Sasha Luss by Marcus Ohlsson for Vogue Japan November 2015, ‘Eyes on the Edge’
Sasha Luss by Maciek Kobielski for WSJ Magazine July 2015, ‘A New Look at the Old World’
unculturedmag reblogged
Sasha Luss & Daria Strokous by Pierre Debusschere for V #94 Spring 2015
Pirelli Calendar 2015 Behind the Scenes and Interviews
Models.com give us a behind-the-scenes look at the calendar shoot as well as short interview clips of the likes of Carine Roitfeld. The video also gives a peek at never-before-seen footage and images of some other models, like Natalia Vodianova, Raquel Zimmermann, and Carolyn Murphy.
Source: selectism.com
Pirelli's 2015 Calendar Unveiled
Published for the first time in 1964, the 42nd edition of the Pirelli Calendar was unveiled today in Milan under the simple title of Calendar Girls 2015. Photographed for the first time by fashion photographer Steven Meisel and styled, also for the first time, by Carine Roitfeld, both immediately admit that no stylist or photographer in the world would not be honored to make this Calendar. “We started with an idea of a Calendar that would convey the idea of the months, just as classic calendars normally do,” Carine says. “Then, we decided to abandon the idea of the seasons and ended up taking the photos for the pleasure of taking them.” Twelve iconic portraits of 12 inspiring women were taken, with the use of latex as a recurring element from January to December.
Source: crfashionbook.com
Cara Delevingne, Sasha Luss, Natalie Westling, Hollie-May Saker, Binx Walton, Esmeralda Seay-Reynolds & Amanda Wellsh by John Akehurst for Garage Magazine Fall/Winter 2014-2015
Sasha Luss by Patrick Demarchelier for Vogue Russia January 2014
Sasha Luss by Luigi & Daniele + Iango for Exhibition Magazine 2014
Helmut Lang Fall 2014 RTW
One key to the show's success was its lightness. All the layers could've weighed things down, but even a funnel-neck, cocoon-shaped shearling jacket looked lofty, as if it had been injected with air. The Colovoses kept that theme going, cutting tunic dresses and the stovepipe pants they were worn with in graphic photoprints of the surface of Mars. Tailored separates in complementary solids—camel with red, or white with black—rounded out the collection.