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started as a mass effect blog, now it's just QL
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lurkingshan

Another week, another struggle to wrangle my complicated thoughts about this beautiful show. In a way it feels fitting that we ended up watching and discussing this at a time when there was just so much happening around us in the real world that we are struggling to cope with. This story is, after all, mostly a meditation on grief and failure and finding small bits of hope among some truly bleak realities.

I've been thinking a lot this week about the pretty significant changes to this part of the story in the TV adaptation. This part departed the most from the novel, which makes sense since in the novel it was largely Young sitting in quiet introspection about his choices and regrets and where things went wrong. Not only was it emotionally dense, it was very interior in nature, necessitating some changes for the screen. Back when I first read it, I found hope in the fact that Young was finally processing his emotions rather than hiding from them despite the gut wrenching nature of this thoughts. The TV version doubled down on that bit of hope and amplified it.

The inclusion of the T-aras throughout continues to be the most consequential change to this story, and this week went even further in giving one of them, Eun Su, his own story. I've noodled quite a bit on Sang Young Park's purpose in adding this subplot about Eun Su's doomed engagement (and many indicators of his general disdain for marriage as a means to find happiness and security). The best interpretation I can offer is that, given the overall message in these final episodes that we can only find hope and true happiness by living wholly as ourselves, he wanted a parallel story that was about getting out of a relationship alongside Yeong wanting to be in one, to make it clear that his message is not about romance fixing anyone.

I also really enjoyed the Eun Su plot for keying into a very real dynamic of long term friendship group dynamics: those times when you suddenly grow closer to one person in your friend group because you are having a similar experience, or because you're the only ones in the group who can empathize with each other about a specific situation. Eun Su knew that among his friends, Yeong was the one who would understand his unhappiness in this relationship and not judge him for it, and for this period of time, their shared discontent and regrets brought them closer.

The way this thread came together with Yeong's regrets over Gyu-ho to prompt his reflections on what went wrong worked really well, and I liked the choice to end the show on a more explicitly hopeful note than the novel, as it felt fitting for its lighter tone throughout. Instead of leaving Yeong on a moment of deep regret as he thinks back to the lantern with Gyu-ho's name on it falling from the sky (Gyu-ho. My only wish.), we end with him celebrating with his friends on a rooftop, gazing up at fireworks in the sky, thinking of Gyu-ho with sadness but also naming his enduring wish for love with a smile.

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Love in the Big City IRL (2/??)

Love in the Big City: Young and Gyu Ho have lunch together after visiting the pharmacy, where Young buys 'anti-viral drugs for HIV"

IRL: Cabbages & Condoms, 6 10 Suk Chai Alley, Khwaeng Khlong Toei, Khlong Toei, Bangkok 10110, Thailand

The owner of the restaurant, Mechai Viravaidya, an economist, chose to open it to promote family planning and population polities through this restaurant, which aims to destigmatise condoms and promote their use. Believing that condoms should be as common as cabbages, he chose to use that for his restaurant's name. The restaurant is run as a non-profit and above the restaurant that is visited in LITBC, is an abortion clinic. There are some other Cabbages & Condoms restaurants around Thailand as well. (more info here)

It is important that Young's voiceover that takes place in this restaurant, about how Kylie has changed his life, takes place after he visits a pharmacy, where he buys 'anti-viral drugs for HIV' and has sex with Gyu Ho without a condom for the first and last time.

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Iqiyi had some of this translated but looks like Gaga and Viki didn't, so just in case you were curious:

"My mom died a long time ago. Ever since I can remember my life has been planned and scheduled by the hour. Get up at 5, breakfast at 6, leave for school at 7, exam at 8. My childhood with the exception of sleep..."

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The lantern we sent up that day did not go far. The moment it made it past the breakwaters, it caught fire and spewed black smoke over the water before crashing into some faraway waves. Some of the people around us started laughing. Smiling, the woman in the red lipstick commented that there must’ve been a hole somewhere in the paper. I looked back and forth between the other lanterns that were flying far away and the spot that ours had fallen into. I stared at it for a long time. The other people started to move on, going their own way. Gyu-ho also turned and walked away, but I couldn’t get myself to leave. It was unbelievable to me that my wish had fizzled. I’d started writing so many things on that lantern, fixing my life many times. To succeed in my diet, to win the apartment lottery, to have a Porsche Cayenne, to have a bestselling debut . . . None of them was what I really wished for, so I crossed all the words out. That was how the lantern ended up with a hole, I bet. In the end, I left just two syllables on the lantern. Gyu-ho. My only wish. [Love in the Big City by Sang Young Park]
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twig-tea

I'm still processing the end of Love in the Big City the series, but I wanted to jot down a few details and unfinished thoughts that are sticking with me after episodes 7 and 8 [series-only thoughts].

