“GREATER LOVE HATH NO X-MAN…”, by Dave Cockrum, with Letters by Annette Kawecki, Colors by Bonnie Wilford, and a Script by Chris Claremont.
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an X-Men HouseAd by Dave Cockrum.
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The original X-Men by Roger Cruz (2024) in an homage to the iconic promo poster for The Breakfast Club (1985)
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1978's X-Men Vol.1 #111's (LGY : Uncanny X-Men #111) last page by writer Chris Claremont, artist John Byrne, inker Terry Austin, colorist Mary Titus and letterer Tom Orzechowski (what a dream team, also joined by editor Roger Stern in the next issues).
“Earn It.”, by Barry Windsor-Smith & Chris Claremont, with Letters by Tom Orzechowski.
In my opinion, this is the definitive statement on Wolverine’s morality. Two words: “Earn It”. Be worthy of respect. Be better. Earn your place in life. Earn it.
If Spider-Man’s essential message is “with great power comes great responsibility”, than Wolverine’s message is simple, “don’t dwell on the fuckups. Just be better. Earn the life you want.”
Earn it.
“Mortal Coils”, by John Romita, Jr., with Inks by Dan Green, Letters by Chris Eliopoulos, Colors by Steve Buccellato, and a Script by Scott Lobdell.
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Summer fun with the X-Men by Kaare Andrews in an interconnecting series of variant covers from Unknown Comics that was also published as a Marvel Signature Print as a San Diego Comic-Con exclusive (2024)
Kaare Andrews is better at doing 90s X-Men than Jim Lee ever was.
His characters look unique. They don’t look like a guy copying every popular artist that came before him and then mashed together. Kaare’s work looks like he grew up loving this stuff, but has a unique take on them.
Why do I shit on Jim Lee? Because his work is dull. It sells unbelievably well, and his success is a high water mark for the industry. But his work looks like it belongs on a lunchbox, not telling a story.
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Spider-Man and the X-Men in a Marvel Press poster by John Byrne with inks by Terry Austin and colors by Glynis Oliver (1991)
“She sees the stars with eyes that are not her own.”, by Lee Weeks, with Inks by Bill Sienkiewicz, Letters by Chris Eliopoulos, Colors by Steve Buccellato, and a Script by Scott Lobdell.
Uncanny X-Men and the Teen Titans by Walt Simonson, with Inks by Terry Austin, and Colors by Glynis Wein.
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Fastball Special by Jim Lee with inks by Scott Williams (c. 2000)
Uncanny X-Men, Vol. 1 # 354 by Chris Bachalo and Steve Seagle, with Inks by Tim Townsend, Letters by Richard Starkings, and Colors by Steve Buccellato.
the Jean Grey cover was a 1 in 4 George Petty homage variant.
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Felipe Massafera was commissioned to recreate Dave Cockrum’s iconic opening splash page from the X-Men, Vol. 1 # 107, Pg. 01.
I found these images on this http://www.comicartfans.com page.
Brett Booth, after Dave Cockrum.
Paul Neary, inking Alan Davis.
RIP Paul Neary.
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Original Art - Uncanny X-Men #365 Pg 22 (1999) by Chris Bachalo And Tim Townsend
Rachel Grey by Chris Bachalo, with Inks by Tim Townsend, Colors by Marte Gracia, Letters by Joe Caramagna, and a Script by Chris Claremont.