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The Smithian

@thesmithian-blog / thesmithian-blog.tumblr.com

culture is politics. politics is culture. [beta]
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...Janet MacLachlan and...James McEachin worked on [the Rockford Files] in parts that were about character, not race...Rita Moreno elevated the heroic call girl stereotype in her recurring role...Maybe one reason is that the decision makers on “Rockford” reflected life, as well. Behind the camera, actor-director Ivan Dixon directed a chunk of episodes, and African American actor-producer Chas. Floyd Johnson was a longtime part of the production team. It all seemed no big deal in the Rockford/Garner world, one that was written, it can be noted, not only by David Chase, who obviously learned lessons he would later bring to “The Sopranos,” but also by Juanita Bartlett, who wrote many of the show’s best episodes and was story consultant.
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Bong Joon-ho‘s Snowpiercer opened in the director’s native South Korea last week...It has broken box-office records at home and is...well-reviewed across the board. But...the film has yet to announce a U.S. opening date. Now we know what the holdup is...Harvey Weinstein reportedly has plans to chop up Snowpiercer, reducing its running time by about 20 minutes...It’s because in his opinion...Midwesterners..."[his] aim is to make sure the film ‘will be understood by audiences in Iowa… and Oklahoma’”...The cuts will remove much of the character work to make the film play more like a traditional action movie...voiceovers will be added to the beginning and end of the film.
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...the reimagining of Heathcliff, that “dark-skinned” “gipsy”...as a black man...Brontë’s Heathcliff was repeatedly evoked as “dark,” and culled from the slums of Liverpool (a port fraught with immigrants). But in movies and theater, he has always manifested as white, from Laurence Olivier to Tom Hardy. Brontë may not have intended Heathcliff to have been a full-on African—which in the 1700s meant being a slave—but Arnold’s coup turns the old story around, from a wicked love-lost tragedy into a crisis of a society suffering the guilt and ghosts of slavery.
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“If I gave you a list of all the films that have been released by studios in the last five years, you’d have less than 10 percent that are contemporary dramatic representations of black people...You’re going to have historical drama, you’re going to have Jackie Robinson, you’re going to have ‘The Great Debaters’ and ‘Red Tails,’ everything in hindsight. And you’re going to have contemporary comedy, which is useful and should be there. But no contemporary dramas, and that’s the stake that these filmmakers are planting.”

director Ava DuVernay

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