The 2019 Chinese drama The Untamed (CQL) quickly became a massive phenomenon, drawing millions of viewers in China and beyond. Its resonant story, rich cast of characters, and striking production captured audience attention globally; its paratexts and fandoms helped keep that attention sustained. What made this particular mix so compelling, and what can The Untamed show us about increasingly transcultural media flows? Catching Chen Qing Ling explores how The Untamed has been translated, produced, distributed, watched, and remixed. Contributors offer multifaceted insights on the path from subcultural writing tradition to highly profitable entertainment media, as well as some of the challenges such change engenders. From fan translations and digital labor, to the 227 Incident and issues of censorship, this collection explores some of the questions raised by The Untamed’s enduring resonance and considers what it might mean for the future of transcultural media.
Stay tuned for more information and contributor spotlights in the coming days!