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A TNBC Fan

@tnbc-thoughtsandheadcanons / tnbc-thoughtsandheadcanons.tumblr.com

This is where I post my thoughts and headcanons about The Nightmare Before Christmas. I am also an admin of The Nightmare Before Christmas Wikia!
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Anonymous asked:

Helloo! Do you have any headcanons of what Jack and Sally would act like drunk.? and their reactions seeing one another drunk? I’ve never seen any headcanons for this lol but I still think they would be cute no matter what!

I normally don't make these types of headcanons, but I guess I can give it a try..!

Jack:

  • He gets real giddy and starts to sing a lot without even realizing it.
  • Out of the two of them, he tends to be more of the lightweight.
  • He forgets about some things when he's drunk, like becoming less aware of how tall he is, and will accidentally hit his head more on doorways than he usually would.
  • He does get some pretty outside-of-the-box ideas for Halloween, so there's that.
  • It's a striking comparison to his usual dapperness - as he gets a little disheveled during these times.
  • He's prone to suffering from hangovers and will get awful headaches the next morning.
  • He still scares extremely well while he's drunk, but has a bit less control over himself and what he does, so he tries to avoid it.

Sally:

  • She gets even more unsteady with her feet and is guaranteed to trip and/or fall if she doesn't have any assistance.
  • ^ Her stitches come out especially sloppy like this, so she usually has to fix them at a later time.
  • The giggly type, she finds a lot of things and jokes funny when she's in this state.
  • She becomes particularly clingy and will hold onto + be close around Jack until she sobers up again.
  • She passes out when they get home and sleeps really well on these nights when they're tippling.
  • Her limbs seem to have a mind of their own and will do things she's not aware of, usually being mischievous or sneaky.

More Headcanons:

  • Jack makes sure to stay extra close to Sally while she's like this so he can help balance her and prevent any accidental falls or detaching limbs.
  • Sally always provides some remedies for Jack's hangovers and will care for him until he recovers.
  • They feel extremely comfortable with each other and will drink together sometimes, they tend to talk a lot and have lengthy conversations that don't make a lot of sense.
  • They kiss and make out a lot while drunk, becoming more physically intimate than they normally would.

Bonus: This doodle from the official crew

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Anonymous asked:

Have you seen the original scene for Oogie and Jacks ending confrontation? We get to see jacks tombstone that Jorgen Klubien drew in his storyboards! You might already know of this but if you haven't the video is called "The Nightmare Before Christmas Workprint - Jack and Oogie Boogie's Confrontation" Pretty interesting! :)

Oh! You might’ve seen me mention Jack’s tombstone in a previous ask! I've seen the Workprint, and I have MANY, MANY thoughts about it!

For one - I loved seeing Santa Claus and Sally working together, they’re a great duo! It was nice to see them coming up with a plan to help Jack and putting it into execution. Dressing up one of the skeletons was a cute touch, and Jack ‘acting’ like he was in pain while hiding with Sally & Zero was funny! I just...loved the whole thing. <3

This Workprint shows something SUPER interesting, though -- and that’s Oogie Boogie and his bugs. He actually sends a *huge* swarm to Jack, who has to run because the bugs eat/destroy everything in its path, including a fellow skeleton in a cage. It might’ve been a *nightmare* for the animators to do that in stop motion, as Oogie’s unraveling scene took a long time to make, so I understand why the concept didn’t make the cut. But, still! It’s a GREAT example of what Oogie is capable of, and how he’d make an equal match against Jack!

Also, Sally’s big smile when Jack’s realizing that she understood all along 🥺 ...also also.....his hand around her waist... 👀

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Anonymous asked:

OOF dont get me started on burtons rather incidental participation in what made tnbc so wonderful... that movie (and then a lot of his movies after that) basically formed my enjoyment of animation and horror and moviemaking and its so annoying to see his movies (and other "auteur" movies for that case) be so heavily presented as something they have solely created... without the team that established the "burton aesthetic" (colleen atwood, bo welch, rick heinrichs, danny elfman, caroline thompson, denise di novi) im sure he wouldnt be half as famous as he is now. and with tnbc in particular, the narrative is so much of elfman and thompson, it almost hurts to see ppl credit burton as the sole creative vision.

ANON! YOU GET IT!!

In the case of The Nightmare Before Christmas - Tim Burton approached Henry Selick to direct the movie because he had a whole ""thing"" about it, and "didn't want to deal with the painful process of stop motion". But that meant the rest of the team had to. One story that sticks out to me is from animator Joel Fletcher, called 'The Shot from Hell', where Burton got to see firsthand, in Joel's words, 'the crew suffering to create his vision'.

Something people may not realize is that there's a department of artists who have to translate Tim's drawn 'aesthetic' into physical stop motion puppets and alike(which can be a challenge with the proportions and anatomy). The crew struggled with things like Sally's long hair and Jack's thin limbs, but they *made* it work, to keep Burton's vision. They deserve more credit for that.

