philosophize in it! chemicalize with it!

idc if it's not a person. if your icon is a sunrise, you're a sunrise now.

poll about swapping with prev's icon here

Paul Atreides and Nausicaä of the Valley of the Wind.

Nausicaä, like many other sci-fi works was inspired by Dune. One example is the giant insects Ohmu getting their name from the Japanese pronunciation of worm (ウォーム) 🪱

Prints available ↓

Art Prints | Tip | Instagram

played sims 4 for the first time and one of the married cis men had a desire to try for baby with his cis husband. i accidentally pinned it and could not unpin it. trying for baby is physically impossible. I tried to use cheats to give him a viable womb in create a sim but it wouldn’t let me do so retroactively. so I thought, maybe if they adopt the want for pregnancy will go away, and had them adopt a toddler daughter. but then the try for baby desire did not go away. since they now had an unwanted adopted child I tried to remove the toddler from the household, thinking this would send her back into the ether. it did not. instead she wanders the neighborhood like a feral cat. i thought the social worker would come and take her back so someone else could adopt her, but I guess there is no social worker in sims 4. so now the neighborhood is haunted by a smelly miserable baby that has no home but cannot die and everyone who sees her is uncomfortable. fucking omelas scenario.

no one is feeding her but every time she gets hungry she simply produces a carton of milk out of the ether and drinks it

OP— do ctrl+shift+C and type “testingcheats true” and then “cas.fulleditmode” into the bar, then go into CAS and change one of the sims to be able to get pregnant. mpreg is possible ALWAYS

thanks. the womb installation worked.

I'm sorry, this was dune mpreg the whole time and you never thought to mention? Iconic.

it wasn’t relevant to my journey

Nope. Didn’t see that coming.

Always reblog.

i'm just curious bc i'm watching How to Train Your Dragon and i always forget how happy and calm it makes me feel. i mean, i did name my cat after Toothless the dragon. but i also love Lion King, that's my Disney comfort movie. and my Ghibli comfort movie is Spirited Away. watching any of these when i'm in a foul mood or my anxiety is high always helps 🥰 but i watch them just for fun too, not only when i'm in a mood. what about you?

i must not kill myself . killing myself is the myself killer

Dune Heritage Post

this is the plot of Dune

feel like people should see the death grip of the full image

Dune Heritage Post

Wormy Dune Tee by ashandmilk

Moebius

oh my word I had no idea moebius had dune illustrations

regarding Dune Part 2: i am obsessed with its consistent visual theme of self-destruction. the shot of paul surrounded by his new followers seems triumphant - until the viewer remembers that each crysknife is made from a tooth of shai-hulud, and paul is standing in a circle of them, in the allegorical mouth of the worm. he orders a missile strike, and the viewer sees them fly directly through his head. every victory for the prophecy is a blow to paul himself; he's killing himself with every step he takes towards his destiny, and we know that already, and the film is screaming it, but it's a hell of a thing to watch it happen, isn't it?..

Like matadors waving a red flag to draw the bull towards themselves ...

so within the universe of Dune, gender roles abide by a rigid false dichotomy created by the bene gesserit - men lead the noble houses, while the women may join their order, and the powers of both are kept intentionally separate. at the same time, the plot demonstrates repeatedly that the role of paul atreides as a character is that of the border between the concepts juxtaposed within dichotomies: he is both an outerworlder and fremen, both harkonnen and atreides, both a duke and a disciple of the bene gesserit.

as such, it follows that within the in-universe gender structure, he occupies the roles of both male and female, thus being functionally and societally nonbinary. in this essay, i will -

KEEP GOING

So Paul has that black cloak that he wears for the end of the movie, right? We all know the one.

The first time he has it on is after he wakes up from drinking the Water of Life, in the "we're Harkonnens" conversation with Jessica. He wears it for the rest of the movie.

I never particularly questioned how this cloak showed up on the scene cause like, we get it. It came from the Symbolism Closet. Black is associated with the Harkonnens, sure, but it's also the color of the Atreides formal dress Paul wears in Part One and the color the Bene Gesserit Reverend Mother wears. Black is the color of power.

But then I was looking at this production photo from the Part Two art book:

and now I'm obsessed with the idea of the cloak being one of the layers of Jessica's costume--either the dark layer that we can see under the white/gray and brownish fabric, or the layer under that.

Just imagine her wrapping him up in it at some point, as he's recovering from being mostly dead. It's motherly and intimate and it might seem like comfort. But also she's claiming him, because she won. Giving him one layer of the many many layers of fabric that she's wearing by the end, isolating her from everyone else. Literally putting the mantle of power on his shoulders and making it look like love.

peer reviewed tag @fuckyeahisawthat

Controversial opinion among Dune book fans maybe, but I loved the changes they made to Chani's character. Making her a fedaykin who is already an experienced fighter before Paul arrives was a brilliant choice. Dune Part Two is a war movie, and this puts her at the center of the action, side by side with Paul, and gives her a much more active role than she has in the book.

We got a hint of where things were going in the beginning of Dune Part One. The first thing we ever know about movie Chani is that she's a fighter. She serves as a voice for the Fremen, telling us the story of their struggle from her point of view. I wrote here about the difference this change makes compared to other adaptations of Dune, what a perspective shift it is to have the world of Arrakis introduced not by an outsider, describing it as a dangerous but valuable colonial prize, but by one of its native inhabitants, who tells us before all else that it's beautiful, her home that she's fighting to liberate. I am so, so glad that the second movie followed up on this characterization.

paul atreides and feyd-rautha harkonnen