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RPGs and BBDs (big bad dragons)

@wedge-of-destiny

A mish-mash side blog of Dragon Age, Baldur's Gate, and other role-playing games.
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vivemonroi

Lavellan meets Solas

Spoilers!

The Lost Elf reprise killed me.

I remember one comment on YouTube under the original track. There was a theory that 'The Lost Elf' summarizes the love of Lavellan and Solas, how they “speak” through the melody: she is the violin, and he is the cello.

Yet now it’s slightly different; if you listen closely, you’ll hear that the violin sounds strong, happy and melodic, while in the original, it was broken, miserable, and thin.

The cello solo sets up the narrative, but at the climax, you can finally hear the violin. They 'sing' together in perfect harmony, almost indistinguishable from one another.

I love how music deepens our understanding of the storyline, guiding us further and revealing delicate nuances that add richness and depth to their story.

It’s canon now, it’s their theme.

Also I love how in the beggining Lavellan knew only a few words in Ancient Elven, at the end of the Tresspasser she can form full sentences, and now she speaks Elven fluently. It's a unique thing only for them. She speaks his language, because she knows how important it's to him. Elgar'nan speaks in Common language, yes, because of the Blight, but still. Even Mythal and Solas, in their final conversation, do not speak in Elven.

Lavellan is the only one who accepts him unconditionally. She forgives him when he cannot forgive himself, holds him when he needs it most, and ultimately, she is the one who saves him.

This is the extraordinary journey we’ve been fortunate enough to witness.

Ten years is a long time, but their love will last forever.

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