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#barcelona – @ukdamo on Tumblr
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Damian: posts feature the pen and the pixel

@ukdamo / ukdamo.tumblr.com

Gay guy in England's north west. Retired Forensic Learning Disability nurse. Travel: Photography: Music: Literature
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Dead Poets

Ummily

On my pillow in broken English And black ink. A Fitzgerald quote dances in the breeze of the half-cracked window. The clothes outside dangle Hot and crisp from the City’s sun.

This city has its own sun That beats down hard Against the pavement. Hearts beating hard against the pavement Of our souls and ribs.

If Fitzgerald was right Then “they slipped briskly into an intimacy from which they never recovered.” Slipped                    and  

                 ­                                             fell.

Scars stain our hearts And knees burn Like the sun beats down On the pavement Of our memories.

But then again, Perhaps it was Keats that had it right-

BOLD lover- “Heard melodies are sweet But those unheard are sweeter.” Like you in my sweater.

Ode in a Spanish email Plays on repeat, Trapped in my head. It’s that song that keeps be writing About you In this little book Trapped in this little book Like the etchings Keats admired Trapped in the moment before Their first kiss. Forever trapped, Lingering in their longing.

I’ll lick the wounds Of paper cuts From quickly turned pages The sour blood of this longing Tormented by time “Heard melodies are sweet But those unheard are sweeter” Like a nagging child Taunting- Thumbs in ears, Tongue out.

I wish my skin was sewn together With the threads of that sweater So you could wear me Again and again.

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The Barcelona Inside Me

Robin Becker

Give me, again, the fairy tale grotto with the portico-vaulting overhead. Let me walk beneath the canted columns of Gaudí’s rookery, spiral along his crenelated Jerusalem of broken tiles, crazy shields. Yes, it’s hot as hell and full of tourists at the double helix, but the anarchists now occupy the Food Court, and the arcadian dream for the working class includes this shady colonnade cut into the mountainside. I’ve postponed my allegiance to the tiny house movement, to the 450 square feet of simple, American maple infrastructure and the roomy mind suspended like a hammock between joists. Serpents and castle keeps shimmer, and a mosaic invitation to the Confectionery gets me a free café con leche on the La Rambla,

where honeycombed apartments bend on chiselled stone and host floating, wrought-iron balconies. I think I’ll move into Gaudí’s dream of recycled mesh, walk barefoot on his flagstone tiles inscribed with seaweed and sacred graffiti from pagan tombs. O, Barcelona of chamfered corners! And chimneys of cowled warriors! From Gaudí’s Book of Revelations, I invite the goblet and the stone Mobius strip to a tapas of grilled prawns and squid. Gaudí’s book of Revelations.

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Dead Poets

ummily  - she says it’s a work in progress. But she turned it out in the world anyway. 

On my pillow in broken English And black ink. A Fitzgerald quote dances in the breeze of the half-cracked window. The clothes outside dangle Hot and crisp from the City’s sun.

This city has its own sun That beats down hard Against the pavement. Hearts beating hard against the pavement Of our souls and ribs.

If Fitzgerald was right Then “they slipped briskly into an intimacy from which they never recovered.” Slipped                    and  

                ­                                             fell.

Scars stain our hearts And knees burn Like the sun beats down On the pavement Of our memories.

But then again, Perhaps it was Keats that had it right -

BOLD lover- “Heard melodies are sweet But those unheard are sweeter.” Like you in my sweater.

Ode in a Spanish email Plays on repeat, Trapped in my head. It’s that song that keeps be writing About you In this little book Trapped in this little book Like the etchings Keats admired Trapped in the moment before Their first kiss. Forever trapped, Lingering in their longing.

I’ll lick the wounds From quickly turned pages The sour blood of this longing Tormented by time “Heard melodies are sweet But those unheard are sweeter” Like a nagging child Taunting - Thumbs in ears, Tongue out.

I wish my skin was sewn together With the threads of that sweater So you could wear me Again and again.

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Today’s photo with the most hits: taken in the Museu Nacional d'Art de Catalunya, Barcelona. A photo by Joan Colom, taken in 1961. The exhibition boasted several shots of this character: all uncompromisingly expressive. Colom became celebrated for his images of the city’s working class neighbourhoods, especially Raval.

“I didn't know I was doing social photography at that time. I just took photographs and went after pictures I found exciting. I’ve sometimes used the term to describe my work, but to me it just means I don’t do landscapes or still lifes. I work the street. I try, through my photographs, to be a kind of notary of an age”.

This lad is definitely on my team. 

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The Barcelona Inside Me

Robin Becker’s fabulously evocative piece on the Catalan city 

Give me, again, the fairy tale grotto with the portico-vaulting overhead. Let me walk beneath the canted columns of Gaudí’s rookery, spiral along his crenelated Jerusalem of broken tiles, crazy shields. Yes, it’s hot as hell and full of tourists at the double helix, but the anarchists now occupy the Food Court, and the arcadian dream for the working class includes this shady colonnade cut into the mountainside. I’ve postponed my allegiance to the tiny house movement, to the 450 square feet of simple, American maple infrastructure and the roomy mind suspended like a hammock between joists. Serpents and castle keeps shimmer, and a mosaic invitation to the Confectionery gets me a free café con leche on the La Rambla,

where honeycombed apartments bend on chiseled stone and host floating, wrought-iron balconies. I think I’ll move into Gaudí’s dream of recycled mesh, walk barefoot on his flagstone tiles inscribed with seaweed and sacred graffiti from pagan tombs. O, Barcelona of chamfered corners! And chimneys of cowled warriors! From Gaudí’s Book of Revelations, I invite the goblet and the stone Mobius strip to a tapas of grilled prawns and squid. Gaudí’s book of Revelations.

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