Putting together the timeline made me realize how many important moments in Yeong's life share or are near to the same anniversary; We know he contracts HIV in February (2014), and that Gyu-Ho leaves in February (2022), and that Yeong quits his job in February (2023).

In ep5, we see Yeong's phone where he has three missed calls from Gyu-Ho, and we can see that he's saved Gyu-Ho's name as Q~❤ [hearto], and that probably contributed to why he had hope that the mysterious Q was Gyu-Ho.

We see Yeong finish the soy sauce, and he said it was expired back when they were living together, so that means it's another year out of date. There's something in this metaphor about hanging on past when things are good and finally being able to let go.

When Gyu-Ho first looks at the elephants in the cheap Bangkok motel they were a pair on that nightstand, and he only took one of them.

The metaphor of the ceiling fan hanging over them like a threat the one time they have sex without a condom, how the trust that the fan will not fall feels similar to the trust that the PrEP pills will do their job. Thinking about the way Yeong says Kylie is his and how he wants to be sure she'll remain only his.

And how that ceiling fan ties connects with Habibi and his photos of ceiling fans, how the ceiling is the last thing he saw before he went blind for two weeks and so he takes photos of them in every hotel, how he uses it as his profile picture on hookup apps, how he is hiding from his family and the life he doesn't want by spending time with people on the verge of breaking, but holding on.

The way Gyu-Ho haunts the narrative in episodes 7 and 8 the way Kylie haunted the narrative in 5 and 6.

The perspective we got on the scenes from Yeong and Gyu-Ho's trip to Bangkok in 7&8 contrasted with the version we got in 5&6 was so well done; both versions fit together really well but cannot be fully reconciled because our memories are never perfect, and a person is not a character in a novel.

I also found myself pondering how they shot the scenes that reprise across Parts; did they have both directors on site for these moments and shoot them in the same day? The technical aspect of these is so interesting to me because of the different directors and how different these shots looked (not just in the nuances of how they were acted, but how they were coloured, framed, everything).

There's something in my head about how writing was what drove a wedge between them when they were together, what Yeong tried to use to keep them together forever on the lantern (and instead what tore up the lantern), and what he used to remember Gyu-Ho when they were apart.

Something also about how Eun Su was so much better off not being married, I was so relieved when we found out the wedding had been called off, and how the pressure to hide how he was feeling about what was happening in his life was what made him feel closer to Yeong.

I was just so relieved when the T-aras fell through that door after Yeong tried celebrating quitting his job by himself and instead fell into a depression for six days. I have had friends do a similar wellness check for me and I will never forget how loved it made me feel when I thought I was unlovable. I'm just so glad Yeong had the T-aras in his life; and their presence in this section was complicated but deeply moving. I'm still working through everything I think about how they functioned in the series, but I am so, so grateful for them, and to this series as a whole.

I absolutely loved it.

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twig-tea

Love in the Big City TV Series Episodes 5 & 6: Kylie Once Again Recontextualizes Everything

I already wrote about the relationship between Gyu-Ho and Yeong in this part, so I wanted to focus on something else for book club. And after working on the timeline in the series, I decided to revisit my meta for Part 3 of the novel, in which I wrote about how Kylie recontextualizes everything that came before we knew about her. I’d like to do the same here for the series while reflecting on the differences.  Knowing when his mother died, the T-aras being present through the whole story, and starting the story after Kylie are the three big changes that I think worked really well in this adaptation, and all of these changes mean that the revelation about Kylie in episodes 5-6 hit a little differently than in the book. 

[screenshot from this post by @how-to-be-a-tree]

With the revelation in this part that Yeong went to the military a few months before the T-aras, we now know that Yeong had recently contracted HIV just before the series began.The hints in episode 1 that he was struggling (hadn’t been going to class, doing odd jobs and asking for the extra clothes) make more sense. It also recontextualizes the aggressive kiss in the club where he kissed that stranger so hard he bled. This also means that, unlike in the novel, he meets and befriends Mi Ae after he was already diagnosed, and since he tells Gyu-Ho that he’s the only one Yeong’s ever told, we know he never told Mi Ae either. Watching them hold each other’s hands as they whisper their secrets in the dark takes a new sad tint to it knowing that Yeong could not trust her with his deepest shame.

