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#eve kosofsky sedgwick – @vital-information on Tumblr
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i was leaning out

@vital-information

i was listening atla sideblog @likealittleheartbeat; BL sideblog @maybe-boys-do-love
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"Axiom 1: People are different from each other.

It is astonishing how few respectable conceptual tools we have for dealing with this self-evident fact. A tiny number of inconceivably coarse axes of categorization have been painstakingly inscribed in current critical and political thought: gender, race, class, nationality, sexual orientation are pretty much the available distinctions. They, with the associated demonstrations of the mechanisms by which they are constructed and reproduced, are indispensable, and they may indeed override all or some other forms of difference and similarity. But the sister or brother, the best friend, the classmate, the parent, the child, the lover, the ex-: our families, loves, and enmities alike, not to mention the strange relations of our work, play, and activism, prove that even people who share all or most of our own positionings along these crude axes may still be different enough from us, and from each other, to seem like all but different species.

Everybody has learned this, I assume, and probably everybody who survives at all has reasonably rich, unsystematic resources of nonce taxonomy for mapping out the possibilities, dangers, and stimulations of their human social landscape. It is probably people with the experience of oppression or subordination who have most need to know it; and I take the precious, devalued arts of gossip, immemorially associated in European thought with servants, with effeminate and gay men, with all women, to have to do not even so much with the transmission of necessary news as with the refinement of necessary skills for making, testing, and using unrationalized and provisional hypotheses about what kinds of people there are to be found in one's world. The writing of a Proust or a James would be exemplary here: projects precisely of nonce taxonomy, of the making and unmaking and remaking and redissolution of hundreds of old and new categorical imaginings concerning all the kinds it may take to make up a world.

I don't assume that all gay men or all women are very skilled at the nonce-taxonomic work represented by gossip, but it does make sense to suppose that our distinctive needs are peculiarly disserved by its devaluation. For some people, the sustained, foregrounded pressure of loss in the AIDS years may be making such needs clearer: as one anticipates or tries to deal with the absence of people one loves, it seems absurdly impoverishing to surrender to theoretical trivialization or to 'the sentimental' one's descriptive requirements that the piercing bouquet of a given friend's particularity be done some justice. What is more dramatic is that--in spite of every promise to the contrary--every single theoretically or politically interesting project of postwar thought has finally had the effect of delegitimating our space for asking or thinking in detail about the multiple, unstable ways in which people may be like or different from each other."

Eve Kosofsky Sedgwick, Epistemology of the Closet

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“The moralistic hygiene by which any reader of today is unchallengeably entitled to condescend to the thought of any moment in the past (maybe especially the recent past) is globally available to anyone who masters the application of two or three discrediting questions. How provisional, by contrast, how difficult to reconstruct and how exorbitantly specialized of use, are the tools that in any given case would allow one to ask: What was it possible to think or do at a certain moment of the past that it no longer is? And how are those possibilities to be found, unfolded, allowed to move and draw air and seek new voices and uses, in the very different disciplinary ecology of even a few decades distance?”

Eve Kosofsky Sedgwick and Adam Frank, “Shame in the Cybernetic Field”

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Some of the infants, children, and adults in whom shame remains the most available mediator of identity are the ones called (a related word) shy. ('Remember the fifties?' Lily Tomlin used to ask. 'No one was gay in the fifties; they were just shy.') Queer, I'd suggest, might usefully be thought of as referring in the first place to this group or an overlapping group of infants and children, those whose sense of identity is for some reason tuned most durably to the note of shame... I'd venture that queerness in this sense has, at this historical moment, some definitionally very significant overlap, though a vibrantly elastic and temporally convoluted one, with the complex of attributes today condensed as adult or adolescent 'gayness.' Everyone knows that there are some lesbians and gay men who could never count as queer and other people who vibrate to the chord of queer without having much same-sex eroticism, or without routing their same-sex eroticism through the identity labels lesbian or gay. Yet many of the performative identity vernaculars that seem most recognizably 'flushed' (to use [Henry] James's word) with shame consciousness and shame consciousness and shame creativity do cluster intimately around lesbian and gay worldly spaces. ... It has been all too easy for the psychologists and the few psychoanalysts working on shame to write it back into the moralisms of the repressive hypothesis: 'healthy' or 'unhealthy,' shame can be seen as good because it preserves privacy and decency, bad because it colludes with self-repression or social repression. Clearly, neither of these valuations is what I'm getting at. I want to say that at least for certain ('queer') people, shame is simply the first, and remains a permanent, structuring fact of identity: one that...has its own, powerfully productive and powerfully social metamorphic possibilities.

Eve Kosofsky Sedgwick, “Shame, Theatricality, and Queer Performativity: Henry James’s The Art of the Novel” from Touching Feeling

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“The paranoid trust in exposure seemingly depends, in addition, on an infinite reservoir of naïveté in those who make up the audience for these unveilings. What is the basis for assuming that it will surprise or disturb, never mind motivate, anyone to learn that a given social manifestation is artificial, self-contradictory, imitative, phantasmatic, or even violent? As Peter Sloterdjik points out, cynicism or “enlightened false consciousness”—false consciousness that knows itself to be false, “it’s falseness already reflexively buffered” —already represents “the universally widespread way in which enlightened people see to it that they are not taken for suckers” (5). How television-starved would someone have to be to find it shocking that ideologies contradict themselves, that simulacra don’t have originals, or that gender representations are artificial? My own guess is that such popular cynicism, though undoubtedly widespread, is only one among the heterogeneous, competing theories that constitute the mental ecology of most people. Some exposés, some demystifications, some bearings of witness do have great effectual force (though often of an unanticipated kind). Many that are just as true and convincing have none at all, however, and as long as that is so, we must admit that the efficacy and directionality of such acts reside somewhere else than in their relation to knowledge per se.”

Eve Kosofsky Sedgwick, “Paranoid Reading, Reparative Reading,” Touching Feeling: Affect, Pedagogy, Performativity (2003)

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