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TV Hangover

@tvhangover / tvhangover.tumblr.com

Waking up on the couch with an empty DVR & trying to understand what the hell we watched last night. About The SiteThe WritersContact NYC Events Helpful tags: Reviews, News, Interviews, Essays, Best Shows, Worst Shows, Classic Shows, Drinking Games
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The second season of The Mindy Project opens on what we’re meant to believe is Haiti, but is probably just a lot somewhere in Hollywood or more than likely The Valley. We’re quickly caught up on what life has been like, sorta, for Mindy and Casey--they’re young, in love, and now engaged. There were a few jokes in this opening that I enjoyed, specifically the Real Houseflies of Port-au-Prince, but overall it felt rushed and the gallstones seemed like an easy way out of Haiti and lands Mindy and Casey back in New York. 

The tension that was there in the final episode between Mindy and Danny was gone (at least for now) and that’s what I wanted again. We all know Mindy and Danny are going to get together; it’s just a question of when and will it work out. The other side story in this episode, not including the C storyline with James Franco (I’ll get to that) was what has been happening with the reunion of Danny and Christina, his ex-wife played by Chloe Sevigny. Things have not been so good for them. She wants to do it and he wants to do it with himself or more likely not with her. They decide to get some sex therapy, not conducted by Robin Thicke, but by James Franco. The sex therapy doesn’t really work because Danny doesn’t want it to work and that’s another thing we all know watching this so how does Christina not know? She finds his laptop (a moment that baffled me was how is Danny unaware that there’s such a thing a search history) and his search history is exposed in front of the entire office--he watches porn while he’s alone. Surprise! Doesn’t everyone? Anyway, she snaps his laptop in half, a gasp by Mindy and the audience follows, and she’s out. So now Danny is single again and now we have to wait for Mindy to catch up.

Mindy and Casey decide to have their wedding in her apartment, just to get it over with or something because they’re in love, but Casey stops it as Mindy is walking down her living room. “Let’s wait,” Casey says (I’m paraphrasing), but it’s another way to give Mindy and Danny more time to get back to where they were in the season one finale. It was more romantic than that and it was kind of sad to see him go back to Haiti. It reminded me of that scene in Louie where Pamela tells Louie to "Wave to me!" and Louie thinks she says, "Wait for me!" Will Mindy wait for Casey?

James Franco plays Dr. Paul Leotard, a perfectly named handsome doctor that can apparently do everything and is Mindy’s replacement in the practice. I like his part and it definitely plays into the handsome other guy trope that romcomsitcoms go for, but in a 30 Rock way. I don’t expect him to be long term, just another obstacle in the way for Mindy and Danny to get over.

I like The Mindy Project even though it’s often uneven and still feels like the cast is too big sometimes or maybe I just don’t care about everyone at the office as much as I should. I did like the exchange between Danny and Tamra where she called Mindy “Glob”, “I wanna say Glob?”. I want this show to be so good and it has the potential to be so good. I’m not sure what will fix it at this point. I don’t even know if I want Mindy and Danny together. Do I care why Jeremy is fat now or why that is even a thing they did? I want more Morgan. I love Beth Grant and she’s perfect, but feels like she’s there just for the occasional off color joke.

Maybe it all has to do with the title of the show--The Mindy Project just feels like that sometimes, a project. Something we’re all working on together. We’re all working on Mindy. I like Mindy Kaling, her love for romcoms (which is what this show basically is in a much longer form), I believe in her, and believe she deserves a network sitcom that we all watch and talk about. I guess I’m in it for the long run, because I not-so-secretly love romcoms and want to know how Mindy and Danny eventually get together.

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Of all the new sitcoms that premiered last fall, The Mindy Project is the one that most disappointed me. Not because it was the worst of the bunch--not by a long shot--but because I made the mistake of going in with crazy high expectations. It was rarely funny, always uneven, and mostly just downright confused about what it wanted to be. That's normal for the first few episodes of a freshman sitcom. It got better. It ended up winning most of the internet over, although it never quite won me over.

The second season (premiering September 17th) already has an impressive list of guest stars lined up (like Timothy Fuckin' Olyphant) and the premiere features James Franco. Franco is always hit or miss (well, he used to be a hit and now he's almost always a miss) but he might be fun on The Mindy Project? Maybe? I doubt it. I will watch it though and I will keep hoping I'll eventually like this show. 

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Thursday, May 9

8 p.m. Community (NBC) 8:30 p.m. Two and a Half Men (CBS) 9 p.m. Person of Interest (CBS) 9 p.m. Glee (Fox)

Friday, May 10

8 p.m. Kitchen Nightmares (Fox) 8 p.m. Fashion Star (NBC) 9 p.m. Touch (Fox) 9 p.m. Vegas (CBS) 10 p.m. Blue Bloods (CBS)

Sunday, May 12 8 p.m. Once Upon a Time (ABC) 8 p.m. Survivor: Caramoan -- Fans vs. Favorites (two-hour special) (CBS) 8:30 p.m. Bob's Burgers (Fox) 9 p.m. Revenge (two-hour special) (ABC) 9:30 p.m. American Dad (Fox) 10 p.m. Survivor: Caramoan -- Fans vs. Favorites Reunion Show (CBS)

Monday, May 13 8 p.m. How I Met Your Mother (CBS) 9 p.m. 2 Broke Girls (CBS) 9 p.m. 90210 (series finale) (The CW) 10 p.m. Castle (ABC)

Tuesday, May 14 8 p.m. NCIS (CBS) 9 p.m. NCIS: Los Angeles (CBS) 9 p.m. New Girl (Fox) 9:30 p.m. The Mindy Project (Fox) 10 p.m. Golden Boy (CBS)

Wednesday, May 15

8 p.m. Arrow (CW) 8 p.m. American Idol (part 1, live on East Coast) (Fox) 9 p.m. Supernatural (CW) 10 p.m. CSI: Crime Scene Investigation (CBS) 10 p.m. Chicago Fire (NBC)

Thursday, May 16 8 p.m. The Big Bang Theory (CBS) 8 p.m. The Vampire Diaries (The CW) 8 p.m. American Idol (two-hour part 2, live on East Coast) (Fox) 9 p.m. Grey's Anatomy (ABC) 9 p.m. The Office (one-hour series finale) (NBC) 9 p.m. Elementary (two-hour special) (CBS) 9 p.m. Beauty and the Beast (The CW) 10 p.m. Scandal (ABC)

Friday, May 17 8 p.m. Undercover Boss (CBS) 8 p.m. Nikita (The CW) 9 p.m. Shark Tank (ABC) 9 p.m. Cult (The CW) 9 p.m. Grimm (NBC)

Sunday, May 19

7 p.m. America's Funniest Home Videos (ABC) 7 p.m. The Cleveland Show (back-to-back episodes) (Fox) 8 p.m. The Simpsons (back-to-back episodes) (Fox) 9 p.m. Family Guy (back-to-back episodes) (Fox) 9 p.m. The Celebrity Apprentice (two-hour special)

Monday, May 20 8 p.m. Dancing With the Stars (performance show) (ABC) 8:30 p.m. Rules of Engagement (CBS) 9:30 p.m. Mike & Molly (CBS) 10 p.m. Hawaii Five-0 (CBS)

Tuesday, May 21 8 p.m. Dancing With the Stars (two-hour results show) (ABC)

Wednesday, May 22 8 p.m. The Middle (ABC) 9 p.m. Modern Family (ABC) 9 p.m. Criminal Minds (CBS) 9 p.m. Law & Order: SVU (two-hour special) (NBC) 10 p.m. Nashville (ABC)

Sunday, May 26 9 p.m. Smash (NBC)

Tuesday, May 28 10 p.m. Body of Proof (ABC)

Monday, June 3

10 p.m. Revolution (NBC)

Tuesday, June 18 9 p.m. The Voice (live two-hour special) (NBC)

Thursday, June 27 10 p.m. Hannibal (NBC)

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"You've got big balls, Betty Suarez" - Wilhemina Slater, Ugly Betty (2010)

I've been watching a lot of Ugly Betty reruns as of late. And I realized that the best moments in the entire series occur when Betty (America Ferrera) and Wilhemina (Vanessa Williams) are pitted against one another. Both are women of color navigating the very racist world of fashion editorial and despite how stridently she treats Betty, there is part of her that beams when Betty is able to leave the fashion world with confidence. It's one of the most powerful moments in the series--and it has nothing to do with Betty's ongoing relationship with her boss Daniel (which frequently plays into the problematic stereotype of a person of color helping a white person get ahead.) 

This made me want to take a closer look at some of my favorite shows this season--all female-driven--and gauge them. Ugly Betty was by no means perfect when it cames to representations of gender or ethnicity, but it got a lot of things right that I think more ambitious shows are letting slip through the cracks.

Last night, I happened across Anita Sarkeesian's Feminist Frequency installment about The Bechdel Test and perhaps I've been under a rock, but I loved how simply it measured the representations of women in popular culture, but also minorities. For the uninitiated:

• The Bechdel Test was originally created to address the lack of female representation in popular culture; the rubric is simple. There has to be two women who communicate with one another about something that isn't a man.
• Later on, a variation of this test was created to gauge the representation of people of color in popular culture: Are there two people of color and are they communicating about something besides a white person?

What was wonderful about Ugly Betty was that even if it was creatively uneven at times, it represented a world where characters like Betty and Wilhemina could talk about their careers. It's a show that frequently passed both variations of this test.

I wanted to apply both tests to four of the most compelling series I've been following through the current TV season. It's odd, but none of these series--which I think represents the TV's top creative tier--are able to pass both tests. Keep in mind all four of these shows are helmed by, and prominently star, women. 

  • The Mindy ProjectAt its core, this comedy is about Mindy Lahiri--an Indian-American doctor who tries to juggles the demands of her job with her pursuit of love. The writing and acting is solid. However, we do learn that this show--as funny as it is--falls short. Because she dates only white guys in the show (the lawyer, the midwife, that guy played by Ed Helms, and maybe even Danny Castellano) and because most of her conversations tend to be about her dating life--whether she's speaking to a man or a woman--I don't think this show really passes either test. This is all with the exception of her brother--who appears only a couple times so far. But it's a good show! And as it starts to wrap up its first season--I have hopes that perhaps this comedy will start to get out of its comfort zone. 
  • Scandal.  Kerry Washington's turn as Olivia Pope, a Capitol Hill crisis fixer, is electrifying. And showrunner Shonda Rimes does a pretty good job of trying to keep women and people of color from falling into boxes on this show. That said, there is always a nascent fear that due to the nature of the beast--Olivia Pope is fixing the problems of mostly white people, after all--this sometimes fails to pass the second test. I think Scandal's probably at its best in those too rare moments when Harrison and Olivia talk about Olivia for a moment--not about the President, or about their latest hot mess client. I think finding a way to mine that relationship is going to be what keeps the soap's longevity in tact--long after viewers have bored of her on-off relationship with President Grant.
  •  Bunheads. This was one of the biggest surprises of 2012--a soap about female friendships that (1) didn't oversexualize its leads; (2) presented a soap driven by women of all ages; and (3) allowed its female leads to mentor one another. Of all the examples herein, Bunheads is the only one that passes the The Bechdel Test with flying colors--talking about boys comes with the turf of being a show about girls who are coming of age. Unfortunately, this show fails spectacularly when it comes to representations of minorities. I think there are two instances where a black girl is literally trotted out to ask, "Hey guys, what'cha talking out?" and then has no further lines. Again, I see a lot of promise and room for growth--and I think that showing the kind of issues a young black girl might deal with in a primarily white community like Paradise, CA could give AS-P some excellent fodder to transform Bunheads into captivating TV.
  • Girls. From my vantage point, it's hard to see Girls as a feminist serial. Its leads--who are in their mid-twenties--spend much of their time worrying about boys and their relationship to boys. This might be realistic, but I know a lot of young women who spent the same--if not more--worrying about how to be good daughters, how to get the job of their dreams, and how to be happy alone. We do see Hannah and Marnie struggle through jobs--in the time that their friendship is functional, they're able to talk about non-relationship-related things, too, but in the second season, the show basically collapses into a motif of men fixing everything (Charlie chases after Marnie; Adam comes to the rescue for Hannah following a breakdown; an anonymous blond man is quick to console Shoshanna after she dumps Ray). There's one scene--where Jessa and Hannah are in the bathtub together--and it possesses the potential to pack a punch. But instead Jessa laments her short-lived marriage to the wealthy finance guy. The needle could go either way on this soap and second opinions are welcomed--I'm not convinced that this is the kind of serial that feminists should champion. Its portrayal of female relationships depicts women as unhinged and broken. And the race question? We've debated that to death and a few-episode guest arc by Donald Glover isn't enough to make us second-guess our reservations.

I mean, these are all exemplary shows. They represent compelling characterizations and story lines  But also consider, these are all shows conceived by women--in some cases, women of color--and their ability to pass either variation of the Bechdel Test is...well, specious.    Rohin Guha is a writer who can be found here and here.

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This entire week is basically just the internet walking around dejectedly and kicking rocks at railroad tracks while we all impatiently wait for Breaking Bad but in the meantime, here are some things to temporarily occupy your mind:

  • You can now watch the pilot for The New Normal on NBC's website. It's definitely not my favorite new show so far (okay, fine, it's my least favorite but only because I haven't seen The Neighbors yet) but what else are you going to do for twenty minutes? Something that doesn't involve broad stereotypes, unforgivable dialogue, and a token sassy black woman? That's cool, I guess.
  • Or, if you somehow missed them yesterday, you can head over to Hulu (which has been awesome lately) and watch the pilots for The Mindy Projectwhich was slightly disappointing but maybe it'll pull a New Girl and get better, or Ben and Kate, which was surprisingly enjoyable and so charming that I didn't mind the pilot predictability.
  • But really your best bet is to watch Slacktory's supercut of all the shouting in The Newsroom which is the only time I've ever enjoyed anything in The Newsroom.
  • As for words: Huffington Post has your Bluth family fix of the day with 'Arrested Development' On Netflix: Reasons To Be Glad (And Afraid) That It's Returning, a fond look back on the show and some apprehension about the new episodes.
  • The AV Club has been reviewing Home Movies which you should definitely read --and also [re]watch the series via Netflix Instant. It's a show that goes well with the transition from summer into fall, a time that most people associate with growing up, because it's one of the smartest and most honest shows I've ever watched about childhood.
  • That said, it makes sense that Home Movies co-creator Loren Bouchard went on to create Bob's Burgers. All of the Belcher children are fantastic but Tina is, hands down, my favorite adolescent character to pop up on television in years“Uhhh…”: Negotiating Tina Belcher’s Sexuality is an interesting article that you should read so we can all sit around and discuss Tina for hours. 
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