[screenshot from this post by @maletimbe]

I wonder if part of his strong reaction to her outing him to Jun Ho was because he had been wanting to tell her, and it was painful knowing he could never trust her with that secret. I wonder if that’s why he doesn’t go to the T-aras after his fight with Mi Ae, but goes to Nam Gyu instead, because he wouldn’t be able to explain to the T-aras why he was so hurt, and on some level the T-aras have already rejected that part of him so he can’t trust them with that vulnerability. 

I wonder if sending the T-aras off at Karaoke reminded him of Kylie and is part of what pushed him to break up with Nam Gyu. After his fallout with Mi Ae, when Yeoung is telling Nam Gyu to find someone braver than him, I wonder if he was thinking about Kylie.

When he goes to Nam Gyu’s funeral and asks how he died, I am pretty sure just by the way that scene was performed that he was thinking about Kylie and wondering whether he killed him–and it makes that revelation hit double-hard, that Nam Gyu was killed in a car accident speeding, because it just reinforced his worst fear: he had gotten Nam Gyu killed, just not in the way he thought. [I don’t actually hold Yeong accountable for Nam Gyu’s decision to speed, but I can imagine Yeong took it that way]. 

I wonder if Yeong was attracted to Yeong Su partially because of the way he tries to help his mother, who is an addict–there’s something in the way social stigma against addicts and poz folks is similar (partially because needle sharing is a way to contract HIV), and how acceptance of those states of being can often come together. I wonder if that's why he could take Yeong Su's more heteronormative kdrama lead style romance when it irritated him in Nam Gyu.

In any case, Yeong having HIV through that relationship and hiding it from Yeong Su makes his reading of Yeong Su’s article about the  immorality of being gay hit even harder. I also think about how irregular his schedule was then, and how bad he was at taking his medication regularly and on time. And knowing that there are restrictions to travel and to moving places, I wonder if part of his rage at Yeong Su moving to America was about knowing that even if Yeong Su had asked, he could not have joined him (you can travel to the USA with HIV but it can be difficult to get a green card). Honestly he was probably too hit with the betrayal and callous rejection to do that full calculus in his head in that moment but I wanted an excuse to use this gif because watching Yeoung punch Yeong Su is good for the spirit:

It also recontextualizes the scenes with his mother, and how much she cared about appearances and judgment, and how she contextualized her own disease as a punishment from God, so how could he not do the same about his own? When overdoses on pills, and his mother tells him not to be in a rush to die, I wonder if the hospital successfully did not disclose his HIV status to her during that period.

Seeing the T-aras there and so worried about him must have been healing even if they still don’t know about this major part of him; he knows they love and care for him and want him alive. Yeong not telling the T-aras about his application to the company because he’s afraid of being rejected for his HIV status tells me that he still hasn’t told the T-aras about Kylie through Part 3; I’m not sure he ever will. But there are people in our lives who we love and who love us in return who we keep secrets from; it means there will always be a level of distance, but it does not mean we aren’t important to each other. 

His mother dying at the beginning of Part 3 is a significant detail that we don’t get in the book, and it made me rethink why Parts 1 and 2 did not mention Kylie at all. In the series, we have Yeong writing Part 1 in episodes 1-2, Part 2 in episodes 3-4, and Part 3 in episodes 5-6. We know he wanted his mother to never know about Kylie, and we know that she followed his literary career and kept copies of his work even if she won’t read them. So it makes sense that he could only write about having HIV and incorporating that into his narrative after her death. I also wonder if Yeong being willing to open up to Gyu-Ho about Kylie has to do with his mother’s death: One of his reasons for keeping the secret so carefully is no longer present.

This isn't recontextualized because by the time we see this we know about Kylie, but how much of Yeong's fixation on Gyu-Ho's silent sleeping and needing to check he's still breathing has to do with his fear that Gyu-Ho still hasn't settled into the relationship and is tip-toeing around him, and how much of it has to do with his fear of giving Gyu-Ho HIV and making him ill? They're barely having sex so it's a pretty irrational fear but that's not how fear works. We know he's thinking about Kylie all the time through this section because he asks Gyu-Ho about how he feels abut Yeong being "dirty" more than once.

One last moment of painful reflection: The first two parts of this series had clear relationship pairings and parallels: Mi Ae and Nam Gyu in Part 1, and Yeong Su and Yeong's mother in Part 2. I was thinking about whether Kylie and Gyu-Ho are our pairing in Part 3, and while I don't think we get enough reflection about Kylie to make this case strongly, I'm struck by how Yeong characterizes Kylie as something he is "stuck with forever", and how he is determined to let Gyu-Ho go.

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