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@verit / verit.tumblr.com

verit. very multifandom. bl, figure skating, nct, random everything, etc etc. robots sideblog (on hiatus). figure skating photography sideblog all pronouns are ok. feel free to message me any time!
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iguana012

Top 10 Tatsuki Machida self-choreographed programs

The audience applauds for at least 3 minutes with no interruptions. Today, he’s not the 6th Japanese guy and he’s not the almost World Champion. He introduces himself as Tatsuki Machida. And that is enough.

Tatsuki Machida always saw figure skating as a performing art. A quadruple jump could be a piece of art in itself. It was important for him to use his technical capacity to imagine and create. In order to give a good performance, he wanted to understand the culture, to study the music and even the composer’s life. He saw figure skating as belonging in the same category as ballet or dance.

His skating style has always been described as “larger than life”, “dramatic”, “grand”, and even “regal”. it wasn’t even a “style”; his own personality could be described like that. He was the one who would pay attention to his “airport fashion”, as well as buying new books to read on the road to his competitions. It used to be a pleasure for reporters and fans to follow him around and relish in his quotes. 

He was never afraid to be himself, never afraid to express his opinions and own up to them. And it showed in his skating; watching him, you feel like you need to stop everything you’re doing and give him your undivided attention. He captivates you and takes you along on his journey. In his self-choreographed works, he has made a lot of experiments. He experimented with the length of the program, he experimented with art direction, and he experimented with playing characters and sharing pages of his personal life. He placed figure skating where he thought it belonged; at the intersection between art and sport. 

In the following paragraphs, I will break down and analyze the essential elements of his work, all the while supplementing them with Tatsuki’s own thoughts. I invite you to revisit his programs and discover the rich details that lie in layers of uniqueness. 

Tatsuki Machida, thank you for everything.

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Anonymous asked:

Alina Zagitova

What I like about him/her/them: she has this frenetic energy and drive that I find very enjoyable. Good expressions, like in her short — in general, she seems to do well in drama and fast-paced music. I think in the future I could like her, maybe even a lot, with the right programs. Her flow out of jumps is really nice sometimes, but you usually only see it in practice — it doesn’t look as good in actual competitions, for the most part.

What I dislike about him/her/them: she’s very unpolished and has a lot of unfinished movements, especially during competitions. Most of the problems are down to choreographer (or coach), though, like the amount of movements stuffed in without much attention to the music and especially zero time to hold the positions or give them any meaning or reason; or even the music choices — well, the fast-pacedness is a good choice, at least; I sure hope she doesn’t get a slow piano music a la the typical Tutberidze group FS in the future :/

Favorite costume: surprisingly, I ended up liking the Swan Lake SP one. Hated it the first time, but yeah, it grew on me. Still could’ve gone without a goddamn tutu.

Favorite competitive program: I... don’t know. there aren’t ones I really like, but I guess I ended up enjoying the last SP by the end of the season? And I understand

Favorite exhibition/show program: honestly, I haven’t seen her in juniors that much, so I don’t know :/ and wiki doesn’t help. I hope she gets a good one next season, please.

Favorite element/skill: she has a nice donut spin!

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