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Various Queer Things

@variousqueerthings / variousqueerthings.tumblr.com

various queer things
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reblogging again about Big Eden made me think about some of the native american/canadian queer cinema (Indigiqueer Cinema) I've enjoyed.

Found a handy dandy Letterboxd List called Queer Native Pride and Beyond that has a whole bunch of movies I haven't seen yet, and below some of the ones I've gotten to experience (three out of four are linked):

Big Eden: a story about a gay man who returns home, because his grandfather gets sick. A sweet, beautiful man (played by Eric Schweig) starts to secretly make him food to help out. it's an amazing slice-of-life/subtly utopian bit of film-making, in that nobody in the town is homophobic, but being gay/shame is still a big part of the exploration within it.

Wildhood: a movie I got to watch at a film festival (always good to go to your local queer film festivals, many surprises to be had) and it blew me away. a roadtrip movie about two brothers who escape their abusive father to reconnect with the elder's mother and Mi'kmaq heritage. letting go of the instilled shame of being indigenous goes hand in hand with letting go of the instilled shame of being queer

Fancy Dance: this movie isn't about being queer, it's about the ongoing murder of indigenous woman and girls, and it's also a beautiful road trip film between an aunt and her niece, the former of whom is sure her sister is dead but unwilling to face it and to destroy her niece's innocence. Lily Gladstone plays the lead, who's also a lesbian, which is just a choice that works really well for the movie even if it's not the focal point (available on Apple+ TV and however you access movies, but would recommend throwing this one some views if you have access to official streaming)

Honey Moccasin: a 1998 movie i watched at another film festival (this time online), it's anarchic, it's a comedy, it's a thriller, it's got musical beats, it weaves in the intricacies of exploring Native identity and Queer identity, it's a surreal story about a few things, one of which include focus on a "closeted drag queen." it's a movie that beats against conventional film-making to create something not beholden to tropes and clichés forced upon narratives about being Native

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great freedom 🤝 joyland

queer existence may be treated as unwanted and even criminal, but it’s potentially full of far more freedom and community and joy than can be found by clinging desperately to systems that make you force yourself into tinier versions of selfhood, just to maintain correct ways of being, and although there is likely punishment and loss and pain that these smaller people will dole out to force queerness out of existence, the fight is worth it, and the self is worth it, and the joy is worth it

some more movies I watched this year (so far) that had some things to say about queerness that made my head explode

the transexual menace (1996): rosa von praunheim just wandered around new york interviewing trans people in a way that is off the walls in terms of just how many voices are included in the piece. the community, the scale of it, it's like rapid fire "how many experiences can you include in this (yes)." if you want to be inundated with the feeling of "we have always been here and we've always been fucking cool." my favourite ongoing thread is the interviews of trans immigrants from several continents, but there's so much to take in in such a short runtime, I feel like it deserves 100 more watches

kokomo city (2023): d smith celebrating black trans sex workers in several cities in america, notably allowed the kind of freedom of expression that comes from being an intracommunity piece, rather than voyeuristic a la elements of paris is burning. I swear our greatest philosophers of the age are black trans sex workers, you do not hear these truths in mainstream LGBT politics and philosophy, and also it's so fucking funny. d smith herself was lamenting how often film doesn't show just how funny trans women can be, as a part of undermining the overall complexity of trans woman experiences

wildhood (2021): a story about a multi-ethnic kid who flees his abusive father and goes on a roadtrip to find his mother and reconnect with his native Mi'kmaw heritage, and on the way also allows himself to challenge the fraught masculinity he was raised on, via falling in love with an Anishinabeg boy *deep breath.* there's no way I can celebrate this harder than through the above description, it packs so much depth of suppressed identities into a simple story, I don't think its like exists honestly, and that's not even going into how compellingly acted the characters are

honey moccasin (1998): so at the beginning of the year there was a one month online festival celebrating native film and I went on a binge -- this movie I went into without knowing the plot and I kind of loved that experience, so I'm hesitant to say too much about plot (also because how to summarise a plot so cornucopian). in terms of feel though, this is something that offers a tantalising example of counter-image to dominant, hollywood-ised cinema, not quite "avant-garde" so much as simply wholly itself, a joyful ride through a place and time, incredibly funny, and with that complex gender-sexuality-ethnicity that isn't easy to sum up using white eurocentric terminology

glen or glenda (1953): I don't think it's quite possible to be able to fully comprehend how modern trans identities have been crafted without this film. at this point in time american psychiatrists were winning the fight to "own" the language of transness, putting us squarely (or so they thought) into the realm of pathologisation and medicalisation as a way of enforcing conformity. this film captures that zeitgeist, while also putting out impassioned pleas for tolerance, in language that is struggling against the small box that we can exist in, at times breaking out and giving us images that are intensely modern (or maybe reminiscent of pre-war ideas?) and at others functioning within those limitations. it's frustrating, it's illuminating, it's colonialist, it's an attempt at liberation, it's an indelible, visible stamp of history

lotus sports club: this one's a tad more personal to me, I've screened this movie, I've met one of the directors, I play football, getting to see trans people a continent away building spaces that I've found lacking in my own country (but crucially are being built at a community level now as well) squeezes at my heart so intensely, both times I've seen this film I've felt like I wasn't breathing. we're connected across space in a way that cannot be sufficiently described in a simple summary. also there's a fundraiser to support this team and the trans guys who've played on it so there's a tangible way to reach out to our siblings in Cambodia

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