One Summer in Majorca
Geoff Page
Someone swaps you onto "Hold" and hits you with the Chopin, the C Sharp Minor Waltz, I think,
and brings you close to tears. The first phrase throws the image up of Chopin and George Sand
on a balcony with palms alone together in Majorca and staring at the sea.
"At night, guitars," he writes a first, "and songs for hours on end."
The future hangs there in the notes, the rushing forward on the beat, the slipping back like surf.
The intervals suffused with light are thinned out on the phone as if the sound of their creation
beside that balcony with palms had never quite decayed away but still arrives
through time and space… though cracking at the edges. The truth, researched,
is less poetic. George Sand has her kids on hand, Maurice and Solange.
The locals think the lovers godless and charge them double price. TB gets them chased from town.
And houses prove a hassle too: the first translates as "House of Winds", the second one has mouldy walls,
this charterhouse abandoned in the hills. It's not the summer of romance but winter all the way.
"I can only go on coughing, and waiting for the spring.' The place they rent at Valldemosa
is threatening collapse around them; the rooms fill up with smoke. And yet George writes her novel here
and he resolves while spitting blood his first two dozen preludes.
It's still there with the phone on "Hold" and just the seasons changed: Chopin and
George Sand together arm in arm in evening light one summer in Majorca.