Today’s poem, by Rainer Maria Rilke.

The Panther

Rainer Maria Rilke

His vision, from the constantly passing bars, has grown so weary that it cannot hold anything else. It seems to him there are a thousand bars; and behind the bars, no world.

As he paces in cramped circles, over and over, the movement of his powerful soft strides is like a ritual dance around a centre in which a mighty will stands paralyzed.

Only at times, the curtain of the pupils lifts, quietly--. An image enters in, rushes down through the tensed, arrested muscles, plunges into the heart and is gone.

Orpheus. Eurydice. Hermes.

Rainer Maria Rilke (translation, Stephen Mitchell)

That was the deep uncanny mine of souls.

Like veins of silver ore, they silently

moved through its massive darkness. Blood welled up

among the roots, on its way to the world of men,

and in the dark it looked as hard as stone.

Nothing else was red.

There were cliffs there,

and forests made of mist. There were bridges

spanning the void, and that great grey blind lake

which hung above its distant bottom

like the sky on a rainy day above a landscape.

And through the gentle, unresisting meadows

one pale path unrolled like a strip of cotton.

Down this path they were coming.

In front, the slender man in the blue cloak —

mute, impatient, looking straight ahead.

In large, greedy, unchewed bites his walk

devoured the path; his hands hung at his sides,

tight and heavy, out of the failing folds,

no longer conscious of the delicate lyre

which had grown into his left arm, like a slip

of roses grafted onto an olive tree.

His senses felt as though they were split in two:

his sight would race ahead of him like a dog,

stop, come back, then rushing off again

would stand, impatient, at the path’s next turn, —

but his hearing, like an odour, stayed behind.

Sometimes it seemed to him as though it reached

back to the footsteps of those other two

who were to follow him, up the long path home.

But then, once more, it was just his own steps’ echo,

or the wind inside his cloak, that made the sound.

He said to himself, they had to be behind him;

said it aloud and heard it fade away.

They had to be behind him, but their steps

were ominously soft. If only he could

turn around, just once (but looking back

would ruin this entire work, so near

completion), then he could not fail to see them,

those other two, who followed him so softly:

The god of speed and distant messages,

a traveller’s hood above his shining eyes,

his slender staff held out in front of him,

and little wings fluttering at his ankles;

and on his left arm, barely touching it: she.

A woman so loved that from one lyre there came

more lament than from all lamenting women;

that a whole world of lament arose, in which

all nature reappeared: forest and valley,

road and village, field and stream and animal;

and that around this lament-world, even as

around the other earth, a sun revolved

and a silent star-filled heaven, a lament-

heaven, with its own, disfigured stars —:

So greatly was she loved.

But now she walked beside the graceful god,

her steps constricted by the trailing graveclothes,

uncertain, gentle, and without impatience.

She was deep within herself, like a woman heavy

with child, and did not see the man in front

or the path ascending steeply into life.

Deep within herself. Being dead

filled her beyond fulfilment. Like a fruit

suffused with its own mystery and sweetness,

she was filled with her vast death, which was so new,

she could not understand that it had happened.

She had come into a new virginity

and was untouchable; her sex had closed

like a young flower at nightfall, and her hands

had grown so unused to marriage that the god’s

infinitely gentle touch of guidance

hurt her, like an undesired kiss.

She was no longer that woman with blue eyes

who once had echoed through the poet’s songs,

no longer the wide couch’s scent and island,

and that man’s property no longer.

She was already loosened like long hair,

poured out like fallen rain,

shared like a limitless supply.

She was already root.

And when, abruptly,

the god put out his hand to stop her, saying,

with sorrow in his voice: He has turned around —,

she could not understand, and softly answered

Who?

Far away,

dark before the shining exit-gates,

someone or other stood, whose features were

unrecognizable. He stood and saw

how, on the strip of road among the meadows,

with a mournful look, the god of messages

silently turned to follow the small figure

already walking back along the path,

her steps constricted by the trailing graveclothes,

uncertain, gentle, and without impatience.

The Archaic Torso of Apollo

Rainer Maria Rilke

We cannot know his legendary head

with eyes like ripening fruit. And yet his torso

is still suffused with brilliance from inside,

like a lamp, in which his gaze, now turned to low,

gleams in all its power. Otherwise

the curved breast could not dazzle you so, nor could

a smile run through the placid hips and thighs

to that dark centre where procreation flared.

Otherwise this stone would seem defaced

beneath the translucent cascade of the shoulders

and would not glisten like a wild beast's fur:

would not, from all the borders of itself,

burst like a star: for here there is no place

that does not see you. You must change your life.

Growing Old

Rainer Maria Rilke

In some summers there is so much fruit, the peasants decide not to reap any more. Not having reaped you, oh my days, my nights, have I let the slow flames of your lovely produce fall into ashes?

My nights, my days, you have borne so much! All your branches have retained the gesture of that long labour you are rising from: my days, my nights. Oh my rustic friends!

I look for what was so good for you. Oh my lovely, half-dead trees, could some equal sweetness still stroke your leaves, open your calyx?

Ah, no more fruit! But one last time bloom in fruitless blossoming without planning, without reckoning, as useless as the powers of millenia.