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Sal Buscema and John Romita “The Fifth and Final Sleeper” Captain America #148 splash page (1972) Source
Letters by Artie Simek, Script by Gary Friedrich, and Edited by Stan Lee.
Cover pencils and inks by John Romita, Sr.
Captain America, Vol. 1 # 109 Cover and Page 05, by Jack Kirby, with Inks by Syd Shores, Letters by Artie Simek, and a Script by Stan Lee.
Captain America, Vol. 1 # 109 Page 08 by Jack Kirby, with Inks by Syd Shores, Letters by Artie Simek, and a Script by Stan Lee.
“Unmasked by Dr. Octopus!”, by Steve Ditko, with Letters by Artie Simek, and a Script by Stan Lee.
“Up Against the Wall!”, by Gene Colan, with Inks by Dick Ayers, Letters by Artie Simek, and a Script by Stan Lee.
"It is the trumpet of Gabriel - - for such is my name!" by John Buscema, with Inks by Joe Sinnott, Letters by Artie Simek, and a Script by Stan Lee.
2 Splashes from the first full appearance of Red Sonja
Conan the Barbarian, Vol. 1 # 24, “the Song of Red Sonja”, Page 01 and Page 18, was plotted and illustrated by Barry Windsor-Smith, with Lettering by Artie Simek, and Script written by Roy Thomas.
Where’d Red Sonja find hot pants in the early iron age?
…she borrowed them from yo momma!
To be an annoying pedant: Hyborian age prrdates iron age by about 8000 years while having medieval technology and the original Red Sonja is from 16th century.
So, unless you have an amazing story about it , it does not matter who fuels Batman’s car or where Red Sonja gets her yoga pants.
The thing is, I DO have an amazing story about her Yoga Pants:
SHE BORROWED THEM FROM ROBBIBLACK’S MOM
It should also be noted that:
Yes, ROBBIBLACK’S momma is older than “8,000 years predating the Iron Age”
AND
ROBBIBLACK’S momma was still rocking hot pants in the 16th century.
And you know what? Honestly, good for her.
2 Splashes from the first full appearance of Red Sonja
Conan the Barbarian, Vol. 1 # 24, “the Song of Red Sonja”, Page 01 and Page 18, was plotted and illustrated by Barry Windsor-Smith, with Lettering by Artie Simek, and Script written by Roy Thomas.
the Sub-Mariner, Vol. 1 # 20 Page 01, Illustrated by John Buscema, with Inks by Johnny Craig, Letters by Artie Simek, and a Script by Roy Thomas that was edited by Stan Lee.
Barry Windsor-Smith ~ the Avengers # 66, Pg. 17 (Art Process).
He was still in the mold of his earlier, blocky character work that is somewhat reminiscent of the Kirby design models, albeit tempered with a lot of art nouveau background work. Barry was like, 19 or 20 when this was published. 19 or 20 and filling in for John Buscema.
On top of being a stellar example of early BWS artwork, this issue is the first time Adamantium was mentioned or appeared in comics.
“‘Tis Madness! MADNESS!”, by Barry Windsor-Smith, with Inks by Bill Everett, Letters by Artie Simek, and a Script by Gerry Conway.
“‘Ware the Winds of Death!”, by Barry Windsor-Smith, with Inks by Bill Everett, Letters by Artie Simek, and a Script by Gerry Conway.
Fantastic Four, Vol. 1 # 59 by Jack Kirby, with Inks by Joe Sinnott, Letters by Artie Simek, and a Script by Stan Lee.
From Daredevil, Vol. 1 # 07, by Wally Wood and Stan Lee, with Letters by Artie Simek.
No dice on the original artwork yet, but here’s a scan from the original book, without the new shitty coloring:
The Avengers #49 by Roy Thomas, John Buscema and Artie Simek
Marvel
Amazing Spider-Man, Vol. 1 # 37 Page 01 by Steve Ditko, with Letters by Artie Simek, and a Script by Stan Lee.
Astonishing Tales, Vol. 1 # 01 Page 01 by Wally Wood, with Letters by Artie Simek, and a Script by Roy Thomas that was Edited by Stan Lee.
