-apocalyptic society because it’s for children” Have You Ever Spoken To A Child

children deserve deep and profound media as well and i’m tired of pretending that something is allowed to suck and be a cheap cash-grab on the account of it “being made for kids”

I hate it when people are like "it's for kids, it's fine" when you point out a story is badly made. Like not just simple or easy to understand or childish, like basdly done, badly thought out, and kinda insulting to the reader.

Kids deserve good shit.

world (destruction) tour

It's done!! I'm very proud of this one!

It's also on youtube

Happy late animaniacs anniversary I suppose ndhsnd.

it’s so bizarre when animated American films are set in a certain location and then only certain characters have the accents of that place. It makes no damn sense!! like

WHY IS SHE MORE FRENCH THAN THE REST OF THEM???

WHY ARE THESE GUYS MORE SCOTTISH THAN THE KIDS??

(also, aren’t they Vikings or something?)

To be fair, almost everyone in Ratatouille does have a French accent. The real question is why Linguini and also all the rats sound intensely American

If it was just the rats I’d say it’s because the movie can be interpreted to mean that the rats understand but don’t necessarily speak human languages so the rat dialog isn’t literally taking place the way we see it but that doesn’t explain why Linguini has a rat accent

LINGUINI HAS A RAT ACCENT 

Do we ever hear like

For sure that Linguini grew up in France tho?

It could be possible he’s just an American immigrant

I mean his name is Alfredo Linguini so I always assumed he was Italian

I’m sorry his first name is Alfredo?

What

ALFREDO???

he’s American you guys his mother was American it was mentioned in the beginning

I’m sorry, I’ve moved on to the fact his mother was going through her cupboard for baby names

Alfredo was a name before it was a sauce let’s go over the movie from the top again

This is Alfredo di Lelio (right) the inventor of fettuccine Alfredo, he’d come out to the table and make it in front of you by hand

The chap on the left is an airport

I think you might have your left and right mixed up, my friend

Great post everyone. Hit the showers.

picspams: The Sword in the Stone (1963)

Please reblog if you vote for a larger sample size!

Edit: I know some of these aren’t “princes” or considered “classic” but look at me, I am the captain now

I think the most fun part of monsters inc is boo calling sulley “kitty” and mike wazowski by full government name

Completely true-to-life from my interactions with toddlers

the replies 💀

I have laughed so much at this post, especially the close-up of Beast's bedroom eyes, and the reblogs:

And then this one killed me:

Can't believe no one has posted her reaction

I always flash back to this gem from 2007, brought to us by JohnSu on deviantArt

Matt Damon explains why they don’t make movies like they used to. Pls watch.

This is actually a really good perspective and explains why the MCU is the way it is. It is essentially one-off entertainment without the backup of DVD sales (of course Disney being Disney it is still backed up by massive merchandise and spin off sales). The movie is designed to be “disposable”. The rewatch value is low because it’s not intended to be sold on DVD for people to treasure and rewatch every year at Christmas (or whenever) with family. The idea is to generate hype, through manufacturing controversy or teases or gossip. Keeping spoilers under wrap is integral because the rewatch value is negligible. It hinges on surprise or shock (or wtf value) to entice audiences to give up their money to see it in theatres. It is about spectacle, about being loud and colourful and busy, so that for the first 30 minutes after you walk out your senses are still buzzing and you feel like that was worth your $30 or however much. It takes a while for your brain to come back online after the sensory overload to then try to pick apart the plot, and by that stage it doesn’t matter, you’ve already hyped it up to your friends.

And the story or characterisation doesn’t matter because no one is watching that again to care.

(x)

THoND + textposts

BRANCH NOOOO BRAAAANCH

original: