I wrote a college paper once about gender dynamics in Disney films, and part dealt with the emphasis of androgyny in this film. Mulan is an outsider and unsure of her position of the world when she is adhering to both a total feminine role (the matchmaking scene) and a total masculine role (disguised as a male soldier) and it’s only when she’s able to embrace both sides that she is able to fully showcase her abilities and ultimately save the day.
The entire climax, from climbing the poles using sashes, counting on Shan Yu’s complete dismissal of women to get the Emperor to safety, to this scene where she literally uses a symbol of womanhood (within the movie at least) to disarm the villain of his symbol of masculinity and beat him at his own game, shows Mulan relying on the aspects of her femininity that she has grown up adhering to and adapting the tactical knowledge and fighting skills that she learned disguised as a male soldier to those aspects. The result is a unique and innovative view of the world and her course of action that leads her to save the day when the male soldiers failed and the women wouldn’t even have been allowed to try.
Can…
Can I read your paper and maybe build a shrine to it
The Story of Luke and Rapunzel, and why the Grand Gesture is Bullshit.
Anyone online in the UK this week has probably come across the story of Luke from Bristol - (see here for original story:
Luke decided (and announced publicly and on social media) that playing the piano non-stop on the village green would be an appropriate way to “win back” the girlfriend, known to him as “Rapunzel”, who rejected him after their four-month affair.
There was, understandably, a fair bit of discussion on this. Some people (mostly men, it seems) thought it was a romantic gesture. Others (mostly women) thought it wasn’t. After a fair bit of exposure and some fairly passionate debate, Luke from Bristol has finally stopped playing, after an incident at 4 am last night (someone punched him – I wonder why?). Since then, the debate has continued, with some people (mostly men) saying how ungrateful and incomprehensible women are to reject The Kind of Romantic Gesture All Women Want, and some (mostly women) saying; “Serves him right.”
Now I don’t know Luke from Bristol. He may well have problems of his own, and I don’t believe that punching anyone in the face is necessarily the best way to solve them. However, there is a conversation to be had about male perceptions of What Women Want, and women’s perceptions of What Makes a Romantic Gesture, and how those ideas can cause conflict, misunderstanding, and, in some cases, abuse.
First, let’s look at where the idea of the Grand Gesture came from. Given the nickname that Luke gave his ex-girlfriend, let’s start with Rapunzel.
The story: Rapunzel has been trapped in a tower for the whole of her life. Along comes the Prince to rescue her. After a number of adventures (tasks), he manages to do so, and thereby earns his reward – that is, the girl herself, all-too-often represented in fairytales as the prize the hero wins, after having fulfilled his tasks. This scenario exists in so many classic fairytales: Snow White; the Sleeping Beauty; Rapunzel. In all these cases, the girl has never even met the guy she ends up marrying. Snow White and Beauty are both unconscious: Rapunzel is at the top of a tower, and presumably only gets to see the top of his head. Not the greatest basis for a lasting relationship. But these stories are all based on the idea that the girl will happily put out out of sheer gratitude. The guy wins the girl by fulfilling a series of tasks. The girl conveniently falls in love with the guy because he fulfilled all the tasks. No-one ever asks the girl whether she really wants the guy. No-one asks what would have happened if she’d just said: “Thanks, but I never asked you to do these tasks for me in the first place. Now jog on, there’s a good chap, and let me get on with my own life.”
And here’s the problem. The history of the romantic novel is littered with this kind of bullshit thinking. The woman is all-too often a passive player in the game. And modern men and women are still being fed the myth that men should make grand gestures in order to deserve them.
But here’s the thing. Love just doesn’t work that way. If you don’t love someone, then no grand gesture is going to change things. The public proposal at the football match, the guy who fakes his own death before leaping out of the ambulance covered in theatre blood, clutching an engagement ring (yes, that did happen); the guy who swears he won’t stop playing piano until his beloved comes back to him – none of those gestures will actually make someone love you. At best, they will be embarrassing; at worst, they seem manipulative, coercive and downright creepy.
It’s hard to turn someone down in public. You’re afraid that the person will feel humiliated. You’re afraid that all the onlookers will judge you for being heartless. You say yes because you’re feeling pressured. Because you’re being publicly coerced by someone who knows exactly what they’re doing.
In the same way, when someone threatens self-harm, or even suicide if you refuse to give them what they want, you feel responsible, even when you’re clearly not. You may even see it as a sign of their love for you, rather than a sign of entitlement, mental illness or abuse.
But behaviour like that is abuse. It may not seem that way, but it is. The language of love has traditionally been all about the cruelty of the woman who won’t put out and the suffering of the man who wants her to. But really, all it comes down to is the wheedling of a naughty little boy going: “Please, Mum, pleeeese, oh pleeease, oh, pleeease, I’ll cry, I’ll scream, I’ll HOLD MY BREATH UNTIL I DIE AND THEN YOU’LL BE SORRY,” until his mother, out of sheer exhaustion, rewards him with a sweet or a toy, thereby feeding him the myth that all women will give in eventually, if pressured enough to do so.
Coercion has nothing to do with love. Public gestures are all about ego. They’re not for the recipient; they’re for the public. They’re not sincere. They’re theatre. In the same way, threats of self-harm (be that threatening suicide or just playing the piano until you drop) are not about love. They’re about manipulation, which is a form of abuse. Real love puts the other’s feelings before one’s own. Real love doesn’t want the control or coerce. Real love cares about what the other person thinks, and when the other person says: “no”, then real love backs off and shows respect.
Fairytales may be lots of fun, but they’re not a template for real life. Neither are love stories in fiction. Heathcliff may say he loves Cathy, but how does he show it? By marrying and abusing another woman; by tormenting Cathy to death and taking vengeance on her child.
“He loves me with such passion that it comes out in violence” has been the cry of abused women throughout the ages, in fiction and outside of it. And yet it’s bullshit: the truth is that a violent man is violent because he can’t or won’t control his aggression. Love has nothing to do with it, whatever he might claim. And a man who blames women for his own lack of self-control is a man who may one day attack or maim or kill a woman because he doesn’t feel accountable for his actions. He’ll say: “She drove me to it.” What that really means is: “She didn’t give me what I wanted, which in my world is unacceptable.”
So, repeat after me:
It isn’t cruel to refuse the advances of someone you’re not interested in.
The moment you say no to them, your responsibility to the other person ceases.
Grown-ups don’t wheedle. No means no.
Returning unwanted gifts isn’t cruel: it’s necessary.
You don’t owe it to someone to love them, just because they made an effort to get your attention.
Theatrical, public gestures designed to make you do something you didn’t want to aren’t romantic. They’re selfish, childish and bullying.
Saying he loves you in public makes you just one of the audience. Saying he loves you in private – that’s between the two of you.
And most of all, remember this:
Women are not rewards for being a good boy. Women are not prizes at the shooting-range. Women are not there to be bought. They get to decide for themselves who they want. Men don’t get to tell them how to make their choices. That’s right: not even nice-looking men with romantic hair and a shy little smile who like to play the piano.
So. Fucking. Much. Real love respects both of the participants’ right to choose.
I don’t understand people who don’t think Derek can bottom because he’s “too masculine”. Are you for real?
Derek is a rugged, powerful, intimidating, beefy stud that can rip out your throat with his claws, punch through solid concrete, back-flip off walls, make you weak in the knees with just a glare… and yet he can still enjoy having his prostate pounded at by a big cock.
Normalize boys touching boys. And yes, by that i mean, gay couples should be allowed to kiss or hold hands in public if they want, just like straight couples are allowed to. But i also mean: Let male friends snuggle while watching movies if they want. Let male friends greet each other with a kiss on the cheek if they want. Let male friends walk around holding hands if they want. Let boys express friendship by touching each other.
Ok, then allow women to chest bump, arm wrestle, and basically be frat boys. If we’re emasculating men we might as well make women hyper masculine.
That’s not the point. The point is to let anybody express their emotions freely oml. ( Disclaimer: destructive methods of expression do not count, don’t flood me with that “ SO IF I’M MAD I CAN MURDER PEOPLE?! ” bull)
Turning men into emotional wrecks is ill advised. Men are the head of the household, leaders, being emotionall compromised 24/7 is a bad idea.
Men express their emotions differently.
Imagine having a masculinity so fragile that you couldn’t touch your friends. Imagine how damaged your concept of relationships and destructive it must make you…. Imagine being so stuck in a precept of what society expects of you that you police others to the point of harassing other blogs…. yike, glad I dodged that one 💅🏾
kanye west hates women and i wish he would just say it instead of pretending it’s art
tbh all men in the arts who try to make their grotesque depictions of their own misogyny seem deep and meaningful can eat glass
masculinity is a prison, time doesn’t exist, gender isn’t real, virginity is a construct, and Jesus wasn’t white.
me @ dinner parties
If a girl feels uncomfortable hanging out with you alone, and you get so offended by that, it makes you angry, she probably made the right choice.
I know I’ve reblogged this recently but still so spot the fuck on.
why do men do that thing where they can know absolutely nothing about a topic but will still find a way to talk to you like they have a PhD on it
Rebecca Solnit, Men Explain Things to Me (via christinefriar)
This is the single best post I’ve ever seen.
A few retweets from the Everyday Sexism twitter page, a project that aims to highlight the daily slights that women and girls suffer.
THIS PISSES ME OFF SO MUCH I WANT TO PUNCH SOMEONE
Male actor dresses as woman to experience sexual harassment (by CNN)
Going along with my gender thing earlier this week. This is why I’m so afraid to present myself as female. My social anxiety towards men as a woman is what pushed me towards gender neutrality, I believe.
That’s just it. I’m predominantly male because I’m afraid to be a woman. What a world we live in.
It’s sad when a guy dressed like a woman gets hit on more than I do XD
But seriously, sexual harassment is a big deal, guys, don’t be jerks.
Rape prevention tips
Posted by Leigh Hofheimer under Prevention
(via visualplaygrounds)
We are all responsible for this culture of Toxic Masculinity and we need to work together in a movement to change that. Masculinity disempowers everyone. It's positioned as "don't be a woman or a gay man" rather than "be a man". What can you do to help teach boys and men to rise above?
Gwen Sharp
(via pushtheheart)