Daredevil by John Romita, Jr., with Inks by Al Williamson, Letters by Jack Morelli, Colors by Christie Scheele, and a Script by Ann Nocenti.
ungoliantschilde reblogged
Daredevil, Vol. 1 # 281 Page 11 by John Romita, Jr., with Inks by Al Williamson, Letters by Jack Morelli, Colors by Christie “Max” Scheele, and a Script by Ann Nocenti that was Edited by Ralph Macchio.
“Updated Colors” from the digital edition.
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a gorgeous Daredevil DPS by John Romita, Jr., with Inks by Al Williamson, Letters by Joe Rosen, Colors by Christie “Max” Scheele, and a Script by Ann Nocenti.
To appreciate John Romita, Jr., consider the proportions. The height of the figures. The relation to the height of the windows and the plants. The fore, middle, and background. All of it looks “right”. It looks exactly like it should look. Things are exaggerated, but not to the point of making it look wrong. Read “How to Draw Comics the Marvel Way” and then look at this splash. It’s perfect.
To appreciate Al Williamson: look at the details. The variations in the thickness of the black lines. The details in how the plant leaves look. The way the hatching is used. Vertical, horizontal, and cross to show depth in the buildings. Look at her legs, the fishnet stockings that look so perfectly not quite perfect.
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Daredevil, Vol. 1 # 295 Pages 02-03 by Lee Weeks, with Inks by Al Williamson, Colors by Christie ‘Max’ Scheele, Letters by Jack Morelli, and a Script by Dan G. Chichester.
Galactus: the Devourer, Vol. 1 # 2 by John Buscema, with Inks by Bill Sienkiewicz, Colors by Christie Scheele, Letters by Richard Starkings, and a Script by Louise Simonson.
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New Mutants Special
by Chris Claremont; Arthur Adams; Terry Austin; Christie Scheele and Lois Buhalis/Tom Orzechowski
Marvel
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the Uncanny X-Men, Vol. 1 # 186 Page 01, illustrated by Barry Windsor-Smith, with Inks by Terry Austin, Colors by Glynis Wein and Christie Scheele, Letters by Tom Orzechowski, a Script by Chris Claremont, and Ann Nocenti was their Editor.
arguably one of the most objectively beautiful pages ever published in a comic book.
I found the inks in the Essential X-Men reprint of this issue. My guess is that the original Inks will never show up for sale - they’re in Terry Austin or Chris Claremont’s personal private collections, if I had to guess. The pencils were published in Barry’s first Opus book. The colors are attributed to both Glynis Wein and Christie Scheele.
Everyone involved KNOWS how good this book is, and they want to make sure their credit is properly attributed.
Moon Knight, Vol. 1 # 27 by Frank Miller, with Inks by Terry Austin, and Colors by Christie Scheele.
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Gene Day - Master of Kung Fu #116, pp. 2-3 (Marvel, 1982)
…with Letters by Janice Chiang, Colors by Christie Scheele, and a Script by Doug Moench.
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Thor #380
by Walter Simonson; Sal Buscema;Christie Scheele and John Workman
Marvel
a Daredevil Page by Scott McDaniel, with Inks by Hector Collazo, Letters by Bill Oakley, Colors by Christie "Max" Scheele, and a Script by D.G. Chichester.
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the Devil of Hell’s Kitchen by John Romita, Jr., with Inks by Al Williamson, Colors by Christie “Max” Scheele and Gregory Wright, Letters by Joe Rosen, and Scripts by Frank Miller and Ann Nocenti.
Thor, Vol. 1 # 353 Page 24 by Walt Simonson, with Lettering by John Workman, and Colors by Christie Scheele.
a Splash from Secret Wars # 12 by Mike Zeck, with Inks by Arthur Adams and Mike Mignola, Letters by Joe Rosen, Colors by Christie Scheele, and a Script by Jim Shooter.
Mike Zeck needed help getting this book finished, so later issues of this series featured multiple inkers, but John Beatty is the only one that got officially credited. Mignola's heavy black inks have stood the test of time, whereas Art Adam's felt pen work has faded.
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the Infinity Gauntlet, Vol. 1 # 1 Page 11, by George Perez, with Inks by either Joe Rubinstein or Tom Christopher (they both inked this issue, hard to say who did what page), Letters by Jack Morelli, Colors by Christie “Max” Scheele and Ian Laughlin (again, both worked on the issue), and a Script by Jim Starlin.
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Moon Knight: Special Edition, Vol. 1 # 01 had a portfolio of PinUps at the back that were illustrated by Bill Sienkiewicz, with colors by Christie Scheele.
the first Black Costume Spider-Man, by Mike Zeck, with Inks by John Beatty, Jack Abel, and Mike Esposito, Letters by Joe Rosen, Colors by Christie Scheele, and a Script by Jim Shooter.