Diana Vreeland: A Sacred Monster
"She was never a very rich woman, she was never a very beautiful woman and yet she created beauty and she created wealth," an observer notes of Diana Vreeland, the legendary Harper's Bazaar and Vogue editor whose story is told in new feature documentary Diana Vreeland: the Eye Has to Travel.
Vreeland (1903-1989) was one of the sacred monsters of the fashion world: a magazine editor who used to browbeat her photographers and models; who never deferred to her publishers or advertisers and who approached each new issue of her magazines with a messianic zeal.
Don't suggest to Lisa Immordino Vreeland (the director of the new film) that her grandmother-in-law's chosen world was superficial. Immordino Vreeland contends that "Mrs Vreeland" (as she respectfully calls her) was a fashion revolutionary: a career woman who changed the way women dressed while also transforming the world of magazine publishing. According to the director, Vreeland also created the modern-day fashion editor. Before she arrived, fashion was the domain of "society ladies" who would offer advice on how women could please their husbands or cook a nice pie.