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Damian: posts feature the pen and the pixel

@ukdamo / ukdamo.tumblr.com

Gay guy in England's north west. Retired Forensic Learning Disability nurse. Travel: Photography: Music: Literature
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Wanting a Child

Jay Deshpande

Here in California, we can drive through any landscape, field, flower, forest, all in reach,

at sunset, affording not to notice the exhaust left in our stead. A daytrip takes us to the edge

of the continent, leaning out over some precipice, looking back. We are home by dinner, the house

soft colour, where our bodies move through dark’s thin language and something calls, urgently, from after.

Some days I don’t know if it’s fair of me, built as I am, a man, unable to carry every inch of an idea

into the future. In Gubbio, each spring brings the same pageant. Up hills of the medieval town,

up streets obscured by screaming crowds, three teams of men in bright blouses tumble upward with their tribute.

Up switchbacks, up stone roads smoothed by centuries’ tradition. In the middle of May they come this way, to carry

the wooden paraphrase of candles on their sweating, rainbowed shoulders. Each four meters tall, an emblem

of a patron saint. The same one wins each year. All Umbria comes to watch this alias of a race.

But the exertions are real: the men intent, although they know what little their ardour comes to. They pass

the title on through blood. Each time, the cheers subside when they touch the basilica. They set

the good things down. What honour it must be to carry something so beyond you up into

the sky, up toward the face of god. What work your faith must take. What flagrancy.

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Confession

Leila Chatti

Oh, I wish I had died before this and was in oblivion, forgotten.         - Mary giving birth, The Holy Qur'an

Truth be told, I like Mary a little better when I imagine her like this, crouched and cursing, a boy-God pushing on her cervix (I like remembering she had a cervix, her body ordinary and so like mine), girl-sweat lacing rivulets like veins in the sand, her small hands on her knees not doves but hands, gripping, a palm pressed to her spine, fronds whispering like voyeurs overhead— (oh Mary, like a God, I too take pleasure in knowing you were not all holy, that ache could undo you like a knot)—and, suffering, I admire this girl who cared for a moment not about God or His plans but her own distinct life, this fiercer Mary who'd disappear if it saved her, who'd howl to Hell with salvation if it meant this pain, the blessed adolescent who squatted indignant in a desert, bearing His child like a secret she never wanted to hear.

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Helen of Troy Does Countertop Dancing

Margaret Atwood

The world is full of women who'd tell me I should be ashamed of myself if they had the chance. Quit dancing. Get some self-respect and a day job. Right. And minimum wage, and varicose veins, just standing in one place for eight hours behind a glass counter bundled up to the neck, instead of naked as a meat sandwich. Selling gloves, or something. Instead of what I do sell. You have to have talent to peddle a thing so nebulous and without material form. Exploited, they'd say. Yes, any way you cut it, but I've a choice of how, and I'll take the money.

I do give value. Like preachers, I sell vision, like perfume ads, desire or its facsimile. Like jokes or war, it's all in the timing. I sell men back their worse suspicions: that everything's for sale, and piecemeal. They gaze at me and see a chain-saw murder just before it happens, when thigh, ass, inkblot, crevice, tit, and nipple are still connected. Such hatred leaps in them, my beery worshippers! That, or a bleary hopeless love. Seeing the rows of heads and upturned eyes, imploring but ready to snap at my ankles, I understand floods and earthquakes, and the urge to step on ants. I keep the beat, and dance for them because they can't. The music smells like foxes, crisp as heated metal searing the nostrils or humid as August, hazy and languorous as a looted city the day after, when all the rape's been done already, and the killing, and the survivors wander around looking for garbage to eat, and there's only a bleak exhaustion. Speaking of which, it's the smiling tires me out the most. This, and the pretence that I can't hear them. And I can't, because I'm after all a foreigner to them. The speech here is all warty gutturals, obvious as a slab of ham, but I come from the province of the gods where meanings are lilting and oblique. I don't let on to everyone, but lean close, and I'll whisper: My mother was raped by a holy swan. You believe that? You can take me out to dinner. That's what we tell all the husbands. There sure are a lot of dangerous birds around.

Not that anyone here but you would understand. The rest of them would like to watch me and feel nothing. Reduce me to components as in a clock factory or abattoir. Crush out the mystery. Wall me up alive in my own body. They'd like to see through me, but nothing is more opaque than absolute transparency. Look--my feet don't hit the marble! Like breath or a balloon, I'm rising, I hover six inches in the air in my blazing swan-egg of light. You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.

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Drift

Alicia Mountain

The gold March dawn and below my window  a man carves his car from the snow heap ploughed up around it. So easy not to envy the cold muscled task

but then imagine— feeling your heartbeat alive like a chipmunk at work in your chest, imagine the whole day arm-sore and good with accomplishment,

the day you begin with heavy breath and see it linger outside your body like a negative of the dark air cavity in you like the spirit in you like the ghost.

