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#evan shaner – @ungoliantschilde on Tumblr
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Ungoliantschilde

@ungoliantschilde / ungoliantschilde.tumblr.com

My name is John and I am into Comics, Movies, Artwork, Painting, Rock'n'Roll and Music in General and Pop-Culture in particular. I enjoy polite discussions and requests!
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Anonymous asked:

I think that as a comic book artist (so someone who pretty much definitely doesn’t draw “realistic” art), racial diversity, that isn’t based on awful stereotypes and whatnot, is the most difficult thing to draw right. How do you do it?

I disagree with the premise of the question a little bit, largely because I think the word “realistic” is rarely applied appropriately when it comes to comic book art. It often gets confused with hyper-realism or (in some cases) overwrought approaches. But that’s not what you’re asking about.

As with anything related to diversity -but particularly drawing- I think it’s about observation, a critical eye, and most of all respect. By which I mean–

Observation: Really taking a look at the people around you and around the world, and taking steps to make sure you’re always stepping outside of your own bubble, at the very least to see who’s out there. This also helps to inform what preconceived notions are stereotypes that should be disregarded.

Critical eye: Being able to articulate the form of certain features and how the pieces affect the whole, and being able to translate that to your drawings. Then being able to review what you’ve put down and ask yourself how effective and respectful you’ve been, leading to–

Respect: Understanding the larger context of the character, what you’re suggesting about that character visually, and whether that’s actively harmful. A lot of this has to do with our own biases, and being self aware enough to understand our thought process, examine it, and challenge it. It also means understanding that not every one from a certain race looks the same or shares the exact same eyes, nose, hair, etc. There’s a good chance you’re going to mess up at some point! The trick is always learning, experimenting, and being open to the notion that sometimes you’re just wrong and trying to do better.

I get EXCITED about this stuff, because I want comics to be more and more inclusive and broaden our audience, and reflect our real world where we can. And being informed only helps make your characters more convincing as living breathing people.

ALSO- I personally see this the most on twitter, but– I see a lot of artists from different backgrounds do simple guides about how to approach diverse features with respect and the knowledge to back it up. I wish I had an example to point to right now but I don’t. Just keep an eye out!

(I hope any of this made sense, I just had my morning coffee and am currently vibrating between the molecules of my chair. If it didn’t I’m always open to others’ opinions and thoughts)

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good answer dude. like, you windmill dunked this one.

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What kinda music do you listen to? (I am trying to figure out the range of categories to fit under the 'Doc Rock' musical genre, which I have named in your honor.)

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Ohhhh man, a little of everything. Not that this really means anything, but I was raised in a family where everyone was a musician or music educator, so I was exposed to all sorts of music and don’t turn away much.

So I guess ‘Doc Rock’ would be everything.

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Fair enough.

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I’ve seen these show up here and there on tumblr, sometimes incorrectly attributed, so I thought it might be a good idea to gather them here. Model sheets for all the major characters in Convergence: Shazam! #1. To my knowledge some of the villains haven’t been online yet.

DOC ROCKS.

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