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#brian michael bendis – @ungoliantschilde on Tumblr
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Ungoliantschilde

@ungoliantschilde / ungoliantschilde.tumblr.com

My name is John and I am into Comics, Movies, Artwork, Painting, Rock'n'Roll and Music in General and Pop-Culture in particular. I enjoy polite discussions and requests!
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House of M was penciled by Olivier Coipel, inked by Tim Townsend, colored Frank G. D'Armata, and written by Brian Michael Bendis.

*I got the poster with all of the signatures on it at Wizard World Philly in 2005. I got basically everyone at the show to sign the poster. I ended up having to wait until 2007 before I met Bendis to have him sign the poster, and I never managed to get Olivier to sign it, but I do not mind.

The poster is signed by Andy Kubert, Jim Steranko, J. Michael Straczynski, Joe Quesada, Paul Jenkins, Chris Claremont, David Finch, Jim Krueger, Sean Chen, Scott Hanna, Jim Starlin, Greg Horn, David Mack, Brian Michael Bendis, Nick Lowe, Axel Alonso, Walt Simonson, Louise Simonson, and two other people who’s names escape me at the moment.*

Looking back on it, House of M was a fantastically good idea that spawned more than a decade’s worth of storylines and fallout. Really, really great event book.

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Batman: Universe #5 - Part 5 (November 6, 2019)

Written by: Brian Michael Bendis Artist by: Nick Derington [pencils & inks]  Colorist by: Dave Stewart Lettered by: ALW’s Troy Peteri Edited by: Jamie S. Rich (editor) & Dave Wielgosz (assistant editor) Published by: DC Comics

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maxmarvel123

genius 👌

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Whenever I think of my all-time favorite comic writers, three names pop in my head:  Alan Moore, of course, and two lesser appreciated guys, Mark Gruenwald and John Ostrander.  

Who are your favorite comics writers?

Grant Morrison, Bendis, Matt Fraction, Alan Moore, Garth Ennis, Ed Brubaker, Chris Claremont, Larry Hama, Mark Waid, Kurt Busiek, Jason Aaron, Neil Gaiman, J. Michael Stracynzski, Roy Thomas, Jeph Loeb (only w/Tim Sale. Strictly!) Darwyn Cooke, Greg Rucka, Barry Windsor-Smith, Dan Slott, and more that I’m forgetting at the moment.

Of the above list, I will follow a select few to whatever book they write, regardless of my previous opinion of the character/book. Those select few are:

Bendis, Morrison, & Fraction.

Been more than 10 years since I answered this one. My answers were based on what I was reading at the time.

Bendis’ work on Ultimate Spider-Man and his Avengers run hold a very special place in my mind. Great at dialogue, great at pacing. And he’s fun at conventions. He’s an easy pick.

Morrison’s grand opus of DC Comics, that culminated in Final Crisis is one of the finest arcs I can think of. Morrison’s DC comics work alone is incredible. Add in NEW-X-MEN, and he’s this… guru.

Fraction’s Iron Fist and Hawkeye were stellar, but he actually got better once he started working on Sex Criminals with Zdarsky. Once Fraction wrote from his own heart, he got sooo much better. His Jimmy Olsen book is goddamn gold.

Alan Moore’s mainstream work has an undercurrent of cynicism and anger that turns me off. The whole deconstructionism period is kind of about breaking characters and explaining why they’re silly. And there’s an anger in that. A resentment towards the characters he grew up loving, and it’s coming through in his recent interviews where he casts further scorn on the genre and characters that he is most well known for writing. His best writing was on his own titles, especially the ABC Comics titles like Tom Strong and the League. “From Hell” is his masterpiece in my mind. Alan Moore is always gonna be the best writer in comics. But a lot of his work turns me off. I read Watchmen, V for Vendetta, and his compilation of DC stories. I own From Hell because of how good it is. That’s enough for me.

Neil Gaiman has become so much more prominent in the years since he was regularly writing comics. Those of us that read him from the beginning told ya so.

Kinda meh on JMS these days. And he’s a dick at conventions. Like he’s a bit miffed about signing comics. He’d rather you ask him about Babylon 5 or something.

