does anyone know what post is that one where someone lists out all the ways that Netflix would fuck up a Tales of Arcadia adaptation?
anxiety is writing the first two chapters to a fic, getting two different people to check on it, getting their okay, and still being so freaked out about publishing that you don't do it for a month.
that is to say, i'm publishing my fic today!
check out the link later!
it's probably a result of child-centric media, but trollhunters is interesting to me when you view the trollhunters parents as well-meaning, but perennially absent. they have boundless love, but it's never meaningful because they're never there to give it on time.
yeah they come back, but it's late in the game and the children have already suffered.
bro, I went to Los Angeles over the summer and I saw an Arcadia Lane, and there was a canal that looked exactly like the one in trollhunters.
I think i just saw trollmarket.
no series has ever managed to fill me with a sense of pity and tragedy more than the series finale of Trollhunters.
i love how much needless sacrifice is such a constant theme within tales of arcadia.
straight ships that are actually really sweet and meaningful and both characters have solid arcs outside of their ship mean everything to me.
trollhunters s3 spoilers below
it's my 5th time rewatching it now, with friends this time. and just... the entire ending of s3 enamors me so heavily. it's just this ultimate culmination of the death of innocence.
and it's not bad AT ALL.
the moment Merlin tells Jim "you get the choice to become stronger and be the foe that your villain fears, or you can take your chances as you are. if you stay like this, it's entirely like you'll be killed. and if you change... a part of you is going to die forever."
you just. you immediately know the stakes. i understand that it's quite literally Jim losing his humanity, he becomes a troll, yes. but i equate it so heavily to the loss of his innocence, of his literal human-nature to love and care. because he becomes so animalistic afterwards, it's like watching someone spiral. it's a walking tragedy, especially after you watch the whole show and you can't help but UNDERSTAND WHY he's spiraled so hard.
not to mention, just... the mastercraft of the bathtub scene. it's a sensory overload of every single reason Jim wants to stay human, but at the same time, it's the EXACT reason needs to turn in order to protect all of those he holds dear.
and not just that, the fucking... the deliberate framing. he's alone, locked himself in a room. there's a phone ringing on the counter, but he can't hear it and he refuses to look. he's just sitting there, quietly, going back and forth constantly to decide what to do. his whole family and friends are beating on the door, trying to get to him, but he just won't listen.
the fact that they bleed Anton Yelchin's lines into Emile Hirsch's at times, as if it's a moment of saying goodbye to the previous voice actor. like a passing of the torch. it's almost symbolic of everything he's going to do going forward: letting his humanity, his entire self, die.
i swear, barely any shows i know these days can evoke emotions like that. where the visual metaphor of someone committing suicide is so powerful that you have to just reach out constantly and beg and hope and pray that he will turn around and open the door instead.
it's hopeless incarnate. it's the death of innocence. it's watching the quiet death of someone who just wants to better for the people around him.
it's so fucking painful, but it's god-tier story-telling and animation. i can't even imagine how they managed to write that all down.
I need to talk about how well the first episode of Trollhunters sets up Jim as a character. Things this episode taught us about him:
- He likes cooking
- He likes experimenting with new things, including new recipes
- He cares about his mom, and takes care of her in a lot of ways
- He loves his friend Toby
- He has a crush on Claire
- He wants more in his life than high school and homework and taking care of his mom
- He’s brave and stands up to bullies. I actually love that he even did this despite seeming to think Eli was saying some very crazy things. That didn’t matter to him. The wrong being done did.
- He likes learning Spanish
- He loves sci-fi movies, Gun Robot specifically
- He’s curious about the amulet
- He wants a cool bike
- He is scared of new things that don’t make any sense to him, but he processes it
- He’s having some trouble with school
- He trusts Strickler as an authority figure and mentor
Look at this list! That is absolutely killer for a first episode.
TALES OF ARCADIA PROTAGONISTS / then and now.
My babies have grown :’)
the most unrealistic thing about trollhunters is that a house in california would ever have a basement.
whenever i remember the ending of trollhunters, i am reminded of the treatment of writers and i struggle to remember the virtue of not strangling studio executives and cutting out their tongues.
I am so tired but I'm thinking of about how the trolls are representative of the faeries in Arthurian legend. And Trollhunter changes a lot of that ofc but one thing is that there's a price and cost to everything. Jim becomes of the Trollhunter but he loses his childhood and sense of stability. Changlings can hide in both worlds but will never belong in both, and for them to thrive their human counterparts must suffer. Claire gains power but use too much and she is lost. You can't have one thing without the other. And ik I mentioned Jim's cost before but its more then that.
Throughout the series he is constantly between two worlds and at first its a bit of a joke, but by the time Merlin comes along Jim is running on empty. And his friends, they think they chose, but they are a part of Jim's world that should have stayed seperate yet bled into the magic world as Jim was dragged further in. Jim in the beginning had a sense of preservation. He doesn't want danger nor the constant violence inherent to that role. But he already is stuck in the deal and there's rarely a way out a deal with the these creatures, no matter how unwilling.
All of it concludes in the bathroom scene. Jim stands before the dark water and evaluates his life and the costs it took to get here and it isn't enough, not for the hungry tendrils of a magic. Either he gives himself to the trolls or both worlds die because he didn't pay a high enough price. And it isn't fair and it isn't kind but he steps in and he sinks and he dies and someone else comes out because staying fully human was never apart of the deal. Barbara watches her son be drawn into the wood and has to watch a different child come out.