mouthporn.net
#richard papen – @vivienlacroix on Tumblr
Avatar

ViLa

@vivienlacroix

dark academia (I love words) • Shakespeare • Rosencrantz & Guildenstern are dead
Avatar

Reached the part in The secret History again where the conversation goes as follows:

"We're all a lot better off.”

"Some of us are, you mean.”

Henry smiled acidly. “Oh, I don't know,” he said. “Πελλαιου βους μεγας ειν Αιδη.”

This was something to the effect that, in the Underworld, a great ox costs only a penny, but I knew what he meant and in spite of myself I laughed. There was a tradition among the ancients that things were very cheap in Hell.

Once again I wondered at it and looked up several translations (one of them seems very logical in context, you can find it here: https://ahorsemanontheroof.tumblr.com/post/131000026984/pellaiou-bous-megas-ein-aidei). None of these translations satisfied what I wanted to know and yes probably a million people took this step before me, but I thought a moment about the context of the dialogue.

Henry: “We’re all a lot better off.” Implying: when Bunny is dead, he can’t harm them anymore and so it was worth to kill him.

Charles: “Some of us are, you mean.” I always thought this was a snippy comment, meaning that only Henry was better off with Bunny dead because he seems to be the only one who has no bad conscience.

But in fact, Charles probably meant Bunny’s dad, about whom he was just talking, since of course Bunny’s dad is not better off with his son dead.

Henry seems to understand that Charles is talking about Bunny himself (of course Bunny isn’t better off dead) and so the response is:

Henry smiled acidly. “Oh, I don't know,” he said. “Πελλαιου βους μεγας ειν Αιδη.”

And Richard’s explanation is: This was something to the effect that, in the Underworld, a great ox costs only a penny, but I knew what he meant and in spite of myself I laughed. There was a tradition among the ancients that things were very cheap in Hell.

And the reason Richard laughs is that Henry says as much as ‘Stuff in hell is cheaper’, with regard to Bunny who never had money and drained Henry, Francis and even the twins of theirs to get the stuff he wanted, which is now over because he is dead and Henry points out that, in Hell, Bunny doesn’t have to spent as much money in order to get what he wants. Which is a very morbid joke, as Richard understands it.

I finally get this part without any knowing of ancient languages!

Avatar

If I Made A Movie Adaptation For TSH: The Opening

The Secret History by The Chamber Orchestra Of London plays over the opening credits: the camera goes down a long, narrow hallway and enters a large room with a high ceiling and a polished floor. The camera stands in the center of a circle of six statues of Greek mythological figures (one for each character; 5 men and 1 woman; Hades = Henry, Persephone = Camilla, the others ???) and focuses on each one of them one by one, slowly at first but as the song reaches its climax, the camera speeds up and spirals around and around until unstability, seemingly falling down through the floor into a dark abyss.

On the black screen appears Greek (or Latin) words in red that translate themselves into The Secret History as the song dies down only for a pop/rock song from the 80s to blast through and the screen quickly fades into a scenic view of a summery Plano, California.

The camera then zooms into a street and follows a car that pulls up into a gas station with the radio blaring. Richard steps close to serve the two obnoxiously bright and lively people in the car (a young man and a young woman) and discreetly watches the young man’s hand that curls around the woman’s bare thigh as he pumps the car with gas. The young man curtly thanks him and tosses a couple of bills that land on the ground as they drive off.

Now alone at the pumping station, Richard picks up the money and drags himself back inside; his monologue starts as soon as the door shuts behind him.

Avatar
Avatar
florizels

All of Donna Tartt’s characters are irreparably broken, and it shows so much about real life. Richard Papen is eternally scarred by his poverty, and his experience with the murder squad at Hampton. Henry Winter is filled with apathy for life and the only way he escapes it is by a bacchanal, which is the height of his life. Charles Macaulay is an alcoholic who is in denial of his bisexuality and has an abusive, incestuous relationship with his sister. Camilla Macaulay is in love with a dead man and is forsaken by her brother and the world to forever take care of the mess that is left. Francis Abernathy is pushed into a marriage he doesn’t want in order to keep his inheritance, and the only man he’s loved is a alcoholic and an abuser. Bunny Corcoran is brought up in a family that teaches him to be greedy but never to work for it, and he is murdered by those who he thought to be his friends. Theo Decker is broken apart by the museum accident, the painting he picks up ultimately rules his life. Boris Pavlikovsky seems to be happy and spontaneous throughout the whole book, but in the undertones, he has an abusive father and he’s an alcoholic and a drug addict who doesn’t really have much in the first place. Kitsey Barbour is unable to talk about things that disturb her being, and the death of Andy and her father drives her into the arms of someone she doesn’t love. Pippa Blackwell is carted off to a school for the mentally unstable and is forsaken from being the successful musician she aspired to be. All of these characters are completely enchanting and cracked and empty, each one a masterpiece of pain and ruin.

You are using an unsupported browser and things might not work as intended. Please make sure you're using the latest version of Chrome, Firefox, Safari, or Edge.
mouthporn.net