Jeph Loeb and the late Tim Sale remains one of the greatest partnerships in the history of comics.

Darwyn Cooke is severely missed. Parker is sooo good.

Paul Dini should write more ongoing books, because he’s a got a very enjoyable voice for his characters. Watch Batman: the Animated Series again. The Paul Dini episodes are the gems.

Preacher got made into a show. The Boys is the best show on Amazon Prime. It’s a shame that no one figured out how to correctly adapt his Punisher run before Marvel sent Frank Castle out to pasture. Garth Ennis is goddamn brilliant. Especially his later work, focusing on Punisher and Nick Fury. Fucking amazing.

Busiek and Waid are still easy picks for a good read.

Roy Thomas wrote my favorite era of Marvel.

BWS is still a god.

Larry Hama is a longtime favorite.

Claremont needs to learn to shut up and let his artists tell the story.

Jason Aaron is like the marvel architect these days, and we’re lucky for it.

Hickman is a beast too, for that matter.

Brubaker wrote the best Captain America run I can think of.

Haters of Geoff Johns need to reread his Green Lantern run.

King’s Batman was flawless.

Mignola has quietly built one of the best universes in all of comics.

And, lastly, Mark Millar. His early 2000s stuff has aged weirdly. He’s still writing the same bombastic, fun comics though. And he’s still fun to read. And you can’t look at the box office and tell me his ideas don’t make money.

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Penciled by John Romita, Jr., with Inks by Klaus Janson, Colors by Dean White, Letters by Cory Petit, and a Script that was Written by Brian Michael Bendis and Edited by Tom Brevoort.

*this splash page was also used as a Variant Cover for the second printing!*

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I firmly believe that the best part of the Netflix marvel shows was Daredevil. Those 3 seasons are nearly perfect, and I’m really excited for the Disney+ “Born Again” series.

*Kinda Spoilers*

That being said… I do not understand why anyone has criticism of the Daredevil that showed up in the latest episode of She-Hulk. That was a deliriously fun, light episode, and we even had a good hallway fight scene. He moved like Daredevil, and it was fun. The show was a continuation of a lot of the comics. The Netflix show was like an adaptation of the Frank Miller/Brian Michael Bendis/Ed Brubaker stories. Dark, brooding, gritty, and brilliant.

The Spider-Man: No Way Home and now the She-Hulk version of Daredevil is kind of inline with what Mark Waid said before he started his absolutely fantastic run on Daredevil with Chris Samnee. Mark Waid said he felt like he needed a stiff drink after reading the dark, gritty Marvel Knights Daredevil. Bendis and Maleev won an Eisner for the Dark and Gritty Daredevil. It was good. And it was kind of its own thing, and the Netflix series really adapted it well.

Mark Waid intentionally wanted to make Daredevil more fun. And I think he won an Eisner too. Stop hating on the new direction that Marvel and Disney are taking the MCU Daredevil. It will be fun, and the Netflix series is still on Disney+ if you want to watch.

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Penciled by John Romita, Jr., with Inks by Klaus Janson, Colors by Dean White, Letters by Cory Petit, and a Script that was Written by Brian Michael Bendis and Edited by Tom Brevoort.

*this splash page was also used as a Variant Cover for the second printing!*

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New Avengers, Vol. 1 # 23 by Olivier Coipel and Brian Michael Bendis, with Inks by Mark Morales, Letters by Richard Starkings and Albert Duchesne (both from ComicCraft), and Colors by Jose Villarubia.

Personal note:

This issue was published 2 or 3 weeks before either the New York Comic Con, or Wizard World Philadelphia. I forget which, because I went to both that year. Come to think of it, I’m pretty sure it was Philly. Anyways. The sketch cover was 1 in 40 for retailers. I paid $50.00 for my copy of the sketch cover at my LCS. A couple weeks later, at (I think) Wizard World Philly, the Marvel Booth was giving away copies of the sketch cover to convention goers. It was not labeled as a WWPA Exclusive. It was exactly the same as the 1 in 40 retailer incentive. I remember being rather aggravated at the time about the situation, and I seem to remember bitching to a then-unknown editor named Axel Alonso about the whole thing.

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