mouthporn.net
#michaela deprince – @tumbling-and-tchaikovsky on Tumblr
Avatar

@tumbling-and-tchaikovsky / tumbling-and-tchaikovsky.tumblr.com

Hi there, my name is Sydney. This is a mess now. Proud citizen of Afanastan
Avatar
Avatar
kris-lulu

I believe that my race has played a part in not getting contracts. North American companies tend to shy away from black female dancers who are darker than a brown paper bag. I couldn’t get into classical companies in the U.S. and Canada. I would make the cuts in auditions and would be one of the last five dancers standing when the audition ended. I’d expect to get an offer, but I never would. After enough of these auditions I began to think that I was truly a dreadful dancer. Then, when I was 17, I auditioned for the Dutch National Ballet. After the audition, when [DNO Director] Ted Brandsen walked over to me and invited me to join the company, I said, “Really?” He sort of chuckled and said, “Yes, why didn’t you think you were good enough?” The truth was that by that point, I didn’t.

In the Dutch National Ballet, my race doesn’t affect my casting. I dance in both classical and contemporary ballets. I danced a solo in both Back to Bach and Swan Lake! I don’t know if it’s this way in other European classical companies, but in the Dutch National Ballet you are cast according to your dancing, not according to your color. I was thrilled when the English National Ballet offered a contract to Precious Adams, and I am delighted by the direction Benjamin Millepied is leading the Paris Opera Ballet. I think that North American companies need to jump on the bandwagon. For like Bob Dylan sang, “The times they are a-changin’…”

Something to be proud of..

You are using an unsupported browser and things might not work as intended. Please make sure you're using the latest version of Chrome, Firefox, Safari, or Edge.
mouthporn.net