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Cana

Thomas Merton

Once when our eyes were clean as noon, our rooms Filled with the joys of Cana’s feast; For Jesus came, and His disciples, and His Mother, And after them the singers And some men with violins.

Once when our minds were Galilees, And clean as skies our faces, Our simple rooms were charmed with sun.

Our thoughts went in and out in whiter coats than God’s disciples’, In Cana’s crowded rooms, at Cana’s tables.

Nor did we seem to fear the wine would fail: For ready, in a row, to fill with water and a miracle, We saw our earthen vessels, waiting empty. What wine those humble waterjars foretell!

Wine for the ones who, bended to the dirty earth, Have feared, since lovely Eden, the sun’s fire, Yet hardly mumble, in their dusty mouths, one prayer.

Wine for old Adam, digging in the briars!

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By the Danube

Attila Jozsef

As I sat on the bottom step of the wharf, A melon-rind flowed by with the current; Wrapped in my fate I hardly heard the chatter Of the surface, while the deep was silent. As if my own heart had opened its gate: The Danube was turbulent, wise and great.

Like a man’s muscles when hard at his toil, Hammering, digging, leaning on the spade, So bulged and relaxed and contracted again Each single movement, each and every wave. It rocked me like my mother for a time And washed and washed the city’s filth and grime.

And the rain began to fall but then it stopped Just as if it couldn’t have mattered less, And like one watching the long rain from a cave, I gazed away into the nothingness. Like grey, endless rain from the skies overcast, So fell drably all that was bright: the past.

But the Danube flowed on. And the sprightly waves In playful gaiety laughed at me again, Like a child on his prolific mother’s knee, While other thoughts were racing through her brain. They trembled in Time’s flow and in its wake, Like in a graveyard tottering tomb-stones shake.

I am he who for a hundred thousand year Has gazed on what he now sees the first time. One brief moment and, fulfilled, all time appears In a hundred thousand forbears’ eyes and mine.

I see what they could not for their daily toil, Killing, kissing as duty dictated, And they, who have descended into matter, See what I do not, if truth be stated.

We know of each other like sorrow and joy, Theirs is the present and mine is the past; We write a poem, they’re holding my pencil And I feel them and recall them at last.

My mother was Cumanian, my father Half-Szekler, half-Rumanian or whole. From my mother’s lips sweet was every morsel, And from my father’s lips the truth was gold. When I stir, they are embracing each other; It makes me sad. This is mortality. This, too, I am made of. And I hear their words: “Just wait till we are gone…” they speak to me.

So their words speak to me for now they am I, Despite my weaknesses this makes me strong. For I am more than most, back to the first cell To every ancestor I still belong. I am the Forbear who split and multiplied, Shaped my father and mother into whole, My father and mother then in turn divide And so I have become one single soul.

I am the world, all that is past exists: Men are fighting men with renewed anguish. Dead conquerors ride to victory with me And I feel the torment of the vanquished. Arpad and Zalan, Werbaczy and Dazsa, Turks, and Tartars, Slovaks, Rumanians Fill my heart which owes this past a calm future As our great debt, today’s Hungarians.

I want to work. For it is battle enough Having a past such as this to confess. In the Danube’s waves past, present and future Are all-embracing in a soft caress. The great battle which our ancestors once fought Resolves into peace through the memories, And to settle at last our communal affairs Remains our task and none too small it is.

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North to Duluth

Michael Pruchnicki

Lakeboat crews anticipate winter lay-up.

Our last trip north from the mills

begins early with gusty winds - large cup

of strong black coffee wards off the chill.

Guys congregate on the forward deck.

They talk of shore leave and Xmas cheer

with wife and kids, Xmas tree & final payday -

cash in the pocket for new TV & cold beer.

'Hey, Gus! See you next Spring? '

'Not me you won't, Mate! '

Twenty-seven years sailing

and all I got to show for it

is coal smoke in my lungs

and a bad back!

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Say Not the Struggle Naught Availeth

Arthur Hugh Clough - clearly an optimist. May it be so for us. 

Say not the struggle naught availeth,  The labour and the wounds are vain, The enemy faints not, nor faileth,  And as things have been they remain.

If hopes were dupes, fears may be liars;  It may be, in yon smoke conceal'd, Your comrades chase e'en now the fliers,  And, but for you, possess the field.

For while the tired waves, vainly breaking,  Seem here no painful inch to gain, Far back, through creeks and inlets making,  Comes silent, flooding in, the main.

And not by eastern windows only,  When daylight comes, comes in the light; In front the sun climbs slow, how slowly!   But westward, look, the land is bright!

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