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Theoretically a book blog?

@thelibrarybee / thelibrarybee.tumblr.com

Bee, late 20s. Books! Art! Space! and so on... (for Doctor Who related shenanigans, please refer to the sideblog, @uselesstimelords, and for Star Trek, @wormhole-aliens)
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Okay so this is a big deal

To me, and to a significant subset of Sir Terry's fans (including most of you who've found this by the tags), his writing is serious commentary on the human condition - politics, prejudice, self-control, revenge vs. justice, religion, idealism, faith in people vs. cynicism, and more - dressed up with fantasy settings and a hefty leavening of humor to make it fun to read. And it is WILDLY fun to read, actual laugh-out-loud or at least a snicker averaging about every page.

But there's this common idea among the "important literature" people that fun and funny books are not also worthwhile or important in the same way.

This is a Discworld book being released WITH ACADEMIC COMMENTARY and AS A PENGUIN CLASSIC. That's a HUGE amount of recognition.

Oh, I’m about to tear up. I had to fight so hard to do my thesis on Pratchett because the university didn't like what they considered pop culture being studied as literature and this is just... Existing. 🥹

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deoidesign

A general cane guide for writers and artists (from a cane user, writer, and artist!)

Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!

This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.

This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions in your writing, but you absolutely should continue to do your own research outside of this guide!

This is NOT a medical resource!!! And never tell a real person you think they're using a cane wrong!

The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!

A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.

Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height can make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)

(some people elect to use a cane wrong for their personal situation despite this, everyone is different!)

(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)

When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane and the bad leg and follow with the good leg!

Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.

In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.

Now we come to a very common mistake I see... Using fashion canes for medical use!

(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)

The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!

Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.

The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!

This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!

However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.

Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)

Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.

Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)

(my canes, for reference)

If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!

When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!

For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.

When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)

When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)

That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!

Happy disability pride month! Go forth and make more characters use canes!!!

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OFFICIAL HOLMWOOD FOUNDATION CAST ANNOUNCEMENT!

The Holmwood Foundation are proud to present the cast and crew for our pilot episode: Across the Moors.

Rebecca Root as Maddie Townsend and Mina Harker, and Sean Carlsen as Jeremy Larkin and Jonathan Harker.

Other voice talents include:

Samuel Clemens as Arthur Jones Becky Wright as Thrall & Phone Voice Jessica Carroll as Newsreader Luke Kondor as Robert Swales and featuring Attila Puskas as Dracula

Joining our crew we have Samuel Clemens as Director, Katharine Armitage as our Script Editor and Benji Clifford as our Sound Engineer and Designer.

Also a special thank you to Alfie Shaw, Lisa McMullin, John Dorney, Tal Minear, Robert Taylor, David K Barnes and our sensitivity readers for their support in making the pilot a reality! 

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vinceaddams

Please, I implore you, do not be intimidated by sewing. 

If you try to make a thing and it turns out bad then it’s ok, you learned stuff by doing that. I see so many people say they want to sew stuff but are scared of screwing up, but it’s nothing to be afraid of!! Find some cheap thrift store fabric or secondhand clothes to cut up if you’re worried about wasting costly materials, but please just try sewing the things you want to! 

Things that are scary: Floods, tornados, politicians, busy highways full of trucks, fire, seaweed

Things that are Not scary: sewing something crappy

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systlin

I cannot count the times I’ve looked at a seam, gone “fuckdammit”, and reached for the seam ripper.

And all those projects came out fine in the end!

but are you SURE because it looks VERY scary

It only LOOKS scary! Once you get into it, you realize that there’s nothing you can fuck up that can’t be fixed.

You get used to the noise of the machine and even hand-sewing is meditative. I’m still not used to it all the way but if I can sew a zipper pouch and only lose my mind a little (I do not recommend zippers as a first project, leeeeeeeaaaaaarrrrrn from meeeeeeee), you’ll be fine.

You did ZIPPERS as a FIRST PROJECT?????

Fuckin’ hell, talk about a trial by fire.

Turned out decent tho

Mad respect. Dang.

If I may add onto this, and please tell me if this isn’t appropriate, don’t be scared to at least try some other crafts too!

I never would have taken up crochet if I’d been too terrified to start! And at first I was! But it was relatively easy to look up a guide on YouTube, and now I seriously enjoy it! I’m not the best at it yet, and sometimes I look at a row and just sigh and pull it all out and start again, and that’s okay!

What I’m saying is, don’t be afraid to try any craft like this! I can almost guarantee if you just try it, you’re gonna love it.

Abso-hecking-lutely! Do not be afraid to do the making of things!! Also relevant, this advice dinosaur:

I don’t know why this 4 year old post is suddenly getting notes again, but it’s still true!

Here are some of the first things I ever sewed. (when I was maybe 5 or 6. But you do not have to start early to get good at sewing, and I didn’t sew much or try to do any actual garments until at least a decade later.)

And here are some things I’ve sewn in the past year.

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reblogged

Title: The Garden Against Time. In Search of a Common Paradise Author: Olivia Laing First published: 2024 Dates read: 30.05. – 09.06.2024 Category: first-time read, memoir, nature writing, non-fiction, own book, LGBTQ+ author Rating: 5/5 The book in five words or less: beautiful & inspiring, inside & out

My thoughts:

In early 2020, Olivia Laing fell in love with a house, or more specifically: with the old garden that came attached to it. The Garden Against Time is Laing’s account of restoring said garden, and of the thoughts, themes and tangents that emerged from this process, much like flower beds, old-growth trees and walkways emerged from the untamed greenery that had covered them for decades.

Starting from the history of her new home and garden, its planner and the landscape gardeners that inspired it, Laing goes on a journey through the history of gardens, utopian thought, and plant care. She covers such diverse topics as the Garden of Eden and Milton’s Paradise Lost, William Morris’ social utopia, realized in his home and garden at Red House, the connection between landscape gardening, early modern Caribbean history, and slavery, Derek Jarman’s seaside garden at Dungeness and gardening as a means of dealing with trauma, and the politics of garden access and the power relations that can be embedded in landscapes. The book is, as seems almost always the case with Laing’s works, broad in scope but held together by a personal outlook on the place or object that inspired Laing’s various tangents to begin with. As is so often the case with Laing’s works, it’s not necessarily what she writes about that I’m so enamoured by (though I certainly also share a couple of interests with the author), it’s how she manages to connect seemingly unconnected topics, places, and people. I also appreciate that the book, despite covering a couple of heavy topics like trauma, the pandemic, and war, stays ultimately hopeful in outlook.

I think that at this point I can no longer be entirely objective when reading and reviewing Laing’s books, mostly because her way of thinking, of moving almost seamlessly through art criticsm, landscape and nature writing, literary criticism and history, is so very similar to my own. I am bound to love almost anything the author touches, but I am happy to report that this book is also a great read because it flows naturaly from topic to topic, despite (or perhaps because?) its broad scope. And I will also say that ordering this book in hardcover was absolutely worth it: Not only does it come with a beautiful cover design and pleasing typography, it also features illustrations in the form of woodcuts (both historical and by Laing’s very talented neighbour John Craig).

Read if you like: old gardens, literary and cultural history, Paradise Lost, personal experiences expanded to a broader scope, plants, beautiful book design, William Morris and social utopias, Derek Jarman, Laing’s other works

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