Creatively, Tim's influence goes so far - when the cast was stumped on what to do with Tim's sketch of Oogie Boogie, it was Danny Elfman who stepped in and gave him his jazzy personality based on Cab Calloway. Caroline Thompson was the one who essentially developed Sally's story & personality as well. (Don't get me started on Danny improving Jack from the Poem, into a much more fleshed out character than Tim's initial vision). Visually, Henry Selick pushed many times to ensure the movie looked as wonderful as it is.

If anyone is interested in hearing from the *actual* cast of Skellington Productions, they've been working on a podcast called the We Know Jack Show, sharing their experiences with working on the movie. You can listen to the episodes here!

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Anonymous asked:

Has anyone who worked on the movie commented on the closing epilogue on the soundtrack? I have searched everywhere for any kind of interview or article where someone may have talked about it such as what it was supposed to be or why they removed it, but I cannot find anything. It’s extremely odd to me that they added it to the soundtrack yet nobody who worked on the movie has ever talked about it. Do you know if any of the movie makers have ever commented on it?

NO BECAUSE THIS ALWAYS FRUSTRATED ME...

When I started on my TNBC fixation years ago, I searched long and hard trying to find any behind-the-scenes commentary about the Closing/Epilogue. And much like you, I’ve *never* been able to find anything, even to this day. I have no idea why it’s never been talked about - it’s always in those “fun fact” articles and videos about Nightmare, so you’d think the crew would talk about it after these 25+ years.

I have little knowledge on the Closing’s background. What I know is that Danny Elfman wrote it, it existed in Caroline Thompson’s First Draft dated back in 1991, and that Patrick Stewart narrated it in the Soundtrack(I believe?). I don’t have an exact answer as to why it was removed/unused, what Jack and Sally’s 4 or 5 skeleton children looked like(or why they say ‘4 or 5′ to begin with), and why it was ever written in the first place.

If I were to ask the crew any one question about TNBC, I’ve always wanted it to be about the Epilogue. I particularly want to know Danny Elfman’s reasons for writing it and what happened with it, or if Caroline Thompson was involved or inspired the material at all. If there’s any concept art or storyboards out there of this scene -- if Danny, Caroline, or even Henry Selick/Tim Burton can imagine what Jack and Sally’s children look like.

I’m shocked it’s never occurred to anyone to ask them about these things. It pretty much just feels like a hidden trivia about TNBC at this point, that you can find in the Soundtrack. I hope someday we’ll be able to find further information about it out there, somewhere.

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On some positive news, Nightmare storyboards are becoming more accessible due to Jorgen Klubien posting their portfolio online, and various auction sites listing them for sale!

Here are some I found a few nights ago that caught my attention. The first seems to be from the basket scene where I assume Jack would've winked and gestured at Sally(it is apparently signed by Henry Selick on the back!) The other is from Oogie's Lair where the kids are literally pulling on Jack to get them to go already.

The last one appears to be Jack entertaining the Corpse Kid, which reminded me of one of the scenes from Caroline Thompson's Draft.

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I’ve been thinking about it for a long time, and had a lengthy discussion in the TNBC Club Server about just how horrifying Oogie Boogie is, and how terrifying his capabilities really are. That he’s a truly strong villain on his own with advantages - ones that might’ve even beaten Jack, if that circumstances had been right…or different.

(TW; gore imagery with bugs)

My thoughts on Oogie’s Bug Day holiday aside, I think a lot about how the Nightmare cast actually USED this idea in scrapped scenes and workprints. How Oogie can have bugs inside of him that can cause actual harm. In one workprint, during the Jack vs Oogie fight scene, he sends a swarm of bugs after Jack Skellington, who starts running, and we see that the bugs can actually eat flesh AND bone, after they attack other beings in Oogie’s Lair.

In this situation - if Oogie’s “control bug” had sent the others in a deadly swarm, it’s very likely they could’ve caught Jack and eaten his bones, effectively making him ‘double dead’. How powerful Oogie is in this scene is incredible - although I know animating all those bugs in stop motion would’ve been a nightmare for the animators. They definitely took into account the type of bugs Boogie can have, and how much of a threat they pose, if sent in the right circumstance.

I wish more adaptions would acknowledge the possibilities of Oogie’s powers, and what he’s truly capable of. I know the Nightmare cast did, and it’s a shame that didn’t really get shown in the movie, in the end. He’s still a powerful and terrifying villain - and seeing the reasons why, I don’t think he should be underestimated.

image

Oh! I forgot to link the original Workprint video. :)  @bitsy83

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I’ve been thinking about it for a long time, and had a lengthy discussion in the TNBC Club Server about just how horrifying Oogie Boogie is, and how terrifying his capabilities really are. That he’s a truly strong villain on his own with advantages - ones that might’ve even beaten Jack, if that circumstances had been right...or different.

