This is my piece for the Candlenights Exchange put on by @thecandlenightszone for @johnchurch
It's the first piece I've finished in awhile and I really like it all things considered. Hope you enjoy too!
@weminence / weminence.tumblr.com
This is my piece for the Candlenights Exchange put on by @thecandlenightszone for @johnchurch
It's the first piece I've finished in awhile and I really like it all things considered. Hope you enjoy too!
“I need to write I need to writeineedtowritei—” hey. slow down. it’s okay to take breaks and let yourself reset. Your stories don’t disappear just because you take care of yourself first.
Two rules for creating anything.
1) Make it weird.
2) Make it with love.
The problem w writing fiction is that you'll be like tee-hee I'm going to write a story about a fucked up little scenario that's got nothing to do with anything in real life, just some pure messed up nonsense, and then you finish it and take a step back and go aw rats I made a metaphor again
Since the whole thing with NaNoWriMo has gone down, I've noticed that one of their former sponsors, Ellipsus, has cut contact with NaNoWriMo because they do not support their stance on AI; I didn't know what Ellipsus was, but upon further research I've found that they are a writing platform that works a lot like Google Docs and Microsoft Word, only with a heavier leaning on the story-writing aspect and connecting with other writers - and they also completely denounce any use of AI, both in the writing process itself and in the use of their platform. I really appreciate that.
Since this is the case (and since I've noticed Google has begun implementing more AI into their software), I've decided to give Ellipsus a try to see if it's a good alternative to Google Docs (my main writing platform). It's completely free and so far, I've found it simple to use (although it is pretty minimal in its features), and I really like the look of it.
I figured I'd spread the word about this platform in case any of you writers would want to give it a try, and if you do, let me know how you like it!
This sounds great, I’ll give a try tonight!!
i think they know their demographic to fr
I don't like the term 'Writer's Block' - not because it isn't real, but because the term is so vague that it's useless. Hundreds of issues all get lumped together under this one umbrella, making writer's block seem like this all-powerful boogeyman that's impossible to beat. Worse yet, it leaves people giving and receiving advice that is completely ineffective because people often don't realize they're talking about entirely different issues.
In my experience, the key to beating writer's block is figuring out what the block even is, so I put together a list of Actual Reasons why you may be struggling to write:
(note that any case of writer's block is usually a mix of two or more)
What it looks like:
Things that can help:
What it looks like:
Things that can help:
What it looks like:
Things that can help:
What it looks like:
Things that can help:
What it looks like:
Things That Can Help:
What it looks like:
Things that can help:
What it looks like:
Things that can help:
The thing about outlines is that they’re a very superficial exploration of a story; they provide a loose idea of what needs to happen and how it needs to go down, but the logistics are left entirely up in the air until you begin drafting. Which is why, in my experience, the outline usually undergoes so many changes when you begin drafting. Working on a more detailed level means that you have to confront issues in continuity and causality, which usually means making changes so that things still make sense.
This is really just a long-winded (and moderately exhausted, if you can’t tell) way of saying that it’s normal for drafts to deviate from an outline. It’s not you; it’s just how creating things works.
A thing that bothers me about wizard schools in popular media – outside of the magic-grade-school stuff, anyway – is that they’re typically depicted as being basically magic universities, but their actual curricula and pedagogical approaches look much more like those of a technical institution. Like, buddy, that’s not a wizard university, that’s a wizard trade school. You can’t just slap university student culture on top of trade school pedagogy. It doesn’t work like that – the one emerges from the other!
“Well ACTUALLY wizards are” wizards are made up. They can be analogous to whatever real-world class or vocation the author wants. Wizard-school-as-university and wizard-school-as-technical-institute are both perfectly fine; what I am grumping about is wizard-school media that doesn’t seem to have a clear picture of how different sorts of educational institutions actually operate.
Okay but now I really want to know what a Wizard technician would look like. Would he wear magical overalls with all kinds of reagents and magic tools sticking out of his numerous pockets?
A guy like that walks into your tower with a toothpick in his mouth, takes one look at your summoning circle and goes
“I see yer problem. You used chalk B12 instead of S3. B12 is only for transmutation circles. Gimme a sec I think I have a piece somewhere here.”
He fixes your circle, test summons an imp and goes.
“There ya go. Fit as a fiddle.”
“It’s the chalk.”
“The chalk? I always use that chalk, it’s never been a problem.”
“Ah - yes. This stuff will work just fine for most circles, but, uh - here, take a look with my loupe. You see the off-color flecks? Can’t hardly see them with the naked eye, but those are impurities. Silicates, might even be some iron in here, to be honest. Usually won’t cause a problem, but - you said you hadn’t tried this particular summons before?”
“First time trying a 5th level, yeah.”
“Those silicates will make your scribing a little fuzzy when viewed from the astral plane. You see, for example, these three fine lines here? With this chalk, on the astral that looks like one thick line with fuzzy edges. They can’t tell exactly what you want, and they’re picky lil’ critters so they just won’t do anything in response.”
“Really? Oh. I always thought the expensive chalk was just fancy to be fancy.”
“Making pure chalk is difficult, you need a dedicated production line or dust gets in the finished product. To be honest, you don’t need to bother with it for most things, but 5th and up, 5th level and up, it actually is necessary. Anything with lines within about two millimeters of each other.”
“So I need to start over?”
“Unfortunately yes. You’ll have to erase all this, but with some good chalk it should work just fine. Next new moon your summons should go off without a hitch.”
“Dang. At least it’s not my sigils, I was worried it was my sigils.”
“Nah Your sigils look good. Even and balanced. You know what you’re doing, it’s just an equipment problem.”
“Thanks for the help, sorry to make you come all the way out here.”
“No problem! It’s my job.”
#scene from moonstruck with vincent gardenia explaining the different types of pipes but it’s metallurgy ores #there’s the kind of ore you have— which is garbage. then there’s steel which is pretty good. unless something goes wrong. #and something always goes wrong. #and then— there’s copper. which is the only kind of ore i use. #it costs money. it costs money because it saves money. (@macklesufficient)
"This story is a tragedy because it didn't have to end this way."
vs
"This story is a tragedy because it was always going to end this way."
I submit: character takes off their glasses when shit gets real, patiently cleans them, puts them back on with a weary sigh, goes completely feral
Brains.
“The North Sea Crone”
Please, look at my little comic!
it never fails to surprise me how some people will simply take every single thing in a story at face value and assume that what the characters are saying or doing or thinking must always be true even when all of the context clues are screaming the opposite
“how’s ur wip going?”
i know which characters like pomegranates and why but i don’t have a plot yet
stories where the past is a wound that refuses to heal
ok stories where the past is an itch you keep absentmindedly scratching and wonder why the burning is getting worse
all i’m saying is: the past is a bodily sensation