some original Sin City artwork by Frank Miller.
Classic Star Wars, Vol. 1 # 08, by Mark Schultz.
Terror of Godzilla, Vol. 1 # 3 by Arthur Adams
My idea was to have the image feature two characters, Zealot from the WildC.A.T.s and, from the Dark Horse side, an Alien. It would be dramatic and, more importantly, save time–a full team shot would take longer to draw. I told him I wanted the two characters prominently displayed; on one side would be the Alien, looming large behind Zealot, who has her sword drawn up. I asked Gil to make her expression defiant, not fearful. To establish the location, on the Stormwatch satellite, I asked that he put a porthole somewhere with the Earth visible through it. I had already sent Gil all the reference for the WildC.A.T.s and Stormwatch characters and he said he didn’t need any for the Aliens. He told me he could turn the piece around by the next day and, since time was a major issue, would Fed-ex it directly to Kevin and fax it to me. In the end Gil didn’t send the fax, that old Fed-Ex deadline was too tight for him to make a copy.
The next day I called Kevin to ask him if the piece had arrived. He said it did and that it was beautiful…but he told me I should take a look at it. I hurried to the front reception area and his fax was waiting for me. Just as Kevin said, it was beautiful. Gil, pro that he was, had kept exactly to the layout we discussed; there was Zealot, defiant and slightly turning, a window with the earth visible, and a beautiful Alien towering over her. The only real drawback was that Gil apparently had never heard of the Aliens franchise.
I called up Kevin in a panic and said “What are we gonna do?” to which my old pal replied “Whattaya mean WE, white man?” I told him we had a serious deadline, that I needed him to fix the alien so we could get it to Wizard for our ad. Kevin responded with a groan saying he didn’t want to, that it was too much work. I then said the magic words “I’ll pay you double rate” to which he cheerfully told me he would be happy to oblige.
In the end we made the Wizard deadline by the skin of our teeth, and I got to work with a true legend in comics. It may not have been the whole book but at least I can say Gil Kane did a cover for me. Or, anyway, half of one.
more Frank Miller artwork, with some pieces inked by Joe Rubinstein and Klaus Janson.
some more Sin City artwork by Frank Miller.
Dark Horse Presents, Vol. 1 # 59 by Frank Miller.
"--NO! McCARTHY, YOU SHIT!", by Frank Miller.
Star Wars Tales #1 Extinction
by Ron Marz; Claudio Castellini; Guy Major and Michael Taylor
Dark Horse
More Darth Vader by Claudio Castellini (including the original art for that splash!)
Claudio’s pace is… glacial. That’s why doesn’t do interiors very often.
“Hellboy in the Poison Garden”, by P. Craig Russell.
Hard Boiled #3
by Frank Miller (W.); Geof Darrow (P/I); Claude Legris (C.) and John Workman (L.)
Dark Horse
Duncan Fegredo: Hellboy
Hellboy
Art by Bill Sienkiewicz
a Xenomorph Queen that Dave Dorman sketched at a convention for a very lucky fan.
NEIL GAIMAN'S CHIVALRY WINS THE EISNER AWARD
Very happy to announce that NEIL GAIMAN'S CHIVALRY won the Eisner Award for Best Adaptation from Another Medium at last night's ceremony at San Diego Comic Con. Presenter was Batman producer Michael Uslan.
We're incredibly grateful and pleased, and no one is more surprised than I am.
This book is for all ages, it is gentle, it is a fairy story, it is about an old lady and a knight in shining armor, and the kind of King Arthur who lives in my dreams and not in blockbuster movies, and I am so grateful it has been so well-received.
I waited decades for this.
I cannot thank you all enough.
Neil Gaiman's Chivalry is based on an original short story by Neil Gaiman. Adapted and illustrated by me. Lettering by Todd Klein and me. Published by Dark Horse Comics. Editor Daniel Chabon.
Photo courtesy Bob Clampett Humanitarian Award winner Scott Dunbier.
Hard Boiled
by Frank Miller (W) and Geof Darrow (A)