(TW; gore imagery with bugs)

My thoughts on Oogie’s Bug Day holiday aside, I think a lot about how the Nightmare cast actually USED this idea in scrapped scenes and workprints. How Oogie can have bugs inside of him that can cause actual harm. In one workprint, during the Jack vs Oogie fight scene, he sends a swarm of bugs after Jack Skellington, who starts running, and we see that the bugs can actually eat flesh AND bone, after they attack other beings in Oogie’s Lair.

In this situation - if Oogie’s “control bug” had sent the others in a deadly swarm, it’s very likely they could’ve caught Jack and eaten his bones, effectively making him ‘double dead’. How powerful Oogie is in this scene is incredible - although I know animating all those bugs in stop motion would’ve been a nightmare for the animators. They definitely took into account the type of bugs Boogie can have, and how much of a threat they pose, if sent in the right circumstance.

I wish more adaptions would acknowledge the possibilities of Oogie’s powers, and what he’s truly capable of. I know the Nightmare cast did, and it’s a shame that didn’t really get shown in the movie, in the end. He’s still a powerful and terrifying villain - and seeing the reasons why, I don’t think he should be underestimated.

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I know the subject is on my blog again, but my feelings about Tim Burton and The Nightmare Before Christmas have been held down for so long now because I get insistent anons/people that miss the point on appreciating Henry Selick + the cast’s work on the movie.

One story that I think is EXTREMELY telling comes from one of the animators/crew who worked on the movie, who posted about his experiences online. He shared an interesting story called ‘The Shot from Hell, that I had to write about on the Wiki:

This line from the website catches my interest:

“Tim Burton actually got to witness, proof positive, how the crew suffered to create his vision!”

To elaborate - Tim Burton rarely made visits to the production studio during the time this movie was being made. Among the times he was there, he would witness the crew working hard and fighting through difficult situations just to make his “image come alive”. This especially feels telling after Henry Selick, the director, stated Tim came to him because he didn’t want to deal with “the painful process of stop motion” with making this movie. Of course he didn’t WANT to - but he still had to see it from the crew, no matter how little he visited.

This story reminds me on why we need to appreciate the animators and people who worked on this movie more, especially from stories like these. 

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Anonymous asked:

I agree so much about your post about Danny Elfman. From the tidbits I heard I could never understand why they couldn't just get a voice over coach or something to work with him until he was good enough for what they wanted, they do it sometimes with actors without voice acting experience. The way they talk, it seems they didn't even approach him with the problem until they told him he was being partially replaced, and it seems especially odd since Jack speaks much less than he sings.

Yes, thank you!! I entirely agree! And to hear the situation summarized as "he didn't have the talent" is especially confusing, and disheartening.

'Danny-Elfman-not-getting-Jack's speaking-role' will always be a frustrating part of TNBC's lore to me. It's not that I don't enjoy Chris Sarandon's performance, because I do and I think he's a great fit for Jack! But a part of me can't help feeling upset on Danny's behalf since he practically wrote and projected a lot onto Jack's character. The fact that it was taken away for confusing and conflicting reasons must've been hard on him.

And that is strange, isn't it? That we hear Jack singing a lot more than he talks...It's a really good point.

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Things I wish that wouldn’t have been cut: Whatever this scene may have been…

There are so few scenes of Jack and Sally interacting in the original. This would have been sweet. Especially as supplementary material confirms that Jack was indeed following Sally.

The snow on the tombstones seems to imply this was a concept for the end of the movie which makes me wonder what the heck was gonna be said between them at this moment. Was the whole “I can’t believe I never realized that you”-schpeal gonna be saved for later?

Also, Sally in the last picture is my spirit animal.

I posted this quite a long time ago, and actually found some more storyboards from Jorgen Klubien's portfolio that *might* have been from this scene, or whatever they were planning on doing here...

There appears to be different stills about this situation, but one of the speculations appears to be very much true. Jack looks like he’s pulling a little joke on Sally here by pretending to *be* his tombstone, while in others he just appears right behind it.

Either way, the snow hints this is at the end of the movie and provides us a little scene where they appear to *talk*. About what? I’m not entirely sure, and I wish I knew...but I like to also assume they picked up their talk from Oogie’s Lair. Judging by the bottom right, they might’ve shared a little dance in one of the scenarios.

I’ve been becoming more aware of some deleted and scrapped Jack/Sally scenes, but this one catches my interest the most. I was close to getting some insight on this - but it didn’t fall through. Unless they talk about it in the We Know Jack Show podcast(which I haven’t finished it yet), I’m hoping they’ll at least talk about this scene in The Visual